bengal's archives FrontBrush | work of Nerijus Čivilis GORO FUJITA INTERVIEW jour de pluie One account. All of Google. Sign in to continue to Blogger Find my account Forgot password? Sign in with a different account Create account One Google Account for everything Google Papa Nimba untitled Sketchtravel - The original book will be auctioned to benefit an international charity. Nicola Sammarco Artworks Amir's Portfolio environments - Page 3 I have been experimenting with sky textures lately, and tried to use 16bit textures for skydomes to have high quality skies without any compression artefacts showing up no matter the resolution or the exposure of the texture. I also did some attempts to make stylised skies based on photo just by running a few photoshop scripts. Some results : I also did an "in engine" test with a low resolution 16bit texture projected on a dome to see how it looks. I'm planning to use xtream Vue to generate the final spherical sky and then stylise it with photoshop. I will probably use image based lighting to get more accurate ambient lighting. As for volumetric clouds, I'm thinking of using speed tree modeler to generate sprites and slap a proper material which reacts to lighting accordingly.
Yati Jaiswal - An Artist of Profundity and Imagination | Trueblue Magazine The modern and post modern movement of art in India should either seek institutional patronage or use occasional lobby power. When the meaning and and self claimed prophecy of absence of beauty and structure of the world is the only purpose for which, these movement survived, there is a dire need for a new movement. Modernism is a self-serving oxymoron of age old 1900 ideas. The repetitive themes of disregarding form, line, composition and the entire gamut of structural primitives of art creation either led to predictable feel of a work or support from elite power. However there is this promising artist from Delhi, India, who is at the juncture of a new revolution to begin. I had this opportunity to interview this amazing artist and share some of his wonderful works. Seshu Kiran: For the takers, if there is any painting to invest on, I will choose Oppenheimer’s guilt. Yati Jaiswal: Oppenheimer’s guilt was born overnight and had a gestation period of about 3 years to be accurate.
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