Blog Archive » Found Sounds: Frogs Found Sounds is a new SoundCloud community feature focusing on some of the most weird and wonderful sounds that can be found on SoundCloud. Count on new installments with some of our favorite sounds each Tuesday! Sure, many people are thinking about bunnies this time of year, but let’s be honest: they’re not animals that lend themselves to much recording. So instead of “rabbit,” the word of the week is “ribbit,” as these week’s Found Sounds feature frogs from around the world. Coming up first is a recording by Thomas Newton of the UK, who used his H4N field recorder while in Ranong, Thailand to capture some of the local frog noise. Frogs of Ranong by Stumbled Upon Sound Over at Sounds Captured in the UK, there’s a beautiful and high quality recording of frogs. Frogs, Recorded Using Stereo Pair Of DPA4060 Microphones by Sounds Captured In the United States, we’ve got a recording from the composer John Rose. Frog pond mp3 by albigenman That’s all for this week’s Found Sounds!
Musical Weapons Pictures Contest Directions: Supreme Court gun ban ruling is expected this week. The case could settle the decades-old debate over whether the Second Amendment grants individuals the right to own firearms. To make firearms (or any weapons) more friendly, combine any weapon and any musical instrument. Here's a good example. Register to post comments and participate in contests. This contest is fueled by the following news: A musical instrument is usually an item, with the help of which musicians perform or improvise music or any, including non-musical unorganized sounds.
NoiseFX - Pedal Effects and Music Gear for Noise The xx History[edit] 2005-2009: formation[edit] 2009–2011: xx[edit] Romy Madley Croft in a concert in Barcelona in 2009 Oliver Sim in a concert in Barcelona in 2009 In late 2009, second guitarist and keyboardist Baria Qureshi left the group. The band were nominated for 'Best British Album', 'Best British Breakthrough' and 'Best British Band' at the 2011 BRIT Awards held on 15 February 2011 at the O2 Arena in London; however, they did not win in any of the categories.[26] 2011–present: Coexist[edit] In December 2011, Smith revealed that he wanted to release their second LP ahead of their festival appearances the following year and that it was inspired by "club music". In August 2012, The xx was featured on the cover of Issue #81 of the Fader.[30] On 3 September 2012, in a collaboration with Internet Explorer, The xx released the entire Coexist album to stream on their website until 11 September, the worldwide release date of the album. Influences[edit] Members[edit] Past Members Discography[edit]
Keys > FOR FREE: U-HE TYRELL N6 - der AMAZONA.de Synthesizer Offensichtlich hat uns ein echter Tyrell-Fan mal unter die Arme gegriffen und ein cooles, mehrteiliges Tutorial auf YouTube eingestellt. Thanx to Konnekta – we like it !!! Version 1.0.1 enthält Kompatibilitätsfixes für ein paar Hostprogramme, in denen TyrellN6 bisher keinen Ton von sich gegebenen hat. Außerdem wurde ein Bug gefixt, durch den der TyrellN6 ab dem 1. Mai 2011 in einen Demomodus übergeht. Alle Nutzer sollten daher möglichst vorm 1. TYRELL Nexus 6 Der Tyrell Nexus 6 Der TYRELL N6 ist nicht IRGENDEIN weiteres Synthesizer Plug-in, sondern ein Klangerzeuger, der gemeinsam mit den Lesern entwickelt und letztendlich durch Urs Heckmann (Mastermind von U-HE) programmiert und durch das MUSIKHAUS THOMANN stark unterstützt wurde. Aber das Beste: TYRELL N6 ist für AMAZONA.de-Leser kostenlos und nun in einer finalen Version SOFORT als Download verfügbar: Mac-User starten den Download HIERPC-User starten den Download HIER Tyrell Nexus 6 – eine echter U-He Synthesizer
A l’Ombre des Eternels - Un site crépusculaire CARAVAN Dual gain jFET distortion by ETritonlab Abstracts Plenary Lecture 1 Marjorie PerloffStanford University “LA GRANDE PERMISSION:Ashbery’s Legacy to 21st Century Poetics” In order to assess Ashbery’s place on the contemporary poetry scene, both in the US and in France, this essay reconsiders Ashbery’s poetic mode, which I take to be largely unchanging from early to late, by going back to basics—that is, outlining what I take to be the distinguishing—and contradictory--elements that make his poetry sui generis. The paradox of Ashbery’s critical reception—his success with otherwise warring camps of poets—is explored in the perspective of the one camp from which he has held aloof and which has held him aloof—that of the Ezra Pound tradition. Marjorie Perloff is Sadie D. Plenary Lecture 2 Michael DavidsonUniversity of California at San Diego “The Pleasures of Merely Circulating:John Ashbery and the Jargon of Inauthenticity” Michael Davidson is Distinguished Professor of Literature at the University of California, San Diego. Dr. Jennifer C.