A hand possessed! New finger stimulating device will help wannabe musicians learn their favourite tunes
By Daily Mail Reporter Updated: 07:10 GMT, 23 June 2011 If you've ever tried to learn the guitar or violin, moving your fingers just right can sometimes prove difficult. Now an invention by a group of Japanese scientists could teach you how to mimic your favourite tunes - even if you have no talent. The PosessedHand is an electronic device that stimulates the muscles on your forearm that move your fingers. HandPossessed: The Device stimulates muscles in the forearm to produce movements in the fingers and could be used by wannabe musicians This means it could be programed to move your fingers in time with your favourite guitar solo - without your brain needing to think about it. Using a belt worn around the forearm, the machine contains 28 electrodes which flex each of the joints in your fingers and thumb as well as producing two wrist movements. Designer: Emi Tamaki led the research using a Japanese stringed instrument called the Koto
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Click image to view full size version The Worldwide Standard in Affordable Professional Pitch Correction If you need Auto-Tune's world standard pitch correction, but not Auto-Tune 7's time manipulation or other new features (click here for a quick comparison of Auto-Tune features), then Auto-Tune Evo is the plug-in for you. It gives you all the power and sonic goodness of Auto-Tune's full-featured Automatic and Graphical pitch correction, pitch shifting and throat modeling, at an attractively affordable price. Core Functions Auto-Tune Evo provides two different approaches to pitch correction. For most common pitch problems (and correcting live performances in real time), Auto-Tune Evo's Automatic Mode instantaneously detects the pitch of the input, identifies the closest pitch in a user-specified scale (including minor, major, chromatic and 26 historical and microtonal scales), and corrects the input pitch to match the scale pitch. Key Auto-Tune Evo features include: General Features
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This is from a thread on Future Producers..I did not write this and do…to an extent…agree with most of this. I just copied and pasted the good stuff: To understand EQ and its intricacies you need hands-on experience, but to help you get started, here’s a table of general uses and the different ranges that EQ can affect. As every sound is different, though, these are necessarily very general guidelines… Kick Drum Any apparent muddiness can be rolled off around 300Hz. 50-100Hz ~ Adds bottom to the sound 100-250Hz ~ Adds roundness 250-800Hz ~ Muddiness Area 5-8kHz ~ Adds high end presence 8-12kHz ~ Adds Hiss Snare Try a small boost around 60-120Hz if the sound is a little too wimpy. 100-250Hz ~ Fills out the sound 6-8kHz ~ Adds presence Hi hats or cymbals Any apparent muddiness can be rolled off around 300Hz. 250-800Hz ~ Muddiness area 1-6kHz ~ Adds presence 6-8kHz ~ Adds clarity 8-12kHz ~ Adds brightness Bass Try boosting around 60Hz to add more body. Vocals Piano Electric guitars Acoustic guitar 1.
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