background preloader

MOCA: ENDS OF THE EARTH: LAND ART TO 1974

MOCA: ENDS OF THE EARTH: LAND ART TO 1974
Developed by MOCA for Ends of the Earth: Land Art to 1974, this interactive feature maps key artworks included in the exhibition, pinpointing their original locations to demonstrate the global nature of Land art and its relationship to real places and times. Click on an artist’s name to begin. Ends of the Earth: Land Art to 1974 is the first large-scale, historical-thematic exhibition to deal broadly with Land art, capturing the simultaneous impulse emergent in the 1960s to use the earth as an artistic medium and to locate works in remote sites far from familiar art contexts. Organized by MOCA Senior Curator Philipp Kaiser and co-curator Miwon Kwon, Professor of Art History at UCLA, the exhibition highlights the early years of untested artistic experimentations and concludes in the mid-1970s before Land art becomes a fully institutionalized category. Major support is provided by Barbara Kruger and L&M Arts, LA. WEBSITE CREDITS:Concept and direction by Bret Nicely.

Perm (russie): Combinaisons gagnantes Le résultat, très réussi, permet d'appréhender l'évolution de la réflexion picturale au fil des cinquante dernières années et de démontrer combien sa richesse et sa diversité restent d'actualité. « Beaucoup d'artistes aujourd'hui touchent à l'installation ou à la sculpture, tout en reprenant des arguments autrefois propres à la peinture, rappelle Alexandra Fau. Loin d'être exhaustives, ces douze « combinaisons » constituent une bien belle entrée en matière, dont on ne peut qu'espérer qu'elle sera suivie de développements futurs, qui seront autant d'occasions de pénétrer toujours plus avant les territoires fabuleux de la peinture contemporaine. Toutes les « combinaisons » * Entre parenthèses figure la date de naissance suivie, le cas échéant, de celle du décès. Contact> La peinture française contemporaine, combinaisons de l'histoire, jusqu'au 16 décembre, Musée d'art contemporain de Perm, 2, rue Monastyrskaya, Perm, Russie.

World Community Grid - Accueil christo's big air package opens in germany mar 19, 2013 christo's big air package opens in germany ‘big air package’ by christo and jeanne-claude, germanyimage © wolfgang volzall images courtesy of christo and jeanne claude big air packagegasometer oberhausen, germanyon view now through 30 december 2013 view from the top of the tank image © wolfgang volz shape, material and light engulf the viewers visitors are dwarfed by the vast field of fabric light graduates over interior surfaces the diffused day creates a gradient view up from the bottom hoisting the inflatable material was lifted 90 meters high seams are check and moved before inflation repairs are made on site construction view of seam checks and repairs image © andré grossmann proposed light compositions accompany architectural plans drawings articulate the frameless intention and monumental scale image © andré grossmann cat garcia menocal I designboom

Munich: Ends of the Earth Haus der Kunst, Munich Land Art to 1974. The time period covered spans the 1960s to 1974, when, in the context of Land Art, movements such as Conceptual Art, Minimal Art, Happenings, Performance Art, and Arte povera, became more distinct and began to diverge. The nearly 200 works by more than 100 artists from Australia, Brazil, Canada, Germany, Great Britain, Iceland, Israel, Japan, the Netherlands, the Philippines and Switzerland demonstrate that Land Art was not a predominantly North American phenomenon. comunicato stampa As the first major museum exhibition on Land Art, "Ends of the Earth" provides the most comprehensive historical overview of this art movement to date. The time period covered in "Ends of the Earth" spans the 1960s to 1974, when, in the context of Land Art, movements such as Conceptual Art, Minimal Art, Happenings, Performance Art, and Arte povera, became more distinct and began to diverge. Land Art artists were fascinated by remote locations like deserts.

Watson Vous avez sûrement entendu parler de Watson et de ses performances dans le jeu Jeopardy! relayés dans tous les médias. L’intérêt de Watson ne réside pas dans sa capacité à gagner au jeu télévisé mais dans son très vaste champ d'applications dans la vie de tous les jours, par exemple dans le monde de la santé pour améliorer la rapidité et la précision des diagnostics médicaux et aider à la prise de décision sur une urgence médicale ou rechercher les interactions potentielles de médicaments. Comment fonctionne Watson ? Voir la video (en anglais) Watson va encore plus loin que Deep Blue (qui analysait un monde fini de possibilités) : en effet, Watson représente une véritable innovation dans la compréhension par la machine du langage naturel (le " langage réel ") utilisé par chacun d'entre nous pour communiquer et échanger. - Watson peut également aider les distributeurs à mieux tirer parti de leurs stocks.

CDOT: Christo's Over the River will get serious traffic review Posted: 06/21/2012 12:57:05 PM MDT This artist's drawing provided by Christo shows an image of a proposed art project by artists Christo and Jeanne-Claude that would suspend 5.9 miles of silvery, translucent fabric above parts of the Arkansas River in southern Colorado. (Provided by Christo | via AP) Christo's Over The River project, which calls for draping huge fabric panels from cables over parts of the Arkansas River, will be carefully scrutinized for its potential impact on traffic on U.S. 50 — just like any other huge project, Colorado Department of Transportation officials said today. The $50 million art installation is being attacked by a group from Cañon City as being dangerous, especially to anyone living near the headwaters of the Arkansas River and in Bighorn Sheep Canyon. The group, Rags Over the Arkansas River (ROAR), offered their objections to the state Transportation Commission today. ROAR also presented studies attesting to the dangers of the project to the commission.

Wikipedia (GB) Jean-Michel Sanejouand was born in Lyon, France, on July 18, 1934. His work has many facets, ranging from environments to monumental sculptures, from readymade-like objects to paintings of oneiric landscapes in which (usually) one of his sculptures stands. Biography[1][2][edit] Jean-Michel Sanejouand lived and worked in Paris between 1959 and 1993. Sanejouand now lives Vaulandry, in the Anjou countryside. Main One Man Shows[edit] 1967 "Première organisation d'espace", Ecole Polytechnique (Paris). 1968 "Deux organisations d'espace", Galerie Yvon Lambert (Paris). 1973 "Les Organisations d'espace de Sanejouand", Centre National d'Art Contemporain (Paris).[3] 1979 "Espaces-Peintures", The Antwerp Gallery, FIAC (Paris). 1982 "Espaces-Peintures", Lens Fine Art Gallery (Antwerp, Belgium). 1986 "Rétrospective: des Charges-Objets aux Espaces-Peintures", Palais des Beaux-Arts (Lyon, France). 1991 "Espaces-Peintures 1978-1986", MAC (Villeneuve d'Ascq, France).[4] Main group exhibitions[edit]

Global Warming and River Hotspots ABOUT | RedBall Project The RedBall Project : Artist Statement Through the RedBall Project I utilize my opportunity as an artist to be a catalyst for new encounters within the everyday. Through the magnetic, playful, and charismatic nature of the RedBall the work is able to access the imagination embedded in all of us. On the surface, the experience seems to be about the ball itself as an object, but the true power of the project is what it can create for those who experience it. - Kurt Perschke This is from an interview I did for a show at the Urban Institute of Contemporary Art. UICA interview with Kurt Perschke from Kurt Perschke on Vimeo. Kurt Perschke’s RedBall UK from Danny Cooke on Vimeo.

Wikipedia (F) Un article de Wikipédia, l'encyclopédie libre. "Lance-pierre", 2006, pierres peintes Jean-Michel Sanejouand, né à Lyon le 18 juillet 1934, est un artiste contemporain français. Son travail est en constante évolution. Parti d'assemblages d'objets manufacturés, les Charges-Objets (1963-1967)[1], lointains cousins des Ready-made, il assemble depuis 1989 des pierres qui, peintes en noir, deviennent des maquettes de sculptures monumentales, ou bien le sujet de peintures d'improbables paysages qu'elles contribuent à organiser. Biographie[modifier | modifier le code] Lyonnais de naissance, il vit à Paris entre 1959 et 1993. Œuvres[modifier | modifier le code] Expositions personnelles[modifier | modifier le code] Sculptures monumentales[modifier | modifier le code] 1996 Le Silence, un bronze de deux mètres actuellement installé dans un parc de sculptures privé, près de Biarritz.2005 Le Magicien, un bronze de cinq mètres actuellement installé place de la gare, à Rennes.

Corbeille océan dont souffre notre mer | Le Portail de l'océan | Smithsonian Institution Garbage patches in the ocean aren't piled-up islands of trash and debris, as is the common perception. But that doesn't mean the tiny, swirling plastic bits are nothing to worry about. The currents of the North Pacific gyre collect trash—mostly bits of microscopic plastic—into what are known as "garbage patches." Credit: NOAA Marine Debris Program In the Pacific Ocean, four ocean currents merge to form the North Pacific gyre, also known as the North Pacific Subtropical High, which spans the western US to Japan, and Hawaii to California. Its vast size and the small size of the trash left the garbage patch largely unnoticed until the early 1990s, when Captain Charles Moore, head of the Algalita Marine Research Foundation, sailed through a rarely traveled area between Hawaii and the mainland. While the garbage patch has received a lot of attention because of its size, it is not the only area where marine debris can be found: marine debris affects waters and coastlines around the world. Tags:

Impermanent Sand Paintings by Andres Amador San Francisco-area landscape artist Andreas Amador etches massive sand drawings onto beaches during full moons when his canvas reaches its largest potential. Using only a rake and often several helpers the geometric and organic shapes are slowly carved into the sand, often interacting with the physical topography like the stones in a zen garden. The works exist for only a few moments, just long enough to snap a few photographs before being completely engulfed by the encroaching tide. Amador has also collaborated on a number of killer marriage proposals, the question popped as part of his elaborate drawings viewable from an elevated distance. You can see much more on his website, and he also sells prints.

Related: