transmedia storytelling
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Fan films get serious (Wired UK)
This article was taken from the October issue of Wired magazine. Be the first to read Wired's articles in print before they're posted online, and get your hands on loads of additional content by subscribing online
For our dear P.A.'s birthday, we have decided to profile one of the most thankless jobs in show business (don't worry grips and craft services, you'll get your day in the sun, someday. ) Before we get into some real analysis, here is an ode to our very beloved, much appreciated P.A. by Jurassic Park Slope writer, producer and actor, Steele Filipek.
Jurassic Park Slope Production Blog
The first time I heard the term Transmedia I completely glossed over.
Transmedia Storytelling 101 | experience matters
A l’occasion de la grande conférence Tools of Change for Publishing organisée par O’Reilly et qui vient de s’achever à New York, il y a eu une intervention très intéressante de Jeff Gomez , qui est, avec Henry Jenkins , un des grands pontes du transmedia storytelling aux USA. Sauf qu’à la différence de ce dernier, enseignant-chercheur au MIT, Jeff Gomez en a fait un réel business avec sa compagnie Starlight Runner Entertainment qui créé des « univers narratifs » pour, entre autres, Avatar, Halo, Dexter, et Pirates des Caraïbes. Mais, au juste, le transmedia storytelling, à part être un vilain terme jargonneux, c’est quoi, et surtout, comment ça fonctionne ?
