vehículos Set con los vehículos comerciales básicos, en formato vectorial y con una gran calidad de representación. Ideal para realizar aplicaciones corporativas como vinilos, y presentarlos al cliente. Disponibles en formato vectorial EPS. Search - Gobotree Making of English Pub Post Editing It's the final process and the most important one to me. I use Photoshop as the main software, sometimes I use others like After Effects or Lightroom with Photo looks Plug in. First of all start with adjusting the brightness and contrast of the image and also make a quick color correction. After that make a copy of the main layer and select the corners adding Feather, then add a touch of blue to them. Sometimes you need to add more selections with feather in certain areas to add that warmth feel to your image. Also make an Ambient occlusion render of the scene and add it as Multiply, you might need to change the opacity of it, doing that will add more shadows and will bring out the details in your visual.
Digital Cut Out » fast, free graphics Making of Baltic Sea House Grass and Sand There is no shortage in 3D Grass or Sand making how to articles, and a few been published on this blog in the past. Such was Javier Pintor’s Procedural VRay Sand approach and Sascha Henrichs 3D Sand Dunes modeling approach. This time, Piotr Wolowski offers his approach to this subject by letting us into his personal project – Baltic Sea House, created specifically us a study in recreating the look and feel of a typical Baltic Sea nature surrounding a private residence. In this project, my goal was to create a study of the Baltic Sea nature near a private residence. In my first ‘making of’ I focused on creating randomized grass and working with displacement to get realistic looking sand. Non-commercial work is a lot of fun, so it was also a great opportunity to get away from regular visualization projects and play with my own ideas and inspirations. I started from modeling blades with tops. I wanted to have clumps of green and dry grass in scene. Here comes the fun part!
Signs & Symbols | Signs, Symbols, Pictograms & Infographics: Discussion & Downloads 60 نصيحة إحترافية لتصميم شعار ناجح تصميم الشعار موجود في كل شئ من حولنا وهو لعامة الناس ويعتبر بمثابة تذكير للعميل بشركتك أو منتجك وهو أيضا يعتبر من التحديات ﻷنة يقوم بدمج وإيضاح الكثر من المفاهيم والحقائق حول شركتك أو منتجك. لذلك ﻻ تتعجب من أنك ترى الشعار في كل شئ بارز في حياتك.ونحن الأن في عصر أصبح فية من الواجب عليك إنشاء موقع إلكتروني للتعريف بمنتجاتك وخدماتك والوصول إلي عدد أكبر من الجمهور المستهدف لذلك الطلب على تصميم الشعار أصبح مرتفعاً جدا وهو دائماً في إرتفاع مستمر . وكل هذة الشعارات مختلفة عن بعضها كلياً أو جزئياً. ويأتي التحدي اﻷكبر في كيفية إنشاء شعار واضح يكون بارزاً وسط هذة الشعارات المختلفة. وكيف يمكننا صناعة شئ في وقت قصير نوعاً ما مع الحفاظ على جودتة وجمالة. فى هذا المقال سوف نتناول المبادئ اﻷساسية لتصميم الشعار وسوف نتبادل بعض النصائح المؤيدة لعملية تصميم شعار بارع من الإستلهام إلي التنفيذ. 1-تعلم أساسيات تصميم الشعار. الشعار الفعال يجب أن يكون مميز،مناسب وعملي،بسيط،ينقل الرسالة المقصودة منة،قابلاً للطباعة في أي حجم ولكن لتقوم بتصميم شعار فعال يجب عليك أن تتبع المبادئ اﻷساسية لتصميم الشعار: 4-تعلم من اﻷخرين.
Bifurcating Ecologies / Kenneth To – Wendy W Fok Bifurcating Ecologies, designed by Kenneth To (under Design Advisor, Wendy W Fok, and Project Team, Dave Cheung, Marco Chan), is a developmental master planning proposal which traces through humanizing the accessibility of the Hong Kong Wanchai District Waterfront through proposing new branching open landscapes and bifurcation of programs, which introduces new innovative topological energy creation that regenerates and reconnects the community. More images and project description after the break. Acting as an intermediary “connector” and “infiltrator” within four main strands of intertwined organization, between levels of: ecology, pedestrian, vehicular, and infrastructure, Bifurcating Ecologies challenges the visceral and abundantly urbanized Hong Kong waterfront that feeds itself through both land and water. Bifurcating Ecologies is composed of modular straps in an urban scale. It starts as a surface bisecting into multiple layers.
Ladobea.net Download anything and everything Interpretation and Visitors Center / VAUMM Architects VAUMM architects shared with us their proposal for the Interpretation and Visitors Center of the Technology Development Plant for Co2 Geological Storage. The Energy City Foundation plans to build an Interpretation Center to publicize the project of Geological Storage of CO2, a new project which is one of the main mechanisms in the fight against global climate change. It is intended that after visiting the Center, people have learned how Co2 affects the planet, the solutions that arise, the reasons for storing CO2 and overall operation of the Co2 Storage Plant at Hontomín, Burgos and also has experienced the feeling of having been inside the earth and having watched direct injection of CO2. More images and architects’ description after the break. The ideas competition, as support to Technology Development Plant for CO2 Geological Storage, begins from the choice of position for the Center in the adjoining hillside from which you will have visibility over the plant.
ILLUSTRATION BREAK DOWN - BLOG Last week I posted some images on my Facebook page that were created for a competition our office was pursuing. I thought it would be interesting this week to break down the images and show the progression of post processing used to achieve the final composition. The steps outlined below are a cleaned-up version of the process that I used to better explain the overarching workflow. For example, the color overlays in Step 5 are shown grouped together as if they were all applied in one step. However, I probably applied 3 or 4 different color overlays at different times of the process when I was experimenting with different lighting styles. The competition encompassed a huge site, so one of our strategies was to illustrate multiple vignettes throughout the design. The process began with a simple Kerkythea rendering. I try to insert the sky as soon as possible once I'm in Photoshop because the sky defines the mood of the rendering from which the other Photoshop elements build off of.