Is This the World’s Best Twitter Account? Yesterday morning NPR’s Andy Carvin took a break from running one of the world’s best Twitter accounts to explain what it’s like to be a living, breathing real-time verification system. “All of this is more art than science,” he said. In truth, it sounds equal parts exhilarating and exhausting. As has been repeatedly detailed in other places, Carvin is the NPR senior strategist who transformed his Twitter feed into a must-read newswire about the changes taking place in the Arab world. Carvin sends hundreds of tweets a day that, taken together, paint a real-time picture of events, opinions, controversies, and rumors relates to events in the Middle East. There are few established rules or journalistic policies for what he does. Yet, when following his work on Twitter, Carvin seems in total control of the onslaught of information. Prodding his followers to help him understand the context of a video: Sharing information while noting its unconfirmed status:
Nine Content Curator Tools for Social Media If you attended Les Affaires’ social media conference, “Les Reseaux Sociaux Pour Une Implantation Concrete, Mesurable et Efficace” and did not have the opportunity to sit in on the seminar, “Contexte de B2B: Batissez Votre Strategie Afin D’Optimiser Votre Utilsation Des Reseaux Sociaux” then you missed out on some of the tools that will make a big difference in your strategic approach to social media. Do not worry. Like a good content curator, Intelegia is all about sharing relevant and timely information. The seminar touched upon 15 elements which are needed to build your presence on social networks for business-to-business initiatives. Below are the nine tools that were discussed in the seminar. 1. One of the most popular tools that Intelegia features in its courses, Addictomic, allows users to search for real-time content on various Web 2.0 based sites all at one time. Addictomatic To read a complete review of this tool, read, “Real Time Searching With Addictomatic” 2. DuckDuckGo 3. 4. 5.
The Curation Economy and The 3C’s of Information Commerce inShare1 Several years ago I had the privilege of working with Steve Rosenbaum, author of Curation Nation. Back then Steve was already vested in the future of online curation and his grande conquête was playing out with Magnify.net, a realtime video curation network. At the time, he was also a staple at some of the tech industry’s most renown conferences sharing his vision for social, video, and curated content. As Steve was completing his new book, he asked if I would write the foreword. I share this digital foreword with you here… The Curation Economy and The 3C’s of Information Commerce I always appreciate when a very complex and important subject is simplified to ease understanding. Forrester Research tracked how people adopt and use social technologies through its Technographics research. Creating original content, consistently over time, is daunting. The Rise of Short-form Content Creators Interest Graphs are the Future of Social Nicheworking Let me explain.
News curation: finally, social media's killer app? FORTUNE -- Even the most casual social network user will admit that the Facebook or Twitter experience can be overwhelming -- that merciless stream of status updates and shared content, which sometimes feels less like a stream and more like a deluge, waits for no man, woman, or Web crawler. Of course, there's good reason to feel that way: Facebookers share 30-billion plus pieces of information each month, and Twitter users output 1 billion tweets weekly. There's a tremendous amount of digital information floating around and few great solutions for filtering it, making sense of it, and consuming it. That's changing. They all work differently. "One of the biggest challenges is how do you make that content more easily discoverable, easily consumable, easily digestible," says Flipboard CEO Mike McCue. That same concept is at the core of the Twitter-focused start-up Sulia. Instead, McCue argues that better content curation should come without what he views as superfluous user input.
CURATING THE FUTURE | Nation Performing Arts Convention Like e-mail in the ‘90s and the web at the dawn of the new millennium, artists and organizations—as a matter of business—have had to adapt to these new modes of communication and integrate these tools into their operations. Web 2.0 and social platforms like Digg and Delicious, YouTube, Flickr, and Facebook have pushed the electronic envelope even further up the learning curve. Along comes Twitter, and the real-time revolution is on—just as mobile technologies have gone viral. The speed of new development presents challenges—for technologists and luddites alike. But whether you’re a traditionalist or a ‘new mediaist,’ [1] future audiences are growing up with these technologies, [2] and eventually, the arts, like every living thing, must adapt or die. Social media is where the jobs will be. New jobs mean new roles and new responsibilities. “Managing communities is much more complex than traditional outreach,” Levy added. You can Retweet, favorite, or copy urls, but it’s not the same.
