Sports action camera - VSN Mobil. How can I edit Ricoh Theta 360 videos? I guess I'm not totally finished with this topic.
The videos I produce work in many places, but not all, and I believe that's because PowerDirector is tagging the videos with the wrong aspect ratio. Even though the video is 1920 x 960 which would be an aspect ratio of 2:1 (with square pixels), it is being tagged as a 16:9 video with rectangular pixels. The original videos produced by Ricoh Theta show the following attributes Stream #0:0(und): Video: h264 (Constrained Baseline) (avc1 / 0x31637661), yuv420p, 1920x960 [SAR 1:1 DAR 2:1], 12037 kb/s, 14.98 fps, 14.98 tbr, 14985 tbn,29.97 tbc (default) but the videos produced by PowerDirector show the following attributes Stream #0:0(eng): Video: h264 (High) (avc1 / 0x31637661), yuv420p, 1920x960 [SAR 8:9 DAR 16:9], 15612 kb/s, 14.98 fps, 14.99 tbr, 30k tbn, 29.97 tbc (default) SAR stands for "Simple Aspect Ratio" otherwise known as PAR or "Pixel Aspect Ratio" DAR stands for "Display Aspect Ratio" The Complete Theta Tutorial.
The Ricoh Theta was designed as a still camera, but it’s still the best consumer product on the market for making spherical video.
</div> This year we've seen numerous affordable consumer 360 VR cameras hit the shelves and the Mashable video team is eager to try them. Recently the Ricoh came out with their Theta S 360 VR camera and resident BMX stuntman/Video Producer Jon Lynn took it for a spin around New York City and the results are pretty cool. But we had a few hiccups in the post process, so we wanted to share some of our experience. Say you've recorded an awesome day out with your friends and want to share it with the world. The desktop app does not like these files. From here you can view them in the Theta app in 360. Now that your footage is in your app you can watch it. (My own preference for pulling photos and video off of my iPhone is Mac's built in Image Capture utility.
You can upload your raw clips to YouTube and the player recognizes these as a 360 video. Now onto editing the footage. Free VR Tools & Software. Use the offset method with a 360-degree panoramic photo Panoramic Photos. - Let's move into After Effects and start to use some of these 360 degree panoramics to make some motion graphics.
To start, we'll do something easy. We're going to revisit that offset command, and use a 360 pano to make a looping background. To begin, I've launched After Effects, and I'll simply import a 360 degree pano into the project. This one is from the city of Zadar in Croatia, and it's a pretty large file of an environment. What I'm going to do is make a new composition so I'll click the New Comp icon, and choose a Preset. In this case, I'll stick with HDTV 1080, but Im going to deliver at 23.98, and click OK. How to Create a 3D Virtual Reality Video With After Effects - Envato Tuts+ 3D & Motion Graphics Tutorial. Autopano Video Features. How to Shoot, Edit, and Upload 360-Degree Videos. 360-degree videos have now been released to the masses via YouTube and Facebook.
Prior to that, you had to have a VR developers kit and share your work with other developers. Now that any user has the ability to upload and share content, let’s take a look at a few ways you can start producing 360-degree videos. 360-Degree Cameras and Rigs As this is a developing technology, there are a ton of options available and in development. If you are planning on purchasing a single camera, you should note that only some sites can host your video. Sometimes A Good GoPro Gimbal Is All You Need (A Review With A Chicken) CHRISTIAN-TAEUBER-GALLERY, 3D SERVICE,3D Galerie, 3D Videos, 3D Produktion, 3D Photography.
[Fuse] SmoothCam - We Suck Less. SmoothCam_v1_0 This Fuse uses Dimension's motion vectors to auto-stabilize an image or smooth the camera motion.
You first need to analyze your footage by simply playing it back inside Fusion while looking at it in one of the viewers (it's recommended to put this node right behind an EXR loader or an optical flow tool for speed reasons). This determines a transformation matrix by least squares fitting to describe each frame's transformation. If you have moving elements that don't follow the camera's motion you can add a garbage matte. The parts where the matte is black will be excluded by the analyzation. Hague MMC-SPM Mini Motion Cam Steadicam Stabilizer With Smart Phone Mount — Hague Camera Supports. The most important part of a stabilizer is its gimble as it essential that the handle is totally free moving.
