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Lucidarchive.com. Complete National Recording Registry Listing   Édouard-Léon Scott de Martinville. French printer Édouard-Léon Scott de Martinville ([e.dwaʁ.le.ɔ̃ skɔt də maʁ.tɛ̃.vil]; 25 April 1817 – 26 April 1879) was a French printer, bookseller and inventor.

Édouard-Léon Scott de Martinville

He invented the earliest known sound recording device, the phonautograph, which was patented in France on 25 March 1857.[1][2][3] Early years[edit] As a printer by trade, he was able to read accounts of the latest scientific discoveries and became an inventor. Scott de Martinville was interested in recording the sound of human speech in a way similar to that achieved by the then-new technology of photography for light and image. Phonautograph[edit] Dictionary illustration of a phonautograph. From 1853 he became fascinated in a mechanical means of transcribing vocal sounds. To collect sound, the phonautograph used a horn attached to a diaphragm which vibrated a stiff bristle which inscribed an image on a lampblack-coated, hand-cranked cylinder.

Rediscovery of the Au clair de la lune recording[edit] Publications[edit] Dream Catalogue. FreePD.com - Free Public Domain Music Creative Commons 0 Completely Royalty Free. Attention K-Mart Shoppers : Free Audio : Free Download, Borrow and Streaming. Hxchrd. Dogonaut - Broadcasting the world online! All Soul Auctions - John Manship Records. A Quitter Never Wins / Mercy, Mercy, Mercy Continuing our British release, timeless classic listings in standout condition.

All Soul Auctions - John Manship Records

This week again teleports me back to my enthusiastic days of embarrassing ignorance whilst relentlessly digging for Soul 45’s around Leicester. Circa Autumn 1969 I’d just heard of a new record shop opened on the Narborough Road, discouragingly named “Elvis Presley Fan Club”. I couldn’t get there quick enough…for a new dig. It was a fair distance from my Aylestone Road training workshop, but I ran there in my lunch break anyway. Oh to get out in the fresh air at lunchtime, nice day for a run. First box I found nowt, same with the second box and I was getting frustrated with seeing black RCA’s of “The King”. The Ghost in the MP3. Mrbcd125highres.jpg (JPEG Image, 1500 × 1500 pixels) - Scaled (66%) Home - Truth and Soul Records. MILIEU. Digitalis Recordings. Wzrdry Recordings. SUN RA by user255213869. ART ZERO 01 by ART ZERO.

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Wzrdry Recordings. Www.fingersinthenoise.com. Glitterbeat Records’s stream. Ndagga. Jah Wobble & Deep Space - Beach Fervour Spare (CD, Album. <div class="alert_message warning"><div class="set_to_page_width"><i class="icon icon-exclamation-triangle icon-large"></i><strong>Please enable Javascript to take full advantage of our site features.

Jah Wobble & Deep Space - Beach Fervour Spare (CD, Album

</strong></div></div> More Images Label: Format: Country: Released: Genre: Style: Tracklist Hide Credits Credits Bass, Written-By, Producer – Jah Wobble Crumhorn, Flute, Recorder – Jean-Pierre Rasle Shakuhachi, Flute, Khene, Melodica, Harmonica, Horn [Goathorns], Liner Notes, Written-by – Clive Bell Barcode and Other Identifiers Statistics. Jah Wobble & Deep Space - Largely Live In Hartlepool And Manchester (CD, Album. MINILOGUE - ANIMALS. RIP Supermax - Superdub.

BOSPORUS BRIDGES Vol.2 - V/A. Oscillation series » Holger Lund: The aesthetics of imperfection and hybridization. What is so interesting about Turkish funk and pop music of the 1960s and 1970s? Turkish funk and pop music of the 1960s and 1970s is very little known outside Turkey, though its special character makes it worthy of consideration.

oscillation series » Holger Lund: The aesthetics of imperfection and hybridization. What is so interesting about Turkish funk and pop music of the 1960s and 1970s?

Not much research has been done on the subject[] and this paper, while imperfect, is a small attempt to take things a step further. To give a first impression, here is a tune by Mogollar called “Cigrik,” recorded at the beginning of the 1970s: Mogollar - Cigrik (0–1.54) 0:00 / 0:00Right-click and save as to download. Today, the periphery is the new center, and B-music (following Andy Votel’s term[]), has become the new A-music (just think, for example, of genres like cumbia digital or favela funk). I am a white middle-class German—how did I get in touch with Turkish music?

DJ not-I - Mash Touch It Cigrik (Busta Rhymes, Mogollar) (0–0.48) But what is so special about Turkish funk and pop music? Coming back to Turkish pop music: Where did it all begin? Murcof - Maiz. Salz Music - Cologne´s finest Dubhouse.