"What Font Should I Use?": Five Principles for Choosing and Using Typefaces - Smashing Magazine Advertisement For many beginners, the task of picking fonts is a mystifying process. There seem to be endless choices — from normal, conventional-looking fonts to novelty candy cane fonts and bunny fonts — with no way of understanding the options, only never-ending lists of categories and recommendations. Selecting the right typeface is a mixture of firm rules and loose intuition, and takes years of experience to develop a feeling for. Here are five guidelines for picking and using fonts that I’ve developed in the course of using and teaching typography. 1. Many of my beginning students go about picking a font as though they were searching for new music to listen to: they assess the personality of each face and look for something unique and distinctive that expresses their particular aesthetic taste, perspective and personal history. The most appropriate analogy for picking type. For better or for worse, picking a typeface is more like getting dressed in the morning. 2. 1. 2. 3. 4. 5.
80 Top-Quality Typography Tutorials - Typography The web is brimming with typography tutorials, but many are low quality and others are very out of date. So we’ve trawled the internet to uncover the diamonds in the rough, in the form of 50 top-quality typography tutorials, to bring your knowledge and skills up to speed. Get Creative Cloud Perhaps you’re looking for a good introduction to the fundamentals of typography? We’ll be adding to this list as time moves on, so make sure you bookmark this fantastic resource, and come back from time to time to see what’s new in the world of typography tutorials. We'll start by looking at tutorials to help you with mastering the fundamentals of typography – skip through to another page if you're after something more advanced. 01. Not sure exactly what typography terms mean? Six further terms (tracking, widows and orphans, serif fonts, sans-serif fonts and script & cursive fonts) are explained in part two, which you can watch here. 02. 03. 04. 05. 06. 07. 08. 09. 10.
18 Insanely Addictive Font Games Typography helps you engage your audience and establish a distinct, unique personality on your website. Knowing how to use fonts to build character in your design is a powerful skill, and exploring the history and use of typefaces, as well as typographic theory, can help. But it doesn't have to be boring. This selection of online and mobile font games will help test and expand both your knowledge and identification skills. 1. The "rather difficult font game" from I Love Typography tests your general knowledge of fonts by displaying 34 samples. You can also download the Font Game iOS app to play on the go. 2. Type Connection is a fun "type dating" game that helps you learn how to pair typefaces. 3. Image: Kern Type Kern Type is a game in which you try to achieve pleasant and readable text by distributing the space between letters, called "kerning" by typographers. 4. Typewar is a typographical skill game that tests your knowledge and awareness of individual fonts. 5. 6. 7. Image: Shape Type
Five Simple Steps To Better Typography – April 13th, 2005 – Typography, I find, is still a bit of mystery to a lot of designers. The kind of typography I’m talking about is not your typical “What font should I use” typography but rather your “knowing your hanging punctuation from your em-dash” typography. So, in an attempt to spread the word here’s the first of five simple steps to better typography. Measure the Measure. The Measure is the name given to the width of a body of type. One point = 1/72 of an inchOne pica = 12 pointsOne em = The distance horizontally equal to the type size, in points, you are using. But, with the advent of DTP packages and the website design the following are also now used: MillimetresPixels There is an optimum width for a Measure and that is defined by the amount of characters are in the line. CSS and fluid? What is interesting here is fluid designs on the web. The Measure and leading. A simple rule is your leading should be wider than your word spacing. Reversing out? Tracking Your responsibility
Font utvecklad för de med dyslexi | EnklaknepEnklaknep Det är helt sant. Det har tagits fram en font som hjälper människor att läsa bättre och snabbare. Vid första ögonkastet känns det att vara för bar för att vara sant, men när jag testade denna font i min webbläsare märkte jag en stor förändring i mitt sätt att tolka in bokstäverna. Det rapporterades på nyhetsarena att barn med dyslexi har blivit i fråntagen rätten till hjälpmedel under nationella proven. År efter år rasar siffrorna i läsförståelse i skolan. Hjälper då en font utvecklad för de med dyslexi att öka vår läsförståelse på nätet? Sudiostudio som har gjort en font utvecklad för de med dyslexi har en reklamfilm som du kan se på här nedanför. Responsive Typography: The Basics by Oliver Reichenstein When we built websites we usually started by defining the body text. The body text definition dictates how wide your main column is, the rest used to follow almost by itself. Used to. Until recently, screen resolution was more or less homogenous. Today we deal with a variation of screen sizes and resolutions. In the heat of the relaunch I wrote a quick blog post on responsive typography, focussing solely on the aspect of our latest experiment: responsive typefaces. To avoid designing different layouts for every possible screen size, many web designers have adopted the concept of Responsive Web Design. Adaptive layouts: adjusting the layout in steps to a limited number of sizes Liquid layouts: adjusting the layout continuously to every possible width Note: Responsive design already incorporates a lot of macro typographic issues (type size, line height, columns width). Choosing a typeface The right tone Serif or sans serif? What size? Line height and contrast
The Basics of Typography Typography is a central component of design. It gives us an understanding of the heritage behind our craft. It’s one of the primary ways we, as a society, pass on information to others. Imagine a website, a magazine or even TV without text. Typography is a subject that raises passions and it can become a consuming obsession. If this subject is relatively new to you, or perhaps something you want to know more about, then this guide can start you on that journey. What Is Typography? From a descriptive and simplistic point-of-view, typography is the arrangement of type. For me, how typography is used in a design is deeply rooted in its overall theme, tone and message. Your choice of typefaces and your technique of setting type give your composition its character, pace and style. A simple illustration of how influential typography can be is to look at the same text with different typefaces. Next, let’s go through a few basic typography terms and concepts. Lines Here are the five lines: Leading
Just don't do it: 14 type crimes to stop committing Getting your typography correct is not an easy thing to do. Like graphic design as a whole, is has to be both aesthetically pleasing and functional. Just like you do in a logo, when you’re working with big blocks of text in a print or web design, you have to put a lot of thought into how the type is working. We’ve assembled 13 crimes against type you need to avoid. An example of creative management for a lot of text, by Atelier Martino&Jaña for the European Capital of Culture. 1. Yes, this one is subjective. Comic Sans is almost always disdained, and Helvetica is so frequently a top choice, that it’s overused in popular culture. When making your design put thought into the font you choose. 2. There are SO MANY font faces out there. You only need 2 or 3 — one for the title (maybe subtitle), and one for the body. 3. There are typefaces meant for titles, and typefaces meant for body. 4. 5. Fonts are created with love and joy, and it takes a lot of work to make them work. 6. 7. 8. 9. 10. 11.
Typography Cheat Sheet: The 6 Big Mistakes To Avoid Typography is one of those strange skills — too mathematical to be pure art, but a touch too intangible to be pure science. Our modern life is awash with text, so all front-end devs really need to have a thorough working knowledge of the “art of arranging type”. So, let’s run through a quick-fire cheat sheet of some of the most common typography mistakes — and ways to avoid them. Mis-judged Text Line Lengths Many designers tend to not pay enough attention to the