Annie Leibovitz annie leibovitz Blitz Brigade Hack - Get Unlimited Coins, Diamonds and VIP for ios-android. Photographed Illustrated 1 note Sebastião Salgado « Genesis est la quête du monde des origines, celui qui a évolué pendant des millénaires avant d’être confronté au rythme de la vie actuelle, avant d’oublier ce qui fait de nous des êtres humains. Cette exposition nous présente des paysages, des animaux et des peuples qui ont su échapper au monde contemporain. Elle met à l’honneur ces régions vastes et lointaines où, intacte et silencieuse, la nature règne encore dans toute sa majesté. On peut s’abreuver à la splendeur des régions polaires, des forêts tropicales, des savanes, des déserts torrides, des montagnes dominées par des glaciers et des îles solitaires. Les photographies de Genesis aspirent à révéler cette beauté. L’exposition constitue un hommage à la fragilité d’une planète que nous avons tous le devoir de protéger. » Lélia Wanick Salgado Commissariat et Scénographie Lélia Wanick Salgado À la librairie Deux livres, conçus et réalisés par Lélia Wanick Salgado, accompagnent l’exposition : Sebastião Salgado. Soutiens À découvrir aussi
OJOS CALEIDOSCOPIO: ANDRÉ KERTÉSZ (1894 - 1985) "Yo interpreto mis sensaciones en un instante determinado. No lo que veo, sino lo que siento."(André Kertész) Las fotografías de André Kertész tienen un estilo único en el que se imponen unos ángulos novedosos para la época. André Kertész y Robert Doisneau en Arlés, Francia, 1975. André Kertész nació en Budapest el 2 de julio de 1894 como Andor Kertész en el seno de una familia judía burguesa, Andor Kertész empezó a soñar con la fotografía siendo aún niño. Fue a los 18 años cuando se compró su primera cámara, una ICA Box, que funcionaba con placas de 4,5 x 6 cm. Mientras servía en las filas del ejército austro-húngaro, documentó en lacónicas imágenes el día a día del soldado, las marchas forzadas, la angustiosa espera en las trincheras y la desorientación del individuo. André Kertész, Distortion #172, Paris, 1933. André Kertész, Distortion, Paris, 1933. André Kertész, self portrait. André Kertész, Mondrian's glasses. André Kertész, Ombre de la tour Eiffel, 1929. André Kertész, Shadows.
Ufunk.net - Gadgets japonais et Arts insolites Magnum Photos - Search Result French, b.1908 - 2004 Born in Chanteloup, Cartier-Bresson started painting in 1923 and began to photograph in 1931, met Tériade, the editor of Verve magazine and frequented members of the French surrealist movement. After a trip to the Ivory Coast he discovered the Leica, since then his camera of choice. He pursued his photographic career in Eastern Europe and Mexico, later on making films with Jean Renoir, Jacques Becker and André Zvoboda and a documentary on Republican Spain (1937). A war prisoner, he escaped in 1940 and made portraits of artists: Matisse, Rouault, Braque, Bonnard. In 1947 he founded Magnum Photos with Bill Vandivert, Robert Capa, George Rodger and David Seymour "Chim", then spent three years in India, Burma, Pakistan, Indonesia and China (during the last six months of the Kuomintang and the first six months of the People's Republic of China). He subsequently travelled to China, Cuba in the 1960s, Mexico, Canada, the USA, India and Japan among other countries. Web links
Process of making "motion posters" with top-notch photographer LEE Jun-ho LEE Jun-ho, a top-notch photographer who introduced "motion posters" In every field, there are innovators and visionaries, who push beyond boundaries to transform the world. And in the world of photography in Korea, that person is LEE Jun-ho. As a free-spirited photographer, who knows no bounds, he has experimented with various genres and technologies to always bring something new to the table. As one of the top poster photographers, LEE Jun-ho has worked on more than 400 films including "Old Boy," "Secret Sunshine" and "The King and the Clown" since 2003. The experimental photographer embarked on a special project in 2009 to create what′s called a "motion poster," where the people and the landscape move, unlike the conventional still-image movie posters. LEE Jun-ho began pursuing his dream in 1991 by going to the U.S. to major in Advertising Photography at the Academy of Art University. Text and video via ARIRANG CULTURE Note: Watch the full interview ( 45 minutes) here
Magnum Photos Photographer Portfolio FRANCE. 1957. Widow of Montmartre. Bruce Davidson USA. 1958. The Dwarf. USA. 1959. USA. 1960. USA. 1961. USA. 1963. Nicholas Alan Cope Photography