background preloader

Thus Spoke Zarathustra

Thus Spoke Zarathustra: A Book for All and None (German: Also sprach Zarathustra: Ein Buch für Alle und Keinen, also translated as Thus Spake Zarathustra) is a philosophical novel by German philosopher Friedrich Nietzsche, composed in four parts between 1883 and 1885. Much of the work deals with ideas such as the "eternal recurrence of the same", the parable on the "death of God", and the "prophecy" of the Übermensch, which were first introduced in The Gay Science.[1] Origins[edit] Thus Spoke Zarathustra was conceived while Nietzsche was writing The Gay Science; he made a small note, reading "6,000 feet beyond man and time," as evidence of this.[2] More specifically, this note related to the concept of the eternal recurrence, which is, by Nietzsche's admission, the central idea of Zarathustra; this idea occurred to him by a "pyramidal block of stone" on the shores of Lake Silvaplana in the Upper Engadine, a high alpine region whose valley floor is at 6,000 ft. Synopsis[edit] Themes[edit]

Slipknot – Discover music, videos, concerts, & pictures at Last. Wilhelm Heinrich Roscher Wilhelm Heinrich Roscher (12 February 1845, in Göttingen – 9 March 1923, in Dresden) was a German classical scholar. He specialized in studies of Greek and Roman mythology. The economist Wilhelm Georg Friedrich Roscher (1817–1894) was his father. Written works[edit] He is best known for his lexicon, the Ausführliches Lexikon der griechischen und römischen Mythologie ("Detailed dictionary of Greek and Roman mythology", 1884–1937; 6 volumes with 4 supplementary volumes, the dictionary being completed by Konrat Ziegler). References[edit] External links[edit] Susanne Siebert (1994).

Fatalism Fatalism is a philosophical doctrine stressing the subjugation of all events or actions to fate. Fatalism generally refers to any of the following ideas: The view that we are powerless to do anything other than what we actually do.[1] Included in this is that man has no power to influence the future, or indeed, his own actions.[2] This belief is very similar to predeterminism.An attitude of resignation in the face of some future event or events which are thought to be inevitable. Friedrich Nietzsche named this idea with "Turkish fatalism"[3] in his book The Wanderer and His Shadow.[4]That actions are free, but nevertheless work toward an inevitable end.[5] This belief is very similar to compatibilist predestination.That acceptance is appropriate, rather than resistance against inevitability. This belief is very similar to defeatism. Determinism, fatalism and predeterminism[edit] Fatalism is a looser term than determinism. Likewise, determinism is a broader term than predeterminism.

The Lord of the Rings film trilogy - Wikipedia, the free encyclo 2001–2003 films by Peter Jackson The Lord of the Rings is widely regarded as one of the greatest and most influential film series ever made. It was a major financial success and is among the highest-grossing film series of all time, having grossed over $2.9 billion worldwide. Their faithfulness to the source material was a subject of discussion. The Fellowship of the Ring [edit] Frodo and Sam get lost in hills near Mordor, tracked by Gollum. Gollum leads Frodo and Sam to the well-defended Black Gate, and recommends another route. The Return of the King Gandalf, Théoden and the others go to Isengard, and reunite with Merry and Pippin. Frodo and Sam witness the Nazgûl leader heading to Gondor with his army of Orcs. Elrond gives Aragorn Andúril, reforged from the shards of Elendil's sword Narsil, and urges him to claim Elendil's throne in Gondor. Gollum leads Frodo into Shelob's lair. Théoden leads his army against the Orcs. The Fellowship reunites in Gondor. Previous attempts to film J.

Ovid Life[edit] Ovid talks more about his own life than most other Roman poets. Information about his biography is drawn primarily from his poetry, especially Tristia 4.10, which gives a long autobiographical account of his life. Other sources include Seneca the Elder and Quintilian. Birth, early life, and marriage[edit] His father wanted him to study rhetoric toward the practice of law. Ovid's first recitation has been dated to around 25 BC, when he was eighteen.[11] He was part of the circle centered on the patron Marcus Valerius Messalla Corvinus, and seems to have been a friend of poets in the circle of Maecenas. He married three times and divorced twice by the time he was thirty years old. Literary success[edit] The first 25 years of Ovid's literary career were spent primarily writing poetry in elegiac meter with erotic themes.[14] The chronology of these early works is not secure; tentative dates, however, have been established by scholars. Exile to Tomis[edit] In 1923, scholar J. [edit]

Jorge Luis Borges Jorge Francisco Isidoro Luis Borges, KBE (Spanish: [ˈxorxe ˈlwis ˈβorxes] In 1914 his family moved to Switzerland, where he studied at the Collège de Genève. The family travelled widely in Europe, including stays in Spain. His international reputation was consolidated in the 1960s, aided by his works being available in English, by the Latin American Boom and by the success of García Márquez's One Hundred Years of Solitude.[6] Writer and essayist J. Life and career[edit] Early life and education[edit] Jorge Luis Borges in 1921 At nine, Jorge Luis Borges translated Oscar Wilde's The Happy Prince into Spanish. Borges was taught at home until the age of 11, was bilingual in Spanish and English, reading Shakespeare in the latter at the age of twelve.[8] The family lived in a large house with an English library of over one thousand volumes; Borges would later remark that "if I were asked to name the chief event in my life, I should say my father's library Early writing career[edit]

