Data | Personal data for sale NYU ITP graduate student Federico Zannier collected data about himself — online browsing, location, and keystrokes — for his thesis. As he dug into personal data more and looked closer at company privacy policies, he wondered what it might be like if individuals profited from their own data. That is, companies make money using the data we passively generate while we browse and use applications and visit sites. Enter Zannier's Kickstarter campaign to sell his own data for $2 per day of activity. I started looking at the terms of service for the websites I often use. Clearly this is more of a statement and conversation starter, but what if? There's about a week left in the campaign, and it's well past the goal.
We design for iPhone, iPad and Android Buddy - Home Psychology | The Trauma & Mental Health Report Home - Neiio : Neiio In-Vesica Beginnings Healer In-Vesica mixed media collage by Allison L. Williams Hill The beginnings of understanding and communing with Spirit in-vesica move us to our origin but, in this world, feels like a strange state. Being lead in faith is not a lesson most of us receive while we are impressionable. When we step over the threshold after trusting that which is unseen, a tremendous load of skepticism, distrust, and uncertainty lifts. Vesica Piscis is the geometric term for two circles intersecting each circle's center. It is within that space where a medium is receptive to all kinds of knowledge and gathers information; a psychic "sees" any existence past, present or future, and a healer administers energy to a being in need. River II by Allison L. A medium bridges the physical world and the spiritual world, the seen and the unseen. <A HREF=" The books above are only some of what I've come across over the years. in-vesica. With Krishna by Allison L.
A reconstruire Profiles: The Demon-Lover “The Hour of the Wolf,” a film that is probably the darkest of Ingmar Bergman’s journeys into his shadowy interior, the protagonist, an artist beset by night sweats, is fishing off a craggy promontory on an island where he has come to live. A pesky young boy materializes and by degrees invades the artist’s tranquillity. They grapple; the boy scrambles onto the artist’s back, tearing at his neck and trying to devour him. The artist smashes the boy against the cliff, then beats his head in with a rock, and finally, with a curious gentleness, lowers the vanquished demon of childhood into the sea. The flat, windswept island in “The Hour of the Wolf” (1968) recalls Fårö, in the Baltic Sea, where Bergman, now eighty, spends most of his time. Bergman, who watches “The Phantom Carriage” once a year on Fårö, and who cast Sjöström memorably as the aging professor in “Wild Strawberries” (1957), also revisits his family in his work, but his method is the opposite of Lagerlöf’s idealization.