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Araki
荒木 経惟「写狂老人Aのフィルム・ノスタルジー」 Nobuyoshi Araki “Film Nostalgia” 会期：2011年5月7日（土）～5月28日（土） 会場： タカ・イシイギャラリー （東京・清澄） Photography, well, not so much photography but life itself, is nostalgia I realized, having seen these moments: in this day and age of digital media,in the center of Tokyo you see these sticks, right, they take these sticks and chase around crayfish and carp. Boyhood memories and stuff, that sort of nostalgia is the most important thing in life, the old man has realized(laughs). Retail price: JPY 4,200- (TAX incl.), Published by Taka Ishii Gallery(2011), limited edition of 500, soft cover, 96 pages, 408 photoreproductions, H260 x W261 mm, release date: May 25, 2011
Die Ausstellung Jeff Wall - Belichtung, speziell von Jeff Wall für das Deutsche Guggenheim zusammengestellt, zeigt vier neue großformatige Schwarz-Weiß-Fotografien des Künstlers. Gemeinsam mit dieser neuen Werkgruppe werden fünf Arbeiten früheren Datums präsentiert - Silbergelatineabzüge sowie Großbilddias in Leuchtkästen -, die sowohl formale als auch thematische Parallelen aufweisen. Das Deutsche Guggenheim feiert mit dieser Ausstellung das seit zehn Jahren bestehende Joint Venture der Deutschen Bank und der Solomon R. Guggenheim Foundation. Diese Zusammenarbeit wurde aktuell für weitere fünf Jahre verlängert.
Jeff Wall - September 22 - October 30, 2009 - Marian Goodman Gal
Jeff Wall - September 22 - October 30, 2009 - Marian Goodman Gal
Marian Goodman Gallery is pleased to announce an exhibition of new photographs by Jeff Wall which will open on Tuesday, September 22nd and will be on view through Friday, October 30th. The exhibition will include new pictures in both color and black & white which explore the potential for neo-realism and the 'near-documentary' in photography, which has constituted the core of Wall's practice for the past several years and which find their origin in events witnessed or in the documentary tradition. Differentiating between the cinematographic and documentary works, between the interests in cinema and painting that first shaped the work and the discernable shift in the 1990s, the artist says in an interview:Gao Brothers
The Forever Unfinished Building No. 4, 2008. Gao Zhen and Gao Qiang, who have worked on the Chinese contemporary art scene as the "Gao Brothers" since the middle of the 80s, hardly need an introduction. They are already well known in China and abroad as the representatives of a movement uniquely their own, that of the "outsiders" amongst the outsiders. And yet, the ambition of this latest exhibition, in the new premises of the ifa gallery, is to cast a fresh eye on the Gao Brothers' photographic work on space. The photographs for "Some Space for Humanity" have been meticulously selected from a large corps of work, allowing us to indulge in a re-visitation of the Gao Brothers' artistic journey with photography, dating from 2000 up until their more recent work.
Rinko Kawauchi
Les quarante photographies choisies pour cette exposition proviennent de la série « Utatane » - mot japonais qui définit un état mi-éveillé mi-endormi, rassemblées dans un des livres publiés par l’artiste. Elles témoignent de l’attention extrême que Rinko Kawauchi porte à toutes ces « petites voix qui lui chuchotent depuis son enfance » - selon sa propre expression, et qui sont à l’origine de cet univers intime déployé dans une esthétique singulière. « Utatane » nous donne à voir tout un univers constitué de fragments infimes, d’instants fugaces, qui illustrent la notion de naissance, de vie, de mort, et du temps qui passe. Quelle que soit son humeur, Rinko Kawauchi dit prendre des photos d’une manière aussi naturelle que boire du thé ; elle saisit les choses qui la frappent, que ce soient des insectes, des enfants ou des animaux, des détails anodins et des choses minuscules où la notion d’éphémère est souvent présente.