
Video Curator - What is Video Curation? Definition: A video curator has a knack for finding the gems in mountain of online video. Video curators watch hundreds of videos, gather the best video in playlists on YouTube or another website, and distributes the channel to a network of fans. The best video curators have a keen interest in the subjects that their video channels cover. You'll find video curation channels focused on everything from skateboarding to kittens, fast cars to knitting. Becoming a video curator is simple. If you want more control over your video curation channel, create a video blog. Examples: The video curator set up a YouTube channel featuring the funniest puppy videos she could find.
Remixing as a Classroom Strategy 7.7.10 | When it comes to innovations in education, Doug Sery, an acquisitions editor at MIT Press in the new media, game studies and design group, has a simple request: “more remix technologies.” “[Remixing teaches] systems thinking; connecting ideas, information and experience, as well as collaboration,” Sery says. “In the 21st-century economy, those are the skills you will need to survive.” But what is remixing and how does it apply to learning? Remixing first gained widespread attention in the hip-hop world. Today, in the ever-expanding world of what can be done with a laptop, the definition of remixing has expanded to include not only music, but also software, film, games and any other media. “It was taking songs, splicing them together and making different creations,” says Sery. And now, remixing is finding its way into the classroom as a way of fostering students’ creativity and helping them learn and express their ideas. But Is It Plagiarism? Teaching 21st-Century Skills
Curation Is Not Cheap Content... Posted by Tom Foremski - May 16, 2011 There seems to be quite a few people in marketing that look upon "curation" as an inexpensive and quick way to get content onto a site. After all, how hard can it be to collect a few links and publish them? However, "cheap" content doesn't mean it's good content. For curation to be done well it needs context. If you take a look at the work of museum curators, for example, the fantastic Balenciaga and Spain currently at the DeYoung in San Francisco, you see a tremendous amount of context around each exhibit. That's what curation online also has to demonstrate: mastery, passion, knowledge, and expertise. Otherwise, you could simply create curated content via some filters, some keywords, etc. I've written about this distinction before, aggregators versus curators and it is worth repeating because it is the human labor that's important, that's where the value will be found in any online enterprise.
Remixing Education for the 21st Century 7.7.10 | Doug Sery sees the future of education cross his desk as senior acquisitions editor for the new media, game studies and design group at MIT Press. When asked what innovation he’d like to see in the classroom, he said more remixing—the kind of creative experimentation young people do on their own by sampling music, splicing it into their own photos, or clipping excerpts from historical footage and adding it to a rap or spoken word. Not exactly something you’d expect a traditional publisher to condone. But could it be a learning tool that engages kids where they’re at? This Behind the Research looks more closely at remixing as a tool for learning and discovers some interesting experiments going on, in and out of the classroom: Darrell Johnson, a Chicago public school teacher, discusses how remixing engages students in ways that prepare them for the future and why remixing is not plagiarism.Watch examples of remix projects from Chicago students at Carter G.
Content Curation Vs Content Aggregation Two posts brought to my attention the discussion starting to take root about the worlds of content aggregation versus content curation. A post on the Poynter blog back in early October points to the work of journalists engaging in curation via Twitter as a way of “filtering the signal from the noise.” The phrase used was “curation is the new aggregation.” A more recent post on the Simple-talk.com blog by Roger Hart delves more into the world of content curation in a broader sense, stating that it is a bit of a flavor-of-the-month. My experience with curation is more specific. Daily, and sometimes twice daily, it is my job to draw from a set pool of content, radio programs’ arts and entertainment segments, and publish them into a CMS with text and audio. Over the past few years, publishing content in this manner makes me a curator of sorts. Curation goes one step beyond aggregation by adding an active, ongoing editorial component. Curation and aggregation are similar in but a few ways. So.
Remixing and Education The 3 C’s of Information Commerce: Consumption, Curation, Creation inShare180 Over the years, social networks have lured us from the confines of our existing realities into a new genre of digital domains that not only captivated us, but fostered the creation of new realities. As George Bernard Shaw observed, “Life is not about finding yourself, life is about creating yourself.” Such is true for social networks and the digital persona and resulting experiences we create and cultivate. It was the beginning of the shift in behavior toward an era of digital extroversion, self-defined by varying degrees of sharing, connections, and engagement. On Facebook, Twitter, MySpace, et al., we were attracted by the promise of reigniting forgotten relationships and enamored by the sparking of new connections. With each new connection we wove, we were compelled to share details about ourselves that we might not have divulged in real life. Our concerns of privacy or the lack thereof, now require education. The Social Genome The 3C’s, Consumption, Creation, and Curation
Concerns Over Remixing The Guiding Principles of Content Creation and Curation We’ve all heard the phrase, typically uttered by agencies and ‘social media experts’, “Content is King”. This proclamation throughout the industry is the crux of a main challenge faced by fashion and luxury brands in particular. For brands so deeply rooted in exclusivity, serving up a wide array of ongoing content in a public arena presents quite the conundrum. As it has been learned throughout the industry, it is not especially effective to merely be present within social media. As mentioned at yesterday’s Luxury Interactive conference in London, “Content is the social currency.” So, how do brands determine their approach to content creation? The initial challenge is two-fold and deals with both resources and brand voice. Resources don’t necessarily pertain solely to the financials, but more so to the personnel needed to craft and execute an impactful content plan. The content strategy is the epicenter of a successful social media position. Author: Elizabeth Schofield
Remix Culture: What is it? The 5 Models Of Content Curation Curation has always been an underrated form of creation. The Getty Center in Los Angeles is one of the most frequently visited museums in America – and started as a private art collection from one man (J. Paul Getty) who had a passion for art. Aside from a few well known examples like this one, however, the term curation has rarely been used outside of the world of art … until now. One of the hottest trends in social media right now is content curation – thanks in no small part to the leading efforts of several thought leaders actively promoting the idea. What Is Content Curation? Back in 2009 I published a blog post called the “Manifesto For The Content Curator” which predicted that this role would be one of the fastest growing and most important jobs of the future. Content Curation is a term that describes the act of finding, grouping, organizing or sharing the best and most relevant content on a specific issue. The 5 Models Of Content Curation Additional Posts About Content Curation: