Red Dot Cameras - Leica Cameras, Leica Binoculars, Metz Flashguns, Manfrotto Tripods, Leitz 43 Rumors Leica User Forum - Leica Forum Camera Quest Richard Franiec's Camera Accessories Your internal flash will work without removing the Custom Hot Shoe Cover, so the only time you'll take it off is to use an external flash, and high-tolerance machining ensures it won't slip out on its own. In place, it protects the camera's flash contacts from rain and dirt, eliminates snagging when you pull the camera from your pocket, and it simply looks good. Tip: It is small, so when you take it off, make it a habit to put it in the same place every time, whether that's your left front pants pocket or a pocket on your camera bag. You can read this DPreview post for more opinions. This hot shoe cover also fits the LX5, in case you ever lose the one that comes with the camera. This adapter is beautifully machined from Delrin and uses the camera's hot shoe cover as a solid base for the mechanical cable release. This adapter also fits the LX5. Note that a cable release is not included, so you can buy the length(s) you need or use one you already own.
そう、こんな感じになれば Converting Color Film Negative to Positive Using Photoshop by Removing the Orange Cast by Jeffrey Sward If the digital image of a color film negative is made with a film scanner, then most of this article is irrelevant. All film scanning software comes with color negative options. Look for color negative options in the scan software. After scanning a color negative with a film scanner using the color negative software setting, the resulting file will be a normal positive image. When doing any film scanning, either of negatives or positives (slides), the objective of the scan is to avoid clipping in all of the color channels, not making the scan look good. Once a film scan is made which contains full and complete data is each channel, then a regular workflow is applied to the image in order to correct and optimize the tones.
うわ～～～～ やヴぁいやヴぁい Home > Resources > Film conversion Finally, you then invert the corrected negative by simply selecting the Invert selection under the Image, Adjust. If your inversion results in a not quite right color leveled picture, simply try using Image, Adjust, Auto Levels. Lather, rinse, repeat if you’re not quite happy with the results, or if you have several images to convert. A brief recap of the steps: • Shoot a picture of the color negative • Shoot a picture of the film leader. Ｅ-Ｐ１ｖｓＧＦ-１ Tonal quality and dynamic range in digital cameras Making fine prints in your digital darkroom Tonal quality and dynamic range in digital cameras by Norman Koren updated Feb. 15, 2005 Prints made from images captured on digital cameras can have extraordinary tonal quality, comparable to the finest full-toned traditional prints. But to reach their full potential they must be processed properly, which involves changing default camera settings and moving away from standard file formats. This page covers the key steps for achieving ultimate tonal quality, which include, Storing images in RAW format-- the image sensor's native format, Converting and editing images using file formats with a bit depth of 16 (48-bit color or 16-bit B&W), and Using curves to adjust tones. JPEG is a lossy compressed format that sacrifices a small amount of information to achieve a large savings in storage. Introduction: RAW conversion Digital sensors (both CCD and CMOS) are linear. Output luminance = (pixel level)gamma Human vision and tonal levels Delta L/L = 0.01
この、赤面するほどのカッチョ悪さは何なんだ