250 movies that are better than the Shawshank Redemption. - a list by whitethomas61 Brave New Worldview – 30 Science Fiction Films of the 21st Century - Row Three A decade into the 21st Century and we have arrived at the future. The promise of Tomorrow. But instead we have looming energy crises, endless middle east conflict and more disappointing, we have no flying cars, Heck, for all the bright and clean future promised in 2001: A Space Odyssey, none of the real companies used as brands in the film even exist anymore. Even moving from the late 1960s to the mid 1980s, nobody makes DeLoreans (although they occasionally sell on Ebay), but cloning and tablet computing (as promised by Star Trek: The Next Generation) have more or less come to pass in this century. Below are over two dozen science fiction pictures that are worth your time. In the interest of talking about the films, it should be noted that *SPOILERS* are sprinkled through out the list. Code 46 Welcome to a world with borders, very difficult to permeate borders. Children of Men How would social mores change in a world without hope? The Fountain 28 Weeks Later The Host Paprika Pontypool
Léon: The Professional (1994 Metaphilm ::: Donnie Darko A new theory to help the viewer unravel the cult classic. Erik A. Coburn n recent years, Donnie Darko, directed by Richard Kelly, has become a cult classic. While most people who watch this twisted film will love it, few will understand the intricate, multi-layered timeline residing within. Explaining the timeline This diagram summarizes Donnie’s travel, to and from the Tangent Universe, to and from the past and the future. The entire movie occurs between points B and C on the timeline, aside from the last five or ten minutes, which happen at point A. Before getting into the explanations, there are some phrases that need to be defined: With these terms in mind, we can now begin breaking down the timeline. At point A, the Tangent Universe appears. He’s been here before Take a deep breath, now. Now what does this mean? What is Frank’s story? Frank is not a supernatural being. But, if Donnie is saved by Frank at the beginning, what about his first trip through the Tangent Universe? Wake Up
My Top 250 Fav Movies - a list by cy1995 More Than Human: Bladerunner's Human/Replicant Debate: PopSubCulture.com's The Biography Project Blade Runner addresses issues arising from the differences between man and machine more than any other film. The root conflict in Blade Runner, as I see it is: What happens when machines created by man become superior to mankind? First, what does "superior" imply? Stronger? The Nexus-6 Replicants are physically stronger than humans, this is proven numerous times throughout the film. More intelligent? today that can physically outperform human beings in particular tasks. Replicants are treated as beings without souls, inanimate, emphasis on anima translated from Latin as "the soul". Philip K. Much like a young child who throws a tantrum rather than face the reality of an unpleasant situation, Leon murders his tormentor, rather than confront the imagery that the scenario has evoked. Rachael, on the other hand, has had human memories artificially implanted. Deckard: "A wasp crawls on your leg..." Rachael: "I'd kill it." Rachael does not even require a moment's hesitation to respond.
Andrei Rublev: the best arthouse film of all time | Film Viewers and critics always have their personal favourites, but some films achieve a masterpiece status that becomes unanimously agreed upon – something that's undoubtedly true of Andrei Rublev, even though it's a film that people often feel they don't, or won't get. It is 205 minutes long (in its fullest version), in Russian, and in black and white. Few characters are clearly identified, little actually happens, and what does happen isn't necessarily in chronological order. Its subject is a 15th-century icon painter and national hero, yet we never see him paint, nor does he do anything heroic. In many of the film's episodes, he is not present at all, and in the latter stages, he takes a vow of silence. From the first scene, following the flight of a rudimentary hot air balloon, we're whisked away by silken camera moves and stark compositions to a time and place where we're no less confused, amazed or terrified than Rublev himself.
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Tokyo Story: No 4 best arthouse film of all time | Film It's dangerous to start watching Japanese cinema, because the world is so extensive and dazzling you may quickly develop a taste for nothing but Japanese films. Is there a romance more mysterious than Mizoguchi's Ugetsu Monogatari? Is there action to surpass Kurosawa's Seven Samurai? Time and again, Ozu has made films about family, and the shifting structure we refer to as "time and again". Is this tragedy or comedy? This may not sound "entertaining" or active or even interesting, which only means the viewer needs to undergo the gentle process of being helped to see through Ozu's withdrawn but compassionate style. Family is a group in which everyone has his or her reason.
10 Movies You Should Check Out in 2014 The beginning of the year marks a fresh page of excitement for film fans. We hold “great expectations.” The big question on everybody’s lips is this: “Will 2014 be as good as 2013?” There was something about the previous year—and many of the films released—that had audience and critics agreeing that it was a very special time indeed for cinema. So, no pressure 2014, but will you rock? Here’s a selection of ten awesome-looking movies (including summer blockbusters—which we all love, just admit it) released in the coming months that will hopefully deliver magical cinematic thrills. Top: The Wachowskis return once more to sci-fi for their latest action-adventure. Ralph Fiennes stars as a lothario hotel concierge in deep trouble with the ladies in Wes Anderson’s latest comedy-drama. The Grand Budapest Hotel Wes Anderson can do no wrong in the eyes of his many, many admirers. Scarlett Johansson’s alien trawls the streets of Glasgow for something to eat (men). Under the Skin The Quiet Ones Godzilla
The Passion of Joan of Arc: No 22 best arthouse film of all time | Film So extraordinary and otherworldly is this film's power, you could believe you were watching the actual trial of Joan of Arc, rather than just actors recreating it for the camera. The fact that it was based on the original transcripts of the trial could be a factor, but Danish director Carl Theodor Dreyer was not much concerned with historical accuracy (Joan had been canonised in 1920, seven years before this film was made). "The year of the event seemed as inessential to me as its distance from the present. I wanted to interpret a hymn to the triumph of the soul over life," he later wrote. In fact, it's a bracingly modern treatment of a historical subject. Maria Falconetti's portrayal of Joan is somehow in a class of its own, outside the realms of acting.
What If Jafar Was The Good Guy In Aladdin All Along? Jafar is the primary villain of the Disney animated classic, Aladdin, which magic carpeted its way into our hearts back in 1992. I'm sure many of you agree that the film is easily one of Disney's best offerings of all time, and a lot of that has to do with its complex "good and evil" narrative, as well as some fantastic music. Rather than leave the movie alone, however, I've decided that it requires a little over-analyzing, and you can thank the recent live-action Disney film, Maleficent, for my mischief. Maleficent is a modern retelling of the classic story, Sleeping Beauty, which you may fondly remember as a VHS box tape that sat next to Cinderella, Snow White and maybe even Peter Pan. In this new version of Sleeping Beauty, Disney decided to turn the narrative on its head by making Maleficent a misunderstood villain. At any rate, I found it valuable to do the same with Jafar from Aladdin, and I think you'll find I have a decent case on my hands. Well, not necessarily. Let's review.