Les collections de design graphique Une journée d’étude sur les collections de design graphique a eu lieu au Centre national des arts plastiques (Cnap) le 20 novembre 2018. Elle avait pour vocation de partager avec l’ensemble des institutions françaises concernées, les enjeux, problématiques et questionnements soulevés par la prise en compte de ce domaine au sein de collections publiques, tant du point de vue des acquisitions, du traitement et de la conservation de ces objets que de leur diffusion et de leur valorisation. Un compte-rendu, téléchargeable ci-dessous, présente une synthèse des différentes interventions des personnalités présentes à cette journée, une liste des personnes/lieux impliqués dans les travaux de ce groupe, ainsi que des fiches récapitulatives faisant un état des collections de design graphique dans chacune de ces institutions. Cette journée d’étude a eu lieu en présence de : Joseph Belletante, directeur, Musée de l’imprimerie et de la communication graphique
Architectural Digest Welcome - Greengaged Is Fan Art Illegal? If you’ve ever been to an Artist’s Alley at a comic convention, the thought, Can this be legal? has surely jumped into your head. Easily half the artists exhibiting at any mainstream Comic Con or Anime Show make and sell fan art. And by “fan art” I mean merchandise featuring characters the artist does not own: prints, buttons, tee shirts, key chains, hats, tote bags—I even saw Captain American mittens at the last show I attended. And if you count the amount of artists who offer one-of-a-kind, original commission sketches of copyrighted characters, the percentage shoots way higher. Surely Marvel owns the right to Captain America, we think, even if that sweet girl sitting at the booth was the one to knit the mittens. But the question is: Does Marvel really care? When it comes to fan art: What is legal, and what is not? There is a lot of myth that clouds the truth of fan art in regards to what you can and cannot be sued for. Perhaps you’ve heard some of the following myths: Yes? Public Knowledge
(NDLR) The Rutgers University Poster Project Rutgers University and Internet Archive have collaborated to create a limited edition series of risograph posters. Facilitated by Amir Esfahani, Director of Special Art Projects at the Internet Archive, and Mindy Seu, Assistant Professor of Design in the Mason Gross School of the Arts, 14 students in the course Design Practicum gathered unique collections on the Internet Archive and then adapted their findings into an 11×17 graphic. These were printed on a risograph by the Brooklyn-based studio TXT Books. The first 40 people to sign up will receive a packet of these tabloid-size posters. Please sign up here! (Please note: We can only provide shipment to people in the United States). Jeepneys – 1950s to Present by Pauline Yanes Portfolio: Collection: After World War II, many military Jeeps were left in the Philippines by U.S. troops. Wartime Utility Furniture by Xinyi Huang
Welcome plusmood.com - BlueHost.com HomeWorkshop.com, Interior Design, DIY Home Decor and Design, Interior Decorating Meet the 20-Year-Old Who Built a YouTube Product Review Empire Robyn Twomey Marques Brownlee is a YouTube sensation. The tech-review prodigy has 1.8 million subscribers—more followers than Kanye West, Marvel, or Disney Animation. Under the username MKBHD, he tests everything from cameras and headphones to Google Glass and the latest Tesla. This summer he got his hands on a sapphire crystal display rumored to be for the iPhone 6. In the video, which has gotten about 8 million views, he took keys, his foot, and even a blade to the screen with no result. Brownlee started making review videos almost six years ago, though it's only in the past few that he developed his affable persona and slick filming style. Brownlee is currently balancing this one-man production with his senior year of college and—of course—playing professional Ultimate Frisbee for the New York Rumble.
BLDGBLOG CInémathèque Library (Paris) Photocopies, scans, impressions et photographies La reproduction de documents originaux (archives, photographies, affiches...) est soumise au respect du droit d'auteur régi par le Code de la Propriété intellectuelle. Les utilisateurs s'engagent à utiliser les reproductions pour un usage exclusivement privé. Les photocopies ou scans de pages de livres ou d'articles de périodiques sont autorisées dans la limite de 10 % du contenu d'un ouvrage ou 20 % du contenu rédactionnel d'une revue. Les impressions de documents numérisés sont possibles en noir et blanc au format A4 ou A3. La photographie de pages de livres ou d'articles de périodiques n'est pas autorisée. La photographie de documents d'archives est autorisée à l'Espace chercheurs dans la limite de 10 % du document, après signature d'une accréditation. Paiement des reproductions (photocopies, scans, impressions) Le paiement des impressions, des photocopies et des scans nécessite la création d'un compte numérique Papercut.