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music treasures consortiun "Um mitternacht" by Franz Schubert. [manuscript score]. Music Division, Library of Congress. view manuscript The Music Treasures Consortium provides online access to the world's most valued music manuscripts and print materials, held at the most renowned music archives, in order to further research and scholarship. Researchers can search or browse materials, access metadata about each item, and view digital images of the treasure via each custodial archive's Web site. Browse by Member: Beethoven-Haus Bonn British Library Library of Congress Morgan Library & Museum New York Public Library Peabody Institute of the Johns Hopkins University University of Iowa, Rita Benton Music Library University of Washington Music Library

Piano Lessons » Learn How To Play Piano Today! The Social Network About Music Beta by Google #1 New York Times Bestseller Over 10 million copies sold In this generation-defining self-help guide, a superstar blogger cuts through the crap to show us how to stop trying to be "positive" all the time so that we can truly become better, happier people. For decades, we’ve been told that positive thinking is the key to a happy, rich life. "F**k positivity," Mark Manson says. "Let’s be honest, shit is f**ked and we have to live with it." Manson makes the argument, backed both by academic research and well-timed poop jokes, that improving our lives hinges not on our ability to turn lemons into lemonade, but on learning to stomach lemons better. There are only so many things we can give a f**k about so we need to figure out which ones really matter, Manson makes clear.

pianosheet music free flowkey | Learn piano online As a beginner I was able to progress very quickly. It was so easy to get started and learn new songs. I can’t wait for the mobile version! Sabine C., Research associate at a German university I wanted to play 8 out of every 10 songs flowkey had available. For someone as early on in piano as me seeing the highlighted black keys was a huge help and watching the hand positions from that camera angle was perfect. Ron N., 64, from Alaska, USA I’m a French medicine student, and I had to stop piano lessons last year because of my studies. Thibaut G., Student, from France It’s really fun because you’re teaching yourself. Felix M.,14, school student from Berlin, Germany

Skyrock.com Ornette Coleman’s “Lonely Woman” is the most hauntingly beautiful song in jazz. Photo by -/AFP/Getty Images Read more of Slate’s remembrances of Ornette Coleman. On May 22, 1959, the Ornette Coleman Quartet stepped into Radio Recorders studio in West Hollywood—where Elvis Presley and Louis Armstrong had recorded some of their hits—and, all in one day, laid down six Ornette originals. They all appeared on an album called The Shape of Jazz to Come, an extraordinary mix of gentle blues, up-tempo frenzy, and a five-minute ballad called “Lonely Woman” that was unlike anything ever heard. Baffling at the time, though even then strangely mesmerizing, it quickly emerged—and still remains—the most hauntingly beautiful song in jazz. The song (which I already wrote about, in some detail, in my book 1959: The Year Everything Changed) begins with Charlie Haden playing a slow bass dirge and Billy Higgins swirling a fast drum riff, an unusual pairing from the get-go. After reciting the theme a couple times, Coleman takes his solo.