The MMC has always had the smoothest moving gimble of its type making it far superior and more effective than any other ball type stabilizer on the market. The new Hague H2 advanced gimble maintains the free moving capabilities of its predecessor but has now been housed in a more secure socket which prevents the risk of the handle becoming loose if misused. The gimble has a highly polished ball enclosed in a nylon socket ensuring super free movement and enhanced security. The MMC stabilizer now supports cameras from 300g (0.7lbs) – 1kg (2.2lbs) as standard straight out the box and this version is supplied with the SPM Smart Phone Mount which allows phones and iPods to be used on the stabilizer. Cameras below 300g (0.7lbs) or above 1kg (2.2lbs) can also be balanced with the additional accessories offered.
Approx size: - Length 19cm. x Width 3.5cm. x Height 27cm. Bicycling with the Sony HDR-AS100 action camera. Bicycling with the Sony HDR-AS100V Action Camera Scope of this Review I took the opportunity to try out the Sony HDR-AS100V action camera at the 2014 Interbike bicycle trade show's Outdoor Expo.
World's Best Lenticular Printing Company 2D ~ 3D Conversion & 3D tutorials. 3D lenticular printing using Photoshop and inkjet printer. Index. Timelapse and Hyperlapse post-processing in After Effects. How to Hyperlapse Guide -Adobe After Effects This guide will serve for both timelapse and hyperlapse post-processing with AdobeAfter Effects.
In this section, we will take the JPEG or TiFF images you exported from Lightroom and add motion blur, speed up or slow down, and stabilize for smooth movement. Smooth operators. Understanding Adobe Premiere's Warp Stabilizer. — Story & Heart Blog. Be it MoVI, handheld, slider, or even monopod: sometimes you just need the helping hand of modern day post-production to make a rock-solid shot rock-solid steady.
Which is where Warp Stabilizer comes in. Premiere Pro’s Warp Stabilizer has truly revolutionized post-production stabilization, especially in its simplicity and speed. The plugin, when used, succeeds at stabilizing most clips without any adjustment, rendering quickly and smoothly. A Comprehensive Guide to Making the Most of Adobe's Warp Stabilizer. Digital post-production has come a long way since the Avid machines of the early 90's. Among the myriad post production tools that have surfaced in the past few years, none is more of a potential life-saver than Adobe's Warp Stabilizer. However, despite the fact that it is fairly easy to get decent results with the plugin, it takes a little bit of know-how and practice to make Warp Stabilizer do its best work.
Luckily, Jeremy Bircher over at the soon-to-launch story-driven stock footage hub, Story & Heart, has offered up the most comprehensive breakdown of Warp Stabilizer yet. Check it out. Deshaker - video stabilizer. Installation Download Deshaker using either link below and place the vdf file in the VirtualDub plugin directory and (re)start VirtualDub. Deshaker 32-bit (for 32-bit VirtualDub on any Windows) Deshaker 64-bit (for 64-bit VirtualDub on 64-bit Windows) (Keep in mind that many codecs etc. are 32-bit only and those can't be used in 64-bit VirtualDub. But 64-bit Deshaker will let you use all available memory, which comes in handy for the memory hungry Previous and future frames to fill in borders option.
Time-stretching and time-remapping. When remapping time in the Graph Editor, use the values represented in the Time Remap graph to determine and control which frame of the movie plays at which point in time. Each Time Remap keyframe has a time value associated with it that corresponds to a specific frame in the layer; this value is represented vertically on the Time Remap value graph. When you enable time remapping for a layer, After Effects adds a Time Remap keyframe at the start and end points of the layer. These initial Time Remap keyframes have vertical time values equal to their horizontal position on the timeline. By setting additional Time Remap keyframes, you can create complex motion results. Using Warp Stabilizer in Premiere Pro CS6. Share this Episode Please select a language: Autoplay End of Video Show End Screen Default Quality Adjust your embed size below, then copy and paste the embed code above.
Community Translation Episode available in 2 languages. Additional Connection Cable for Panasonic. How to Hyperlapse - ROK On! How to Hyperlapse Guide – Shooting. Berlin Hyperlapse and Interview about Hyperlapsing with Shahab Behzumi - LRTimelapse Forum. Hyperlapse - tripod or monopod? And what head? - LRTimelapse Forum. Hyperlapse Tutorial. Hyperlapse Tutorial: Creating Your Own Moving Timelapse, from Start to Finish.