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Documentary. Video Essay. Aesthetics Masterclass: Learn How to Speak the Cinematic Language More Fluently. If you're going to work in a visual medium, you have to understand the visual language.
Everything that is inside a composition, as well as the characteristics of those things, say something to its viewer. Literally -- everything.
Short Film (Fiction) TV & Web Commercial. MV. Animation (Short) Vlog Youtuber. BTS. 15s Commercial. Typography Video Example. Motion Graphic Example. NGO Short-Example. Experimental Film. Stock Footage. Film Theory. Film Genre. Film & Society. Film History. Film by Cultural Topic. Film Festival. Film Review. Suggested list. People. Database. The Death of Film. Project 2. 香港拍片實用資料. Film School. Film. Check out DP Reed Morano's Petition to Nix That Awful 'Smooth Motion' Effect on TVs. On most modern HDTVs, motion interpolation, or the "Smooth Motion" effect, is cheapening the aesthetic of content that filmmakers lovingly create.
World-class cinematographer Reed Morano ASC has started a petition to put an end to this insanity by requesting that TVs come out of the box with the effect turned off. Chances are, if you've walked through the TV section at your local electronics shop, you've probably noticed that the sample content playing on the display models is not only absurdly bright and over-saturated, but that the motion is reminiscent of the digitally shot soap operas that populate our televisions during the middle of the day. It's an effect that is called motion interpolation, or "smooth motion" depending on the brand of television, and it uses algorithms to generate extra frames between the existing frames in the content, which, in theory, reduces motion blur and makes for a more "realistic" television experience.
The issue here is an interesting one. RTHK 鏗鏘集 做夢者如是說 2014-8-3. Scorsese's Tisch Commencement Will Remind You Why You Became a Filmmaker in the First Place. Leave it to Martin Scorsese to give such powerful, inspiring, and strangely tempering insight into what it's like to be a filmmaker.
The graduating class of NYU's Tisch School of the Arts got the chance to hear the master himself share such wisdom during his commencement speech at his alma mater this year, and his words just might be what you're needing to hear. Commencement speeches are notorious for being overly sentimental and full of cookie-cutter adages -- "Follow your dreams," "Take the road less traveled," "You can only defer your student loans for so long. " However, Scorsese's speech is all about failure, the cinematic struggle, and fighting to remember the reason why you even picked up a camera in the first place. There are so many great lessons from his speech: Be a lifelong learner! Stay true to your creative self! In this creative environment, which can be pretty savage at times, we need reminders like Scorsese's -- and reminderers like Scorsese.
[新聞] 看大衛芬奇如何設局與解謎！一分半鐘瞭解《控制》中巧妙的畫面設定. Robert Richardson on Bringing ‘The Hateful Eight’ to Life. Robert Richardson has been Quentin Tarantino’s DP of choice since 2003’s “Kill Bill: Vol. 1.”
The relationship has distinguished Tarantino’s visual language considerably from that of films like “Reservoir Dogs,” “Pulp Fiction” and “Jackie Brown,” which established his voice in the 1990s. On “The Hateful Eight,” the collaboration reaches new heights with not just a 70mm production, but one captured through archaic, wide-angle Ultra Panavision 70 lenses that haven’t seen the light of day since 1966’s “Khartoum.” This was a considerable undertaking.
How do you feel about it all now that everything is locked and ready to go out? I love the movie. He’s been impressively adamant about the process on this.