Yan Pei-Ming, Un enterrement à Shanghai (L’Adieu), Musée d’Orsay, Paris, 2019. Gustave Courbet, Un enterrement à Ornans, 1849/50. (101) Yan Pei-Ming peint « Un enterrement à Shangai » Yan Pei-Ming, Chien de nuit, 2015, Oil on canvas, 73 x 92 cm (28,74 x 36,22 in), Courtesy Yan Pei-Ming / Galerie Thaddaeus Ropac Paris. The Galerie Thaddaeus Ropac is pleased to announce the first exhibition in Salzburg of works by Yan Pei-Ming, a Chinese-born painter who has been working between Paris and Dijon (France) for over 30 years.
The defining element of Yan Pei-Ming’s pictorial style to date has been its bichromatic approach. The contrast between black and white – or, more rarely, between black and red – subtly varies nuances of light and shade and imbues each subject with a sculptural dimension. For some time now, however, the artist has been generously expanding his palette. In this new group of works, Yan Pei-Ming explores a wider chromatic range, though remaining faithful to his style of vigorous and ample brushstrokes. Viewed close up, his paintings are powerfully abstract, but give way to a figurative intensity as one backs up to view them from a distance and as the contours of each subject re-emerge. Wild Game: The Way of The Crocodiles Yan Pei-Ming 02 July 2019. Claes Oldenburg et Coosje van Bruggen, Spoonbridge and Cherry Minneapolis Sculpture Garden, Etats-Unis. Claes Oldenburg et Coosje van Bruggen, Mistos (Allumettes), Barcelone, Espagne. (103) Œuvre à La Villette - La bicyclette ensevelie.
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