VFR mode on the AF101 may have cost me my biggest client today! - Page 2. Panasonic Broadcast Presse - Archive | Panasonic Broadcast. DVuser: Panasonic AG-AF101 HD Camcorder - Full Review. Please note that this review is based on a pre-production Panasonic AG-AF101, that was only 75% finished. I make reference to this on occasion throughout this review. After spending four days shooting with this camera, I've decided that the Panasonic AG-AF101 film-like HD camcorder is absolutely, unequivocally the all-new independent low-budget filmmakers weapon of choice; it’s the camcorder filmmakers have been waiting on for 20 years. In fact it’s the camcorder we’ve ALL been waiting for; read on and I’ll explain why everyone including independent filmmakers, video production companies, music video producers, corporate video producers, wedding videographers and freelance lighting cameraman, can benefit from using this amazing new film-like HD camcorder from Panasonic.
But what about the Canon EOS 5D MK2 DSLR? I hear you shout. Although not strictly a digital video format, digital SLRs have made serious in-roads into the world of video since the launch of the EOS 5D MK2 in 2008. Panny af100 / af101 flat picture style for cinematic look « Marvelsfilm’s Blog. Update, august 11: detail settings altered – see note below In addition to my previous article, here is our latest picture style recipe (“Scene file”) for the AF101. We are currently in preproduction phase for our upcoming feature production “I miei geni”, a Dutch/Italian coproduction.
We’ve rounded off a few days of test-shoots with our cameras, including the AF101 and we have settled for one definitive scene file. Marvels Film cine-style profile for AF100/101: Operation type:FILM CAMRec. Format:1080/24PSynchro Scan:180.0dDetail level:-6Vertical detail level:-6Detail coring:-4Chroma level:-4Chroma phase:-2Master ped:-2Gamma:Cine-Like-DMatrix:Norm2 Remarks: We have corrected the chroma phase to reduce a magenta hue we experienced using the Norm2 matrix.Updated august 11: Detail is dialed down to -6 instead of -7.
Like this: Like Loading... Panasonic AG-AF 101. Panasonic AG-AF101 (AF101,AF100) Full HD solid state AVCHD camcorder with micro 4/3 inch sensor (body only) Photolease is an independent finance company who have specialised in leasing equipment to the imaging industry for over twenty five years. Banking facilities left available for special projects and unforeseen expenses.Small initial outlay usually amounting to just one months rental.Payment can be spread over a period of one to four years dependent upon value and type of equipment.A single payment at the end of the lease guarantees retention of the asset for the remainder of its working life.If you want to sell the equipment after the lease has ended you will receive the sale proceeds.Rentals are fully tax deductible.Cash flow is protected and the asset earns revenue in payment of the lease.No need to be VAT registered.
What happens at the end of the lease? We will extend the agreement indefinitely on payment of a single further monthly rental. After that you can keep the equipment and will never have to pay any more. Isn't leasing just for companies who can't afford the cash? No. Chroma subsampling. It is used in many video encoding schemes — both analog and digital — and also in JPEG encoding. Rationale[edit] In full size, this image shows the difference between four subsampling schemes. Note how similar the color images appear. The lower row shows the resolution of the color information. How subsampling works[edit] In human vision there are two chromatic channels as well as a luminance channel, and in color science there are two chromatic dimensions as well as a luminance dimension.
Original without color subsampling. 200% zoom. Image after color subsampling (compressed with Sony Vegas DV codec, box filtering applied.) Sampling systems and ratios[edit] The subsampling scheme is commonly expressed as a three part ratio J:a:b (e.g. 4:2:2), although sometimes expressed as four parts (e.g. 4:2:2:4), that describe the number of luminance and chrominance samples in a conceptual region that is J pixels wide, and 2 pixels high. Types of subsampling[edit] 4:4:4 Y'CbCr[edit] 4:2:2[edit] 4:2:1[edit] 4:2:2 vs 4:2:0 (with examples) - Page 2. AVCCAM 4:2:0 8bit compared ProResHQ 4:2:2 10 bit via Ninja.