La Jetée de Chris Marker (1962) - Analyse et critique du film « C’était un drôle d’objet. Une petite boîte de métal aux coins irrégulièrement arrondis, avec une ouverture rectangulaire au milieu et en face d’elle une minuscule lentille, de la taille d’un euro. On devait glisser par le haut un morceau de film – du vrai film, avec perforations – que pressait une roulette de caoutchouc, et en tournant un bouton relié à la roulette le film se déroulait image par image. (…) Ce bidule aujourd’hui oublié s’appelait Pathéorama. (…) Après quoi, cadre par cadre, je commençai à dessiner une suite de poses de mon chat (qui d’autre ?) en insérant quelques cartons de commentaire. Alors qu’il terminait Le Joli Mai en 1962, Chris Marker réfléchissait à une histoire qu’il raconterait en photos. La Jetée est peut-être le seul film de Chris Marker où l’humour est absent. A cette époque, en France, on croit cependant encore beaucoup au progrès. C’est la bande-son qui décide de la vitesse de passage des photogrammes et fait le rythme du film.
22 Incredible Photos of Faraway Places Thailand Chances are you already know Steve McCurry as the man who took one of the most iconic photos of our time. It was of a 12-year-old Afghan refugee girl who's piercing green eyes told us her harrowing story. The image itself was named "the most recognized photograph" in the history of the National Geographic magazine and her face became famous as the cover photograph on their June 1985 issue. Beyond just that one photo, McCurry has shot over a million images spanning 35 years. Looking through his large body of work, we get to experience fantastic faraway places we can only dream about visiting. Afghanistan Sri Lanka Yemen Tibet Cambodia India Burma Eastman Kodak let McCurry shoot the last ever produced roll of Kodachrome transparency film. Steve McCurry More Incredible Photos:Capturing a Country's CultureBreathtaking Visions of EarthTragic Portraits of America's Endangered SpeciesIncredible Wildlife Shots by Rob Kroenert
Création de site internet pour photographe / Création site photographe professionnel 60 euros par an - Photographes.com Altered thrift store art: Some personal faves Unknown, via Reddit. Banksy, via Flickr user goldenticket. It’s a simple idea: Find some bad art, whether original or a print, for a song at a thrift store, then modify it to make, if not “better art,” then at least something that’s more entertaining to look at. (Is it the same thing? Yeah, that sounds like a productive argument.) Anyway. Etsy seller loudxmouse. Banksy, via Flickr user Darrell Godliman. Reportedly Banksy, via Reddit. Banksy, via Flickr user poly_mnia. Banksy, via Flickr user SteeveeGee. Woodgill at Monocol’s Etsy shop. Did I miss a good one? Related
Duane Michals Duane Michals (né le 18 février 1932 à McKeesport, dans l'État de Pennsylvanie) est un photographe américain. Biographie[modifier | modifier le code] Duane Stephen Michals est né le 18 février 1932 à McKeesport dans l'État de Pennsylvanie[1]. Il grandit dans une famille typique de la classe ouvrière. Il obtient un baccalauréat de l'Université de Denver en 1953. Après deux ans passés dans l'armée américaine, il s'inscrit à la Parsons The New School for Design, située dans Greenwich Village à New York dans l'espoir de devenir un graphiste, mais abandonne ses études. En 1976, il reçoit le National Endowment for the Arts. En 2013, il était en relation avec le même partenaire depuis 53 ans. Expositions[modifier | modifier le code] 2009 : Exposition aux Rencontres d'Arles, France et soirée de projection au Théâtre antique.2016 : The Narrative Photograph, Galerie Jackson Fine Art, Atlanta[2] Critique de l'œuvre[modifier | modifier le code] Notes et références[modifier | modifier le code] Récit photo
Arago - Les souvenirs du grand-père Boltanski Christian (né en 1944) Paris, Centre Pompidou - Musée national d'art moderne - Centre de création industrielle Top 10 Pictures That Shocked The World It has often been said throughout time that a picture is worth a thousand words. Any picture may be worth a thousand words, but only a few rare photos tell more than a thousand words. They tell a powerful story, a story poignant enough to change the world and galvanize each of us. Over and over again… From the iconic images of Omayra Sanchez’s tragic death to the horrifying images of the Bhopal Gas disaster in 1984, the power of photography is still alive and invincible. Here is my top 10 list of photos that shocked the world: Warning: Be prepared for images of violence and death (in one case, the photograph of a dead child) if you scroll down. 10. Carol Guzy, the first woman to receive a Pulitzer Prize for spot news photography, received her most recent Pulitzer in 2000 for her touching photographs of Kosovo refugees. The above picture portrays Agim Shala, a two-year-old boy, who is passed through a fence made with barbed wire to his family. 9. 8. F. 7. 6. 5. 4. 3. 2. 1.
Photographers and Social Networking You’re a photographer, and you want to do it right. The big question, of course, is: What exactly does it mean to do things “right” in this digital day and age? The photography aside, there are a lot of other aspects to photography, and most of them have to do with, well, business, or at least with trying to reach other people, to entice them to look at your work. How do you do that? There’s an industry of people who specialize in telling photographers how to do that, and I have no intention of joining them. In particular, I really want to write a few words about what people call “social networking.” The ruling dogma is that photographers have to use all the tools of social networking to get somewhere. To start it off, let me be a little bit clearer about what I mean. Let me see whether I can list all the different tools at your disposal. Do you, as a photographer, have to have and use email, a website, a blog, a Facebook page, a Twitter account, and a Tumblr account? Another example.
Lovers in a Dangerous Time Jun 16, 2011 Photograph by RICH LAM/Getty Images Riot police walk the street as a couple kiss on June 15, 2011 in Vancouver, as the city broke out in riots, following the Vancouver Canucks loss in game seven of the Stanley Cup Finals. Scott Jones says he was just trying calm his girlfriend down after they both had been hit by Vancouver police when the now-famous photos of them lying in the street and kissing was taken in the midst of Wednesday night’s riot. “They started beating us with the shields, like trying to get us to move,” Jones told CBC News in an exclusive television interview Friday. “We weren’t being aggressive towards [police] or anything like that. The National Post via @twatthumper & Tmac