Studio Tonne — Design, Illustration, Interaction JEAN LARCHER Table des matières - Jean Larcher- Henny van Renselaar Biographie et critique de livres par Cynthia Garinther Article sur Jean Larcher publié dans L’Arabesque de décembre 1985. (fig.01) Né en 1947 à Rennes. (fig. 02 et 03) (illustrations 2 et 3 tirées du livre CALLIGRAPHIES : APPROCHES) Spécial Calligraphie « Les calligraphes sont peu nombreux en France, il en existe pourtant; la calligraphie, art d’une haute exigence, esthétique de la sobriété et de l’indicible, pratique d’un entraînement intensif et rigoureux, s’est confrontée avec la technologie la plus avancée, un dialogue s’est instauré, les efforts prodigués de part et d’autre remplissent ces vingt-huit pages de création formelle. » Jean Larcher Bussière Arts Graphiques est une société industrielle au service des métiers graphiques. Ce numéro « Spécial Calligraphie » (grand format : 28mm x 42mm) entièrement calligraphié par Jean Larcher m’a beaucoup inspirée. Par Jean Larcher Editions Quintette, Paris 1984 127 pages Extrait:
The Type Directors Club - Promoting excellence in typography for over 70 years. tom kennedy design blog Libres & Égaux : La déclaration universelle des droits de l'homme: Amazon.fr: Déclaration Universelle Des Droits De L', Denise Lach The Difference Between Font and Typeface | Hoban Cards Terminology surrounding typography has morphed and found its place in our modern day vernacular. The terms "typeface" and "font" are used interchangeably today, but how did we get there? Have you ever wondered if a font is the same thing as a typeface? Or is typeface just a term that historians and academics use? A typeface is a particular set of glyphs or sorts (an alphabet and its corresponding accessories such as numerals and punctuation) that share a common design. Two examples of font comparisons from the A. The reason for this distinction isn't as important today as it was historically when a page of text was set by hand before printing, and meticulous organization of thousands of small pieces of metal was essential. Regular vs. Because a font was in a job case of its own, apart from the other sizes and weights in its family, using the term “font” had a distinct meaning from the word “typeface.” Claire is setting metal type for letterpress printing from a California Job Case.
Bureau Bruneau Self-initiated typography experiment where I used an old train set, found in my grandmother's basement as the basis for creating letters. A. Lucas Another Graphic | Archive of graphic design focused on typographic treatment Alex Renfrew Design The Drop Defected Further Four Bixon SNBTS Annual Report Vision Ramps Loop Selected Logo work Unfamiliar Blu Tack Jean Larcher