Final Cut Pro 7 User Manual: Welcome to Final Cut Pro. Color User Manual: Finishing Projects Using RED Media. RED media has become an important acquisition format for both broadcast and digital cinema. When you install the necessary software to use RED media with Final Cut Studio, you get access to a variety of workflows for ingesting, grading, and mastering programs using native RED QuickTime movies in Final Cut Pro and Color. This section describes the various RED workflows that Final Cut Studio supports. For information about grading controls that are specific to native RED QuickTime clips, see The RED Tab. When you’re working on a project that uses RED media, there are essentially four workflows you can follow: Transcode All Native RED QuickTime Media to Apple ProRes 422 (HQ) If you’re mastering specifically to video, one very simple workflow is to transcode from RED to Apple ProRes 422 (HQ) clips, and then master Apple ProRes 422 (HQ).
Keep in mind that whenever you transcode native RED R3D media to Apple ProRes using the Log and Transfer window, you preprocess the original RAW image data. Audio Render time with DV Stream file (.dv) LarryJordanFCP's Channel. Final Cut Studio Tutorials, Final Cut Pro Tips, Seminars and Training. Ken Stone's Final Cut Pro. 10 things students should know about Final Cut Pro for filmmaking. A friend is teaching a short vocational course on filmmaking, and he asked me what advice I'd give students new the the field, from an FCP editor's perspective. This list is mostly technical with some general advice mixed in. I thought I'd reproduce it here and see what people thought. 1.
Be organised. FCP unlike AVID does not organise your media elements for you (capture scratch, graphics, imported audio etc). 2. 3. Creative cow - forums and tutorials about all kinds of post technology/techniques. 4. 5. 6. 7. 8. 9. 10.Be playful in your edit. RED - CU Film Wiki.