The Lord of the Rings: The Fellowship of the Ring - Wikipedia, t Plot[edit] After arriving at Parth Galen, Boromir gives in to the Ring's corruption and tries to take it from Frodo, believing that it is the only way to save his realm. Frodo manages to escape by wearing the Ring and becoming invisible. Sam finds Frodo, who reluctantly lets Sam join him. Cast[edit] The eponymous Fellowship from left to right: (Top row) Aragorn, Gandalf, Legolas, Boromir, (bottom row) Sam, Frodo, Merry, Pippin, Gimli. Lapithae - Encyclopedia LAPITHAE, a mythical race, whose home was in Thessaly in the valley of the Peneus. The genealogies make them a kindred race with the Centaurs, their king Peirithoiis being the son, and the Centaurs the grandchildren (or sons) of Ixion. The best-known legends with which they are connected are those of Ixion (q.v.) and the battle with the Centaurs (q.v.). A wellknown Lapith was Caeneus, said to have been originally a girl named Caenis, the favourite of Poseidon, who changed her into a man and made her invulnerable (Ovid, Melon. xii. 146 ff).

Georges Bataille Georges Albert Maurice Victor Bataille (French: [ʒɔʁʒ batɑj]; 10 September 1897 – 9 July 1962) was a French intellectual and literary figure working in literature, anthropology, philosophy, economy, sociology and history of art. Eroticism, sovereignty, and transgression are at the core of his writings. Life and work[edit] Bataille attended the École des Chartes in Paris, graduating in February 1922. Founder of several journals and literary groups, Bataille is the author of a large and diverse body of work: readings, poems, essays on innumerable subjects (on the mysticism of economy, poetry, philosophy, the arts, eroticism). Initially attracted to Surrealism, Bataille quickly fell out with its founder André Breton, although Bataille and the Surrealists resumed cautiously cordial relations after World War II. Fascinated by human sacrifice, he founded a secret society, Acéphale, the symbol of which was a headless man. Key concepts[edit] Base materialism[edit] Other[edit] Bibliography[edit]

Lapiths From Wikipedia, the free encyclopedia Legendary people in Greek mythology The Lapiths (; Ancient Greek: Λαπίθαι) were a group of legendary people in Greek mythology, who lived in Thessaly, in the valley of the Peneus[1] and on the mountain Pelion. Mythology[edit] Origin[edit] Centauromachy[edit] Battle of Centaurs and Lapiths, by Piero di Cosimo (notice the female centaur with a male centaur in the foreground). In the Centauromachy, the Lapiths battle with the Centaurs at the wedding feast of Pirithous. The Lapith Caeneus was originally a young woman named Caenis and the favorite of Poseidon, who changed her into a man at her request, and made Caeneus into an invulnerable warrior. In later contests, the Centaurs were not so easily beaten. List of Lapiths[edit] In art[edit] [edit] References[edit] Sources[edit] External links[edit] Media related to Centauromachy at Wikimedia Commons Media related to Lapiths at Wikimedia Commons

The Limits of Theory: Idealism, Distinction and Critical Pedagogy in Chicago Eli Thorkelson Department of Anthropology, University of Chicago “I think questioning a structure from within is very necessary, but we don’t need to know much about history to know the difficulties it produces.” —email from Bernard Dubbeld, 19 Oct 2005. “Systems” is the name of the first class you take in graduate school, if you’re in anthropology at the University of Chicago, although the official, bureaucratic title is “The Development of Social and Cultural Theory, Parts 1 and 2.” Why devote a critical essay to a single course in graduate school, a single course in a single department, a single course that is in no clear way representative of the discipline? In the front hall of our building, Haskell Hall, there is a totem pole that someone got from the Northwest Coast—but it is a decoy. A recursive, ambivalent critical situation I am not the first to see Systems in a critical light. On one level, the essay is simply a result of my own experience in the class, which I found troubling.

Poseidon Ancient Greek god of the sea, earthquakes, and horses Some scholars suggested that Poseidon was probably a Pelasgian god[11] or a god of the Minyans.[12] However it is possible that Poseidon, like Zeus, was a common god of all Greeks from the beginning.[13] Etymology The origins of the name "Poseidon" are unclear and the possible etymologies are contradictive among the scholars. Beekes suggests that the word has probably a Pre-Greek origin.[22] The original form was probably the Mycenean Greek Ποτ(σ)ειδάϝων (Pot(s)eidawōn). Bronze Age Greece Linear B (Mycenean Greek) inscriptions If surviving Linear B clay tablets can be trusted, the names po-se-da-wo-ne and Po-se-da-o ("Poseidon")[14] occurs with greater frequency than does di-u-ja ("Zeus"). Poseidon was the chief god at Pylos. Po-tini-ja (potnia: lady or mistress) was the chief goddess at Pylos and she was closely associated with Poseidon. Wa-na-ssa (anassa:queen or lady) appears in the inscriptions usually in plural. Mycenean cult Origins

The Protestant Ethic and the Spirit of Capitalism The Protestant Ethic and the Spirit of Capitalism (German: Die protestantische Ethik und der Geist des Kapitalismus) is a book written by Max Weber, a German sociologist, economist, and politician. Begun as a series of essays, the original German text was composed in 1904 and 1905, and was translated into English for the first time by Talcott Parsons in 1930.[1] It is considered a founding text in economic sociology and sociology in general. In 1998 the International Sociological Association listed this work as the fourth most important sociological book of the 20th century.[3] Summary[edit] Basic concepts[edit] Religious devotion, Weber argues, is usually accompanied by a rejection of worldly affairs, including the pursuit of wealth and possessions. Weber notes that this is not a philosophy of mere greed, but a statement laden with moral language. It is particularly advantageous in technical occupations for workers to be extremely devoted to their craft. Conclusions[edit] Reception[edit]

Related: