typography

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10 free fonts with a family

http://www.designer-daily.com/10-free-fonts-with-a-family-2425 Last time I wrote about free fonts , people complained arguing that free fonts can’t be used in professional designs, partly because of the lack of font variations. In this post, I’ve been looking for quality fonts that have more than one weight and found quite a few. Of course, these fonts don’t compare with Helvetica or Univers , but they are of good quality and usable in some professional designs. 1. Aller

Font Newsletter Archive

Our popular email newsletters are a benefit of FontShop.com membership. http://www.fontshop.com/blog/newsletters/
http://somadesign.ca/projects/fontfriend/ Font­Friend is a book­marklet for typo­graph­i­cally obsessed web design­ers. It enables rapid check­ing of fonts and font styles directly in the browser with­out edit­ing code and refresh­ing pages, mak­ing it the ideal com­pan­ion for cre­at­ing CSS font stacks. 2.0’s killer fea­ture is instant drag-and-drop font pre­view­ing right in the browser (Fire­fox 3.6+, Chrome 7+), in any doc­u­ment you’re cur­rently viewing.

Soma FontFriend – Soma Design

http://thephuse.com/contests/the-taxonomy-of-type/ This is not a detailed overview of typography, and was not intended to be.

The Taxonomy of Type | The Phuse

http://typographica.org/on-typography/intro-to-typeface-selection/ Now that web designers suddenly face the challenge (and delight) of choosing fonts from an ever-growing selection, we thought it’s a good time to recommend some basic principles for making wise type choices. The slides from each of our four quick presentations are below, as well as audio generously provided by SXSW. If you’re short on time and feel like you know the fundamentals, skip ahead to the second half of the session — I think the Q&A is as useful as our prepared stuff. Of course, an hour is hardly enough time to deliver what one can get from the first day in a good Type 1 course, and as I listen to the audio I cringe at all the crap I missed or said poorly, but I think we did a decent job of introducing some concepts that will launch young designers more confidently into the new typographic web.

“Cure for the Common Font” — A Web Designer’s Introduction to Typeface Selection | Typography Commentary

Creating great typeface combinations is an art, not a science. Indeed, the beauty of typography has no borders. While there are no absolute rules to follow, it is crucial that you understand and apply some best practices when combining fonts in a design. When used with diligence and attention, these principles will always yield suitable results. Today we will take a close look at some the best practices for combining typefaces — as well as some blunders to avoid. Combine a Sans Serif with a Serif http://www.smashingmagazine.com/2010/11/04/best-practices-of-combining-typefaces/#more-71631

Best Practices of Combining Typefaces - Smashing Magazine

Telcel Sans on Typography Served

Organic shapes, formal structure, playful terminals, a restrained calligraphic flair. This is a 10-variant type family especially commissioned by the most important mobile phone and telecommunications company in Mexico, to be used in corporate communication, advertising and printed matter, as well as billboards, television and many other visual media. Concept, design and production by Gabriel Martínez Meave, for his typefoundry KTF (www.kimeratype.com) <p style="text-align:right;color:#A8A8A8"></p> http://www.typographyserved.com/gallery/Telcel-Sans/2199675