background preloader

Lighting

Facebook Twitter

The Art of Lighting Dark Skin for Film and HD. Here are some practical and artistic tips from a working cinematographer on how to ensure dark skin "drinks in colors" on camera.

The Art of Lighting Dark Skin for Film and HD

Every shade and hue offers its own unique challenges and glorious opportunities for the cinematographer to create art. Anyone with a basic knowledge of lighting can get a decent exposure when filming non-white skin. But I want to discuss the art. Your narrative will dictate how a character should appear, whether ashen, vibrant, healthy, exhausted, apathetic, or enlightened. As a cinematographer, I can make any skin tone exude one of those adjectives.

I love shooting black/brown/tan skin because it literally drinks in colors. My preference is to light the location first and then make tweaks to accommodate the actor's skin color (in this scene, reddish brown), movements (dances across the room and then sits) and motivations (character wants to be mysterious). Study faces like a painter Painters are fascinated by the nuances in people’s faces. Technical tips. 當 6 個攝影師拍攝同一個男人,卻被告知不同的背景故事時…… Lighting change everything.

Colour Rendering

Theory. LED Light. Grip. Equipment. Practical Lighting Technique. Lighting Example. Lighting for Film and Digital Cinematography. Colour. To Get Better at Lighting, See Light Through the Eyes of a Cinematographer. Almost everything I do as a photographer comes back to this challenge: seeing light as a cinematographer would on set.

To Get Better at Lighting, See Light Through the Eyes of a Cinematographer

I was recently reminded of this in conversation with a friend and fellow photographer as I was trying to think of the best advice I could give to someone wanting to step up their lighting game. So I’m sharing one of my lighting journals from film school, it was my sort of “ah ha” moment after several semesters of confusion and frustration when it came to lighting. (I know it’s not perfect, I would admittedly see this assignment much differently now but I still think it’s a good example exercise.) As a student of photography I shot only natural light for years. Then I made the switch to film school and it seemed I knew nothing. As dumb as this sounds, I couldn’t see light. Direction. It was our task to gather stills from feature films, and then describe these characteristics for each light source, along with the mood and tone they conveyed. Munich Amadeus A Single Man 1. 2. Why Your Film Needs a Good Gaffer: Watch How Lighting Changes a Face. The ASC: Eric Kress Lighting Workshop – part 4 « The Film Book.

This is Part 4 of the Lighting Workshop that I organized with cinematographer Eric Kress during Gokinema at Gothenburg Film Studios.

The ASC: Eric Kress Lighting Workshop – part 4 « The Film Book

Here I offer a video summary of the workshop, along with links to download the dailies. The first 3 parts have generated many comments, questions and encouragements, in various blogs on the net, via email and in person. I try to respond to some of this feedback in this post. If you’re intrigued by the video summary you might want to watch the 3 videos documenting the workshop — starting with PART 1. The video summary places the dailies above the lighting diagrams for each of the 6 variations 6 variations x 2 In PARTS 1 2 and 3 of the workshop video, Eric demonstrated 6 lighting variations around a window on the sound stage set, shooting first an angle on Matilda, and then a matching angle on Pontus. the video This video acts as a condensed version of the entire workshop, simultaneously showing the matching close-ups and lighting diagrams for the six variations.

This Is How You Light a Short Film Using Only an IKEA Trash Can. Over the years, we’ve covered a wide range of methods and tools for lighting a film, everything from hardware store clip lights to high-end cinema lighting tools.

This Is How You Light a Short Film Using Only an IKEA Trash Can

As fantastic and practical as some of the higher-end tools can be, most of us just don’t have the budget to rent (let alone own) those tools, so we end up resorting to cheap fixtures and DIY light-sculpting methods in order to illuminate our films. That’s not necessarily a bad thing, however, considering that having a DIY mindset when lighting can produce some truly ingenious and cost-effective techniques. Not So Fast, a short film from David F. Lighting test 武林秘級. 機燈葵花寶典.xlsx. Wan Lightting List Sys. This is How World-Class DP Robby Müller Lights a Scene: A Step by Step Masterclass. Have you ever wanted to be a fly on the wall as a world-class cinematographer set up a shot?

This is How World-Class DP Robby Müller Lights a Scene: A Step by Step Masterclass

(Who hasn't, right?) Well, now you can be! In this video from Eyes on Cinema, DP Robby Müller (Paris, Texas, Down By Law, Breaking the Waves) walks you through what it takes to set up one of his shots -- every track, every light, every filter, step by step. So, get ready for 23 minutes of top-notch lighting education from one of the masters. Did anyone else thank their lucky stars that they're a no-budget filmmaker who works with barebones setups after watching that video? For instance, it's important to take stock of what you have and make it work for the mood you're trying to create, like Müller did when his shot called for daylight, but he only had one HMI and a bunch of tungsten lights. Robby Müller Cinematography Masterclass.