
Welcome to gmackrr | gmackrr 15.– 19. Feb 2015, from 19:09* (FM exhibition)radioCona FM 88.8MHz, Ljubljana and stream radioCona:ZimaFM is an exhibition project that takes place across an FM frequency. It brings together and presents a selection of works combining the medium of radio or sound with a winter landscape, with a special focus on nighttime. *radioCona will tune in for five days in a row exactly at nightfall. This is the time when the atmosphere is no longer filled with the fine sunlight, when the sun reaches 18 degrees or more below the horizon. Curators: Jeff Kolar, Jasmina Založnik, Brane Zorman, Irena Pivka
The Grove Encyclopedia of Medieval Art and Architecture WAY TO GO The Annunciation This and the painting to the right are believed to be the remaining components of a six-panel altarpiece. The large central panel is now preserved in Barcelona (Museu National d’Art de Catalunya). Ferrer collaborated with the painter Pere Garcia de Benavarri on this commission. Spanish works like these often feature elaborate treatment of the gold background, evident here in the exuberant raised decoration (called pastiglia) in the skies and the haloes, as well as other details. Here the Archangel Gabriel proclaims the Virgin’s destiny as the mother of Christ. Both The Annunciation and The Nativity were components of a large altarpiece probably dedicated to the Virgin.
*Hacking social* Ici nous décortiquons manipulations et formatages via les sciences humaines. Symbolism in Narrative: A Look at Bernat Martorell’s The Annunciation | CUJAH Theoharis Vouitsis Pictorial narratives serve to instruct and augment one’s understanding of a particular event. Religious themes, frequently expressed as pictorial narratives to inspire Christians, served well in climates of illiteracy and spoke to a visually stimulated crowd seeking religious instruction. Symbolism was employed, whether overtly or subtly, and was often used to relate far more than what could initially be seen. Bernat (or Bernando) Martorell was a Catalonian painter whose date of birth is speculated to be around the turn of the fifteenth century and who died in 1452 [1]. The faithful account of the coming birth of Jesus Christ was certainly not left to Martorell’s discretion. Scriptural narratives were seldom simple renderings of past events, as will be discovered through the exploration of Martorell’s The Annunciation. There are three noteworthy stylistic elements presented in Martorell’s The Annunciation. List of Illustrations Coming Soon Endnotes 1.
Upcoming Deadlines We are interested in projects that develop connections with what is there. We are interested in projects that develop connections with what is there. Practices involved with issues, spaces and local people groups, but with the possibility of being displace. Not only engaged with the place where them born but also capable to be moved to other contexts and continue growing. New narratives and thought forms to be assembled from previously limiting binaries such as local/global, rural/urban, tradition/innovation, knowledge/imagination, human/ non-human etc. Open to individual or group projects. Ask for features at info@centroruraldearte.org.ar Cazón, Saladillo, Argentina. Centro Rural de Arte 2015 Residences Location Argentina No application deadline / Open call Residency starts 2015 Residency ends 2015 More information
Upcoming Deadlines Participatory workshop, collaborative and interdisciplinary approach, 1month research, final event Description of residency program AFFECT 2016 PROGRAM FOR COLLABORATIVE ARTISTIC PRACTICES IN BERLIN presents: If you don't pay attention to me, I WON’T PAY ATTENTION TO YOU. * Read more at If we think of scarcity as the driving force of an economic model then, given today’s incessant inundation of information, what is becoming increasingly scarce is the attention we are able to pay and command. How does the attention we transact affect our sense of worth? Throughout this month working with a group of diverse multi genre artists we will explore possibilities of artistic collaboration while dealing with the question of attention scarcity. About the facilitatorSarah Margarita Lewis is a Dominican-American cultural producer and performing artist based in Berlin. Duration of residencyONE MONTH – group meetings 3 to 4 times a week.
Upcoming Deadlines One month residence in 300 sqm studio based in Rome, Italy Description of residency programTthe Foundation’s activities will take place at their Rome headquarters of Via del Mandrione 105. The space is part of a post-war industrial building development of the 1950s; it is located between the railway-lines and the Acqua Felice aqueduct. This urban district of Rome, known as Il Mandrione, is a part of the city that has been in constant evolution since the 1943 bombing of nearby San Lorenzo. Duration of residency (Fellowship)1 month FELLOWSHIPThe Fellowship covers the costs of restricted coach-class airfare/train for one person (up to € 500), a € 1,500 stipend, and lodging for one month at the FpA residency as well as 300 sqm Studio in Rome. - Disciplines, work equipment and assistance FELLOWSHIPS are open to visual artists, curators, architects, designers, performing artists, writers and other arts and creative professionals. Download: fpa_fellowship_application___form.docSize: 51 KB
Upcoming Deadlines International Artist Residency at Budapest Art Factory, Hungary. Description of residency programBudapest Art Factory (BAF) is a not-for-profit studio, exhibition and project space founded in 2006. By organizing exhibitions, studio visits and panel discussions, BAF provides a platform for the dialogue of contemporary art in an international context. BAF is home to three Hungarian artists: Dóra Juhász, Márta Kucsora and Sándor Szász. BAF launched an artist and curator residency program in 2013. Within the framework of the artist residency program BAF welcomes guest artists through the May - September season who want to engage in studio work in the Hungarian capital. During his/her sojourn the artist resident will create in a separate workspace. Duration of residencyThe resident has the option to spend 1 to 5 months, depending on his/her preferences. For particular needs we procure the required tools. Common spaces include a bathroom and a kitchen. Total height of the space: 800cm
Echéances à venir 7 month-long participatory workshops around a central research question culminating in public event. Description of residency program OPEN CALL: AFFECT 2016AFFECT is Agora’s program for collaborative artistic practices in Berlin, currently in its third edition. AFFECT 2016 is conceived as a 7-month-long program consisting of seven consecutive modules, each led by an international artist who invites participants to collectively explore a topic, develop a set of practices and research methodologies over the period of one month, culminating in a public event presented in the city of Berlin. Resembling an immersive academy, AFFECT 2016 programme offers a diverse curriculum of workshops growing out of the research and practice of the Berlin-based facilitating artists and curators. Program modules 2016# 1 WHILE WE WORK: A Temporary State of AffairsFacilitated by Judith LavagnaMay 2 – 28 | Apply before April 2 #2 THE ARTISTIC MISSION: Dismantling professionalism in a for-profit economy?