Les outils de la curation La curation : le quatrième « C » de l’entreprise 2.0 Le concept de curation désigne un ensemble de pratiques et d’usages liés à la sélection, à l’éditorialisation et au partage de contenus informationnels de toute nature. La pratique de la curation ne se limite pas aux usages individuels des internautes, mais concerne également la gestion de la connaissance dans l’entreprise. Pour les professionnels de l’information, il s’agit désormais d’animer des communautés ou réseaux dans l’entreprise et de créer une véritable « mise en scène » de l’accès à l’information. Le concept de « curation » a suscité depuis environ plus d’un an une avalanche de commentaires et de réactions, parfois polémiques ou exagérément laudatives. 1.1 Tentatives de définition Il est difficile de donner une définition précise de ce concept de curation, tant ses contours demeurent flous et variés. Ce spécialiste du marketing social distingue cinq principes dans la curation de contenus : 1.2 L’origine de la curation
Tweet First, Verify Later? Real-time web, Social Media Curation and Verification « nicoblog maggio 5, 2011 alle 1:28 pm | Pubblicato su Il nuovo mondo | 11 commenti Here it is the research project I’ve worked on during my fellowship at the Reuters Institute for the Study of Journalism in Oxford Download PDF Summary by RISJ Nicola Bruno, an Italian journalist specialising in digital media and technology and its effect on journalism, has written a fascinating research paper on how mainstream media used social media in the aftermath of the Haiti earthquake in January 2010. How is the Twitter effect changing the coverage of crisis events around the world? Nicola focuses his attention on the online coverage of the Haiti Earthquake in three mainstream online media outlets: bbc.com, Guardian.co.uk, and cnn.com. Mi piace: Mi piace Caricamento...
The Content Strategist as Digital Curato The term “curate” is the interactive world’s new buzzword. During content creation and governance discussions, client pitches and creative brainstorms, I’ve watched this word gain traction at almost warp speed. As a transplant from museums and libraries into interactive media, I can’t help but ask what is it about this word that deserves redefinition for the web? Article Continues Below Curation has a distinguished history in cultural institutions. For a long time, we’ve considered digital objects such as articles, slideshows, and video to be short-lived. Consider some examples: NYTimes.com Topics employs content managers who sift through The Times’ archive to create new meaning by grouping articles and resources that were filed away (or distributed to library databases). More commercially, NBC Universal’s video site Hulu takes videos sourced from multiple networks and then rearranges them into collections that give a new perspective to the collection as a whole. What’s the payoff?
15 Key Facts about Content Curation « Content Curation For many content marketers, curation is something of a silver bullet. Rand Fishkin of SEOMoz has joked that we’re in the midst of a content arms race; companies across all industries have realized the power of custom content, and are actively competing to produce better-quality materials. For many companies, it’s no longer enough to blog three times a week and release a white paper once a quarter. The average B2B marketer is using 12 different content marketing tactics, and a curation strategy can boost the volume of information shared without dramatically increasing the workload. We’ve compiled some of the most fascinating stats and facts on the state of content curation: 1. Research by Curata has found that curating isn’t a new or innovative practice any longer, it’s become the norm. Image source: Curata 2. 3. 79% of marketers use social media to find content for their curation strategy, whereas only 63% rely on company newsletters and subscriptions. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13.
