Conservación - MolinariPixel. La conservación en el tiempo de los archivos digitales de fotografía es un tema central para quienes estamos involucrados en su producción y difusión. Las colecciones artísticas, los trabajos comerciales, los álbumes familiares, todo lo que pueda definirse como un patrimonio o un “activo” visual debe ser tratado con los cuidados que los expertos de nuestro país y de todo el mundo recomiendan. La elección del medio de trabajo y de los materiales y el modo de archivar las fotos condicionan la duración y la calidad de esta conservación.
Pero hoy se plantea un serio interrogante cuando hablamos de la conservación de la fotografía digital. Copias digitales En primer término debemos establecer una diferencia entre la conservación de archivos digitales y la de impresiones digitales. La prevalencia de un sistema sobre otro estará determinada en el futuro por su calidad, su capacidad de permanencia en el tiempo y su facilidad y accesibilidad de uso, concepto que incluye al precio de la copia. Digital Preservation Management Resources. Modeling System Reliability For Digital Preservation. Digital Preservation Service Provider Models for Institutional Repositories: Towards Distributed Services. Abstract Digital preservation can encompass a range of activities, from simple replication and storage to more complex transformation, depending on the assessed value and risk to the target content. These activities require planning and, in most cases, begin with a need to know the technical format of the target content. In this case, the target is the content deposited in institutional repositories (IRs).
The Preserv project [1] set out to investigate the use of The National Archives' (TNA) PRONOM-DROID service (PRONOM is the online registry of technical information; DROID is the downloadable file format identification tool) for file format identification on two pilot IRs using EPrints software, and instead produced format profiles (Preserv profiles) of over 200 repositories presented via the Registry of Open Access Repositories (ROAR). Introduction How are institutional repositories (IRs) to preserve the digital content for which they accept responsibility? What is 'preservation'? Ross_Harvey.pdf (application/pdf Objeto) Preservación y conservación. The Preservation of Digital. Digital Curation Manual. Electronic Records. An Information Life-Cycle Approach: Best Practices for Digital Archiving. This article appeared first in the January 2000 issue of D-Lib Magazine, Volume 6 Number 1.
As we move into the electronic era of digital objects it is important to know that there are new barbarians at the gate and that we are moving into an era where much of what we know today, much of what is coded and written electronically, will be lost forever. We are, to my mind, living in the midst of digital Dark Ages; consequently, much as monks of times past, it falls to librarians and archivists to hold to the tradition which reveres history and the published heritage of our times. - Terry Kuny, XIST/Consultant, National Library of Canada [Kuny 1998] The rapid growth in the creation and dissemination of digital objects by authors, publishers, corporations, governments, and even librarians, archivists, and museum curators, has emphasized the speed and ease of short-term dissemination with little regard for the long-term preservation of digital information.
The Background of the ICSTI Study. GUIDELINES FOR THE PRESERVATION. Starting a Digitization Project: Basic Requirements. Acarpallo.pdf (application/pdf Objeto) STUDY ON DIGITAL ARCHIVES STANDARD. Digital Archives Standard. NDIIPP project partners meeting, day one. I’m in Washington, DC for the National Digital Information Infrastructure Preservation Program (NDIIPP) grant partners meeting. NDIIPP is a program of the Library of Congress (LC), and we learned today that it has just been awarded permanent status in the federal budget. As a result, the program should receive an annual appropriation and become a permanent part of the digital preservation landscape. In response to this change, LC is thinking of creating a National Digital Stewardship Alliance (the name may change), which would allow current NDIIPP partners to continue working with LC and attract new partners. Organizations that are willing and able to direct resources to NDIIPP initiatives will have a voice in the operations of the alliance, and other interested institutions and individuals can become observers.
I’ll be sure to post more information about this alliance as it becomes available. The Internet has enabled just about anyone who wishes to create media to do so. Almacenamiento distribuido y preservación digital : una panorámica de alternativas en Paperlandia. Digitalización de colecciones : texto e imagen en Paperlandia.