Pendulum - The Island Part 1 + 2 (Immersion) HQ - StumbleUpon Midnight in Paris Woody Allen’s latest places starving writer Owen Wilson in Paris with his fiancée, Rachel McAdams. Searching for inspiration for his incomplete novel, Owen begins taking strolls around the city at night where he discovers an unexpected group of people. I wish I could be more specific, but it would ruin the surprise. Know that it is brilliant, witty and full of mystique. 92% on Rotten Tomatoes (RT). Let the Right One In The best vampire movie ever made in my opinion. Watch Let the Right One In for FREE on Amazon Instant Video The Man From Earth Holy &#%@ this film’s plot is fascinating! Garden State This is my absolute favorite film. Waking Life It’s impossible for you to grasp Waking Life without actually watching it, but I’ll do my best to explain it. Watch Waking Life for FREE on Amazon Instant Video Closer This film is a rather dark, yet comedic story about the twisted relationships between Natalie Portman, Jude Law, Clive Owen and Julia Roberts. Sin Nombre Snatch The Descent
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Argo fuck yourself: Ben Affleck’s Iran hostage movie is the worst Photo by Keith Bernstein—© 2012 Warner Bros. Entertainment Inc. Not every critic was pleased to see Argo win Best Picture last night. After its nomination was announced last month, Kevin B. Lee trashed the film. His article is reprinted below. Now that Ben Affleck’s Iran hostage drama Argo has garnered seven Oscar nominations to add to its mantel, upon which already sit $110 million in domestic box office, near unanimous acclaim from critics, and even a whisper campaign for Affleck to run for John Kerry’s soon-to-be vacated Senate seat, it needs to be said: Argo is a fraud. Sure, Argo’s an easily consumable mashup of well-worn genres (exotic adventurer, political caper flick, derelict daddy redemption movie, Hollywood insider satire) whose geopolitical themes make it feel smart and important. Instead of keeping its eye on the big picture of revolutionary Iran, the film settles into a retrograde “white Americans in peril” storyline. I’m not naive.
Time's End The six ways we talk about a teenage girl’s age Last week, Montana District Judge G. Todd Baugh declared a troubled, now dead, 16-year-old girl culpable for her own rape. (The girl was just 14 when the crime occurred.) While in the process of reducing her rapist’s 15-year sentence to 30 days, he explained that the victim was “older than her chronological age,” and “as much in control of the situation” as the 49-year-old teacher found guilty of raping her. This happens with dulling regularity, and has for years. The language used in these cases demonstrates our confused notions about girls’ ages and what they mean. An adolescent girl isn’t allowed to be “her age.” First, there’s her chronological age. Second, there’s the age her body looks — which, for too many people in and out of the justice system, apparently makes a difference in rape. Third, there’s emotional age. Fifth, there’s media age. Lastly, there’s the age at which a girl is portrayed as “fair game” for older men.
My current collection of obscure Killers/Brandon Flowers music. : TheKillers