Creator Processing ... Personal $ Svg $20 ✓ Up to $75 merchandises for personal use. Merchandise $ License to use artwork in merchandises (T-Shirt, Mug, poster, etc). Single Use $ License for single-purpose non-merchandising use. Unlimited $ Unlimited personal or commercial use. Custom $TBD Custom license, with terms subject to prior arrangement. Please contact licensing@tagxedo.com for more information By accepting this license, you agree to the Tagxedo's Terms of Service, and you agree that you have acquired the right to use the source image to create the Tagxedo artwork, and that you indemnify and hold harmless Tagxedo and its employees and officers from any harm are liability that may incur. Please contact licensing@tagxedo.com if you have any question. Pixelated Heart Popup Card I‘ve been scratching my head trying to come up with a card for my hubby {AKA the non-romantic type}. I finally decided to make this pixely popup heart card! They are really minimal (which I love) and take about 20 minutes to make (that includes the card, insert and envelope). You can even make some pixely confetti to put inside the card (if you are a big kid like me!). Full instructions and printable templates below! (BTW I remember seeing something similar in a popup book years ago. How to 1. (If you have a cutting machine then see note at end of post!) Cut along the black lines and score the grey lines. 3. 5. 7. Edited to add: The lovely Kayla from saynotsweetanne has send me a .dfx file of the card which you can use if you have a cutting machine.
artemartin paco morgado Ami Vitale | Photography Masters of Photography Photo Opportunities : Corinne Vionnet + PUBLICATION: Art and The Internet 2014 Black Dog Publishing, UK + PUBLICATION: ScreenDump #2 2014 ScreenDump #2, by Suzan Geldhoff and Karin Krijgsman, NL + EXHIBITION: Musée des Beaux-Arts, Liège March 15th - May 25th, 2014 Icones / Pixels of Paradise, Image & Belief; 9th International Biennal of photography and visual arts, Liège, Belgium + EXHIBITION: Musée d'Art, Pully, Switzerland March 5th - May 11th, 2014 Do You Speak Tourist? + EXHIBITION: Binôme Gallery, Paris January 23th - March 22nd, 2014 Nouveau Paysage + FEATURE: The Wall Street Journal December 13th, 2013 I Snap, Therefore I am, by Ellen Gamerman + FEATURE: Cultural Development Consulting October 2013 A beautiful article by Alasdair Foster culturaldevelopmentconsulting.com + FEATURE: COLORS MAGAZINE August 2013 The Tourist's Totem, by Laia Abril colorsmagazine.com/blog
a.y. - just so beautiful pictures ...oO° 2430 2818 553 333 1249 2167 805 872 1792 452 20 394 281 1124 498 133 1333 602 330 1015 847 1289 946 272 686 1689 612 2631 2414 907 623 311 835 272 1705 1131MSNERDS - Myspace Layouts, Default Layouts, Skinny Layouts, Skinny Defaults, Double Background, Bulletin Surveys, Music Skins, Comment Boxes, Page Graphics, Drop Down Menus Hannes Caspar Spécialisé dans le portrait, voici le photographe Hannes Caspar vivant et travaillant à Berlin. Avec ses clichés, ce dernier recherche à souligner l’humanité présente dans la majorité de ses modèles. Plus d’images issues de différentes séries dans la suite de l’article.
Un jour, un créatif : épisode E8 - Yves Marchand et Romain Meffre Voilà deux artistes français nés à Paris tous les deux. Se sont deux photographes d’exception qui aiment mettre en avant des ruines avec de magnifiques photos. Les photos que je vous propose de découvrir sont issues de deux projets différents, l’un est « the ruin of detroit » et l’autre est « theaters ». Je vous laisse découvrir les prises de vue et apprécier le travail de ces deux magiciens de la photo. Se rendre sur leur site. Strobe/Ambient Balance: A Shorthand Way of Thinking Okay, so by now you should have a decent understanding of how you can balance flash flash with ambient light. In this segment, we'll give that process a little shorthand language to help you understand other photographers when they talk about the way the lit a photo. Here, I want to accomplish two things: 1. To set you up with a way of quickly understanding and/or communicating how a given photo was balanced, and 2. First, a little confession. I have to be honest with you -- most of the time I have no idea what those numbers were. No kidding, if you ask a professional PJ, "What's your favorite F/stop?" Truth be told, I don't think in terms of absolute F/stops and shutter speeds. Take the photo of my friend Shadi, above. 1. 2. 3. 4. 5. If I were talking to another pro about this photo, I would likely just say this: "We dropped the ambient two stops, shot on tungsten, CTO'd the key light (plus an extra quarter cut) and left the rim lights ungelled, about two stops below the main."