First Meeting Of SFCurators Salon... Posted by Tom Foremski - April 15, 2011 Last Thursday was the inaugural meeting of SFCurators Salon in North Beach and I couldn't be more happier about the turnout (see below). I set up the group with my colleague Oliver Starr as a place where like-minded people could discuss the topic of curation, which has become a hot topic this year as search falters, and as curation tools and services come out of beta and into more mainstream use. The meeting was held in Specs', a bar that happens to also be a funky museum. This was the stomping ground for the Beatnicks, and some myths even locate the origin of the name to Specs'. As people started to arrive we sat around one of the large round tables at the back of the bar and got straight into a fascinating discussion of curation and what it means. I liked the format: instead of listening to a guest speaker we got to listen to each other. It was a great night to be in North Beach! Here are my co-founders:
The Curation Buzz... And PearlTrees Posted by Tom Foremski - April 12, 2010 My buddy Dave Galbraith is the first person I remember to first start talking about curation and the Internet, several years ago. He even named his company Curations, and created a tool/site for curation: Wists. And his site SmashingTelly - is great example of curation, a hand-picked collection of great videos. Today, much is written about curation and the Internet but it all seems mostly talk because we don't really have the tools we need. Curation seems to be just a new way to describe things like blogging and "Editor's Picks." Robert Scoble writes about The Seven Needs of Real-Time Curators "... who does curation? Reading Robert Scoble's post on curation, it almost seemed as if he were describing PearlTrees, a company I've recently been working with in an advisory role, when he talks about "info atoms and molecules." ...what are info atoms? More to come... We might talk a lot about curation these days but we've only just begun.
Infobésité : une seule solution, la cure « Les médias sociaux, c’est comme un festin gratuit et délicieux. Mais c’est aussi dangereux ! ». Et face à l’infobésité, une seule solution la cure ! Tel est l’un des messages délivrés hier soir par Brian Solis, invité des Rencontres RSLN-Microsoft à Paris. Solis, un des gourous américains les plus écoutés et surtout lus sur le marketing et les relations publiques 2.0, promet un bel avenir à un nouveau type d’intermédiaires, les plate-forme de tri sélectif de contenus assuré par des êtres humains, amateurs ou professionnels. Il en a évoqué plusieurs Storify, Curated.by, Keepstream, Research.ly, Pearltrees, auxquels il va ajouter désormais un autre français, Scoop.it. Du graphe social au graphe d’intérêts Ces outils sont d’autant plus importants, précise Solis, que le web social est en train de passer, en gros, du quanti au quali ! Facebook bouge aussi dans ce sens avec sa nouvelle page de profil. Tri sélectif professionnel: valable aussi pour les journalistes
The Role Of Curation In Journalism Jay Rosen points us to an article out of France that takes a stab at presenting what a modern internet-era newsroom should look like. The point that I find most interesting, that helped clarify a few different ideas for me, is that it splits "journalism" into three distinct categories, all of which have a role in the newsroom: Reporters -- who go out and do first person reporting -- creating original stories, not just reposting rewritten wire copy. Columnists -- who "start conversations and give stories another perspective." Curators -- who "'cover' the news by sorting, verifying and editing live everything good existing on the web and in the media. Unfortunately, for the most part, newspapers seem to look down on "curating" as if it's some sort of lesser form of journalism, and this is a sticking point that they're going to need to get past if they want to understand how people engage with the news today.
Le Guide de la Curation (1) - Les concepts 01net le 14/03/11 à 16h00 Etymologie La pratique qui consiste à sélectionner, éditorialiser et partager du contenu a été baptisée par les Américains curation ou Content Curation, par analogie avec la mission du curator, le commissaire d’exposition chargé de sélectionner des œuvres d’art et de les mettre en valeur pour une exposition. Les termes curation et curator prennent leurs racines étymologiques dans le latin cura, le soin. Ils n’ont pas d’équivalent en français, nous les utiliserons ici dans leur contexte anglais (curation en français désigne le traitement d’une maladie). Le terme curation est apparu en France fin 2010. Historique La curation est la convergence des deux principales activités sur internet : la recherche et le partage. Elle est indissociable de la culture du partage, dont elle est l’héritière. Parallèlement, le volume d’informations n’a cessé de croître. Mais avant que le terme curation ne consacre l’usage, il y a eu quelques tentatives de coller une étiquette.