Documentation DxO login Overview | Recent Support Ticket System by Zendesk The Luminous Landscape Celebrating Our 15th Year Kilt Rock - Mealt Falls, November 2014 - Isle Of Skye, Scotland Fuji X-T1, 55-200mm at 74mm, f/8, 7.4 sec ISO 800, Lee Big Stopper by Kevin Raber There are Currently 184 Photographers Visiting The Luminous Landscape The contents of this site were last updated on 30 November, 2014 Michael's Phlog was just updated on October 21 lu-mi-nous (lue'muh nuhs) adj. 1. radiating or reflecting light; shining; bright. 2. clear; readily intelligible Welcome to The Luminous Landscape, the web’s most comprehensive site devoted to the art and technique of photography. The Publisher of this site is Kevin Raber
Plug-ins for Adobe Photoshop Lightroom | Adobe Labs Follow these steps to get started with Plug-ins for Photoshop Lightroom: Below you'll find references and links to help you participate in the Plug-ins for Photoshop Lightroom community. Online Forum Ask questions and discuss ideas with other users of Plug-ins for Photoshop Lightroom in the discussion forums. Please let us know what you think of the technologies. Your participation and feedback are very important to us. Visit the Plug-ins for Photoshop Lightroom discussion forum Please note that your submission of comments, ideas, feature requests and techniques on this and other Adobe maintained forums, as well as Adobe's right to use such materials, is governed by the Adobe.com Terms of Use. General Resources If you want to learn more about releases on Labs as well as other Adobe technologies, visiting a user group or connecting with an Adobe Community Professional is a great place to start. Frequently Asked Questions How much do the plug-ins cost? Where can I provide feedback on this release?
Thank You for Your Subscription Thank you for your subscription. To return to this page, either bookmark the page, or re-enter your email address (this will not result in getting multiple email newsletters.) You may unsubscribe at any time, once you receive an email newsletter. Free Webinar: Developing Photos in Lightroom [Recorded March 1, 2014] The recording from my March “Developing Photos in Lightroom” webinar is now available to view for free! Watch as I develop photos in Lightroom in this free webinar. *Webinar recording not currently available on mobile devices. Click here to watch Laura’s webinar: Developing Photos in Lightroom Free Lightroom Shortcut PDFs Free PDF of My Favorite Lightroom Shortcuts (Library and Develop modules. Free PDF of My Favorite Output-Related Shortcuts Pages with Free Video Tutorials Comprehensive Expert Lightroom Training The Fundamentals & Beyond61 videos, 12½ Hours of Training Producing Great Output57 videos, 12 Hours of Training
Aube Nature - Comprendre le Masque flou sous Photoshop (accentuation) Ce second article sur les techniques d'accentuation avec Photoshop aborde l'aspect théorique du filtre d'accentuation, de manière à bien comprendre son fonctionnement, pour mieux l'utiliser ensuite. Je présenterai ensuite une technique d'accentuation relativement connue ne faisant pas appel à ce filtre mais utilisant finalement le même principe ! Théorie : le principe du Masque flou (ou "Accentuation") Le filtre d'accentuation de Photoshop (appelé "Unsharp mask" dans les versions anglophones, soit littéralement "masque flou") est bien connu des photographes utilisant les techniques numériques. Contre toute croyance, cet outil ne permet pas d'améliorer la netteté en augmentant la finesse des détails (car il n'est tout simplement pas possible de créer des détails qui n'existent pas dans l'image !) L'acutance caractérise le contraste local et les transitions entre deux couleurs adjacentes. Ce qu'il faut savoir sur le rayon Le rayon est la valeur la plus importante du filtre d'accentuation.
Techniques d'accentuation sous Photoshop Par nature, les reflex numériques produisent des images dites douces (pas ou peu accentuées au niveau de la netteté) de manière à laisser à l'utilisateur une grande lattitude en matière de post-traitement, notamment dans le cadre de la préparation des fichiers pour d'éventuels tirages grands formats (l'extrapolation devant se faire de préférence à partir d'un fichier non accentué). De fait, il existe un certain nombre de méthodes d'accentuation, allant du simple filtre "Plus net" sous Photoshop (ne laissant à l'utilisateur aucune lattitude de paramétrage) à des techniques beaucoup plus complexes mais aussi bien plus puissantes et précises. Je vous propose donc un petit état des lieux des principales techniques que j'utilise pour la préparation de mes images, aussi bien à destination de tirages papiers que du web. Image test (recadrage 600x400 d'une image réduite de 60% issue de l'EOS 20D) Etape 1 : passage en mode Lab S'opère via le menu "Image" / "Mode", simplement Résultat final !
Digital Negative (DNG) Digital Negative (DNG) Specification Patent License Adobe is the publisher of the Digital Negative (DNG) Specification describing an image file format for storing camera raw information used in a wide range of hardware and software. Adobe provides the DNG Specification to the public for the purpose of encouraging implementation of this file format in a compliant manner. Grant of rights Subject to the terms below and solely to permit the reading and writing of image files that comply with the DNG Specification, Adobe hereby grants all individuals and organizations the worldwide, royalty-free, nontransferable, nonexclusive right under all Essential Claims to make, have made, use, sell, import, and distribute Compliant Implementations. “Compliant Implementation” means a portion of a software or hardware product that reads or writes computer files compliant with the DNG Specification. Revocation No warranty Reservation of rights All rights not expressly granted herein are reserved.
Capture One Pro 8 Webinars (Attendees) Upload phaseone.com Subscription preferences Loading... Working... Phase One ► Play all Capture One Pro 8 Webinars (Attendees) by Phase One19 videos2,920 viewsUpdated yesterday Play all Sign in to YouTube Sign in History Sign in to add this to Watch Later Add to The Image Quality Professor's Blog » Blog Archive Customize your workflow in Capture One Pro - The Image Quality Professor's Blog We’ve all heard it said, and we know it to be true; No two workflows are alike. Photography is a craft and, like every craftsman (or craftswoman), it’s essential for continued success and continued growth to find an efficient way of working that suites your specific needs. Luckily, Capture One Pro offers seemingly endless possibilities to mold its tools to fit your needs. Now, it should go without saying that I’m absolutely 100% biased. Fit to purpose workflow With my position at Phase One, I find myself traveling quite a bit. Simplifying My workflow requirements are simple. I start by removing plenty, leaving only the tools I need. I use Catalogs, which a keen-eyed observer notices. So, the setup is quite simple but not too simple. Fast and simple Importing and Browsing You may also notice a few things missing which you assume as necessary. The Browser and Import Icon, just to explain a few, are not part of my primary workflow. Left to Right Workflow Set the base Now it’s onto White Balance.