Welcome to Film Underground Docuseek2 CML Cameras table of contents Recent CML Tests 9 cameras RAW Alexa 4 stops over and back Alexa - 435/5219 Film - Alexa - Epic Aces Rushes One Light RAW V Compressed F55 Alexa Alexa Epic F55 F65 single candle Arri LUT's Contrast handling in a real world test Alexa - BMCC 2.5 - 1DC - C500 - Epic - F55 - F65 - NZCS - Auckland Alexa/Epic +/- 7 stops Alexa BMCC C500 Epic F55 Camera Matching Alexa BMCC C500 Epic F55 F65 Alexa-Epic-F65 Effect of noise & compression on Green Screen Alexa C500 Initial ACES tests High Contrast Alexa C500 F65 Alexa-BMCC-C500-Epic Mono-F55-F65-Scarlet Infra Red tests Detailed IR tests Alexa & F55 F55 & Infra Red Privacy Policy
Film Literature Index >> Home Introducing the FLI Online >> The Film Literature Index (FLI) annually indexes 150 film and television periodicals from 30 countries cover-to-cover and 200 other periodicals selectively for articles on film and television. The periodicals range from the scholarly to the popular. The National Endowment for the Humanities awarded Indiana University a grant in 2002 to convert the print version of the Film Literature Index to electronic form. For more information about the FLI project, visit the About FLI page. Exploring the FLI Online >> The FLI online database contains citations to film, television and video articles, reviews and book reviews. For more information on how to search and browse the FLI Online, visit the Help page.
Stunning Good Looks by Art Adams The most important thing you will ever learn about lighting is this: LIGHTING IS NOT A FORMULA. Learning about lighting, though, is a process of becoming aware, and in this first of many articles I’m going I’m going to try to increase your awareness of one specific thing per article. The more awareness you have the more easily you’ll be able to adapt your lighting to your circumstances because you’ll see, with your own eyes, what you need to do to make an image that satisfies your inner artist. I think the best place to start is with classical key light placement. In film school we all learn about the key light, fill light and backlight. This is a great way to learn the basics of lighting as long as you can grasp what the lights do and then completely forget everything about this formula. There are almost infinite variations of this setup and other setups that deviate completely from this plan. I’m not going to talk about fill or backlight in this article. On to our first example.
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