Mixing Tips and Tricks - Digital Domain: CD Mastering | Mastered for iTunes | Audio Mastering | Blu-Ray Mastering. | Print | The First Tip: Read all the articles on this web site! Here's one of the secrets of the mixing engineers To avoid squashing, if it doesn't sound loud enough to your ears, turn up the monitor! If you find that you've been forced to apply limiting or compression just to keep the meters from overloading, then you've been going about this backwards.
Instead, turn down your individual mix levels several dB, then get rid of any compression you were using to "protect" the 2-mix. Now your mix is at a lowered meter level, so turn up your monitor gain to arrive at the same loudness--only this time it won't sound squashed. In 24-bit recording you can make a perfectly good mix that peaks between -3 and -10 dBFS with no loss of quality, in fact, with improved quality.
Know thy monitors But even when you do, never be fooled. Always mix to the highest possible wordlength Even if the source tracks are 16-bit! Another example: Electric guitar. If you have a VU meter, use it. Or Stem #1. Sound Mixing: 10 Essential Tips to Know | TheWhippinpost. Kicking-off with 10 digestible nuggets of sound mixing essentials you should be practicing when either shaping sounds or balancing the mix. You might know all, or some of these tips already - cool. However, they've been chosen precisely because they are ones we most-often let slide from our thoughts when dancing with the fairies in laa-laa-land (Note: I'm talking about you here - I've personally never been to laa-laa-land, preferring STRICTLY HETERO nightclubs instead, HTH). 1: Use MONO Sound Sources That's right!
Some of you might be shocked to learn this - I know I was when first told. It just wouldn't sound the same in MONO, right? First-off, ask yourself: what sound source, in nature, is truly emitted in stereo? If you're sat there shouting: "All natural sound sources are in stereo - they're all around us! " You see, sound-waves are reflected, blown-about, and dampened etc., don't forget. Drowning in Stereo Remember these things: Record in stereo - record again in stereo! Final Killer Tip. 20 Audio Mixing Techniques. So, I asked Henri Latham-Koenig, our chief engineer, for some audio mixing techniques or strategies audio professionals can use to improve their own work in the studio, and he delivered! Try out the techniques or strategies below in your studio and let us know what you think.
Now, obviously due to the amount of techniques we cannot go into each in too much depth on this one page. No worries! We have a lot more in-depth content in the pipeline for the clickmastering.com community. We think these 20 points should keep you busy for a while though. Try them right now... 1. Reference your mixes on as many different systems as possible. 2.
Dont monitor too loud during the audio mixing process! 3. Listen to your mix at very low levels as often as possible. 4. Try to monitor with as little visual distraction as possible at least once or twice during your audio mixing process. Youll be amazed at how much objectivity this can bring to the table. 5. Mono reference your mix, always. 6. 7. 8. 9. Top 8 Mixing Mistakes and How To Avoid Them. Veteran engineer of Universal Mastering Studios West, Pete Doell Most recording musicians, engineers and producers are well aware what a difference mastering can make to our mixes. And as we’ve discussed in previous columns (such as Audio Mastering Basics: Taking Your Music That Extra Step), mastering is an art form in itself, and is best placed in the hands of a specialist. But even expert mastering engineers can only accomplish so much, and it’s largely dependent on the raw materials they’re given to work with.
With that in mind, here’s a look at some of the top mistakes people make in preparing their mix for mastering, with the help of veteran engineer of Universal Mastering Studios West, Pete Doell. 1. Excessive low-end is probably one of the most common problems in mixes coming from project studios. Mastering engineer Pete Doell offers an important pointer: “The most egregious mistake is that people’s monitors aren’t placed properly,” he says. 2. 3. 4. 5. 6. 7. 8. 5 Minutes To A Better Mix.
12 digital mixing tips and tricks | Mixer Tips | Tech Tuition. The mixing desk is the hub of the recording and mixing environment; the centrepiece that brings together all the different sound signals into one tactile mixing surface of faders and pots, giving the studio engineer unparalleled control over any source. The hardware mixing desk is essentially a big fat board of knobs and faders that you use to balance and mix your different sounds together, and our DAW's mixer is really no different. Although daunting at first, it can be easily dissected: one vertical column, known as a channel strip, is cloned many times over – so imagine a 24-channel desk as the same channel strip duplicated 24 times.
You'll have one incoming signal per strip, and each strip has its own input gain, volume fader, pan pot, plus buttons for solo and mute. These channels are then routed to a master channel, which combines the signals and outputs your overall mix to your audio interface, to be heard on your monitor speakers or headphones. Reset modifier Wet and dry. 50 Mixing Tips From Steven Slate. Mixing tips.