Up to north-Typography. Abduzeedo-Typography. Colorful Typography by Adhemas Batista. Born in Sao Paulo City, Brazil, Adhemas Batista is a self-taught digital artist that is world-renowned for his colorful and distinctive illustrative style that he brings to his projects.
Batista has been in the business of selling colors since the age of fifteen. He has worked for advertising agencies, design studios and interactive shops around the world and has developed skills in creative and art direction, illustration, interactive, photography and photo manipulation. Beautiful Typography Artworks by Francesco Muzzi. The Font-Face Rule and Useful Web Font Tricks - Smashing Magazine. Advertisement The possibility of embedding any font you like into websites via @font-face is an additional stylistic device which promises to abolish the monotony of the usual system fonts.
It surely would be all too easy if there was only one Web font format out there. Instead, there’s quite a variety, as you will get to know in this article. This quick introduction to @font-face will lead you towards a guide through the @font-face kit generator. If you want to make Web use of your already licensed desktop fonts, read up on how to embed them from your own server. Web Font Formats. The Art of Typography #43. A picture says more than a thousand words!
…But what if those words make a picture? Every friday we deliver you new fresh typography inspired pictures. About the author. Useful Typography Tips For Adobe Illustrator - Smashing Magazine. 10 Most Inspiring Videos about Typography. Words aren’t just words.
Rather, words portray meanings and can stir up every emotion from anger to lust. As such, designers have immense power over their audiences simply with the fonts they select and the manner in which those fonts are used. The following are ten 10 masterfully composed videos that provide perfect examples of how typefaces can be used to move audiences. 1. Graphic and web design resources, and inspiration. Typography in Rome. Paul Soulellis è un graphic designer americano che nella sua recente visita a Roma ha utilizzato il suo tempo libero per girare la capitale e fare foto, ma come spesso accade, la "deformazione" professionale lo ha portato a fotografare le centinaia di bellissime scritte grafico/tipografiche che si trovano girando per Roma.
A Look into Experimental Typography. To succeed as a graphic designer, you must be willing to take risks.
This is a cutthroat industry where only the most creative survive. As such, the sooner you begin experimenting with your design elements and following your creative instincts, the more likely you will be to build up a solid client base. One of the best ways to improve your work is by experimenting with your typography usage. In fact, in most design work, typography is the main attention grabber with the other design elements supporting that typography. The following are four ways you can begin experimenting with typography usage to improve your designs. 1. International Typography: Problems and Solutions.
Diacritical markings are more commonly known as the accents found above and below some letters.
Many designers mistakenly believe their presence is trivial; however, typographers consider them as full characters rather than just add-ons to unaccented letters. The following languages use these accents: JapaneseArabicRussianPolishGerman Since English-speaking countries developed most modern computer technology, the majority of computer text sets have a bias toward the unaccented Roman alphabet.
This led to accents being used rarely in digital typography, even by graphic artists whose native languages include them. “What Font Should I Use?”: Five Principles for Choosing and Using Typefaces - Smashing Magazine. Advertisement For many beginners, the task of picking fonts is a mystifying process.
There seem to be endless choices — from normal, conventional-looking fonts to novelty candy cane fonts and bunny fonts — with no way of understanding the options, only never-ending lists of categories and recommendations. Selecting the right typeface is a mixture of firm rules and loose intuition, and takes years of experience to develop a feeling for. Here are five guidelines for picking and using fonts that I’ve developed in the course of using and teaching typography. 1. Many of my beginning students go about picking a font as though they were searching for new music to listen to: they assess the personality of each face and look for something unique and distinctive that expresses their particular aesthetic taste, perspective and personal history. The most appropriate analogy for picking type.
Ornamental Typography. 'Alfabeto di Lettere Iniziali' (c. 1730) from designs by Mauro Poggi.
[The edition above, from the Austrian Musuem of Contemporary Art (link below), dates from c.1750, and the cover page - sans watermark - comes from here] "[T]his lovely engraved oblong folio [is] one of the most delightful 18th century alphabets in the high rococo style. Reflecting the style of the early 18th century engraver, Giambattista Betti, the design of each splendid plate features an elegant cursive capital form of one of the two dozen letters of the 18th century alphabet (there were 24 letters, rather than 26, because i and j were the same letter, and because there was no w).The capitals are elaborated with scrolls and flourishes and then inhabited by satyrs, mermaids, Medusa heads, birds, cats, dogs, snakes, and other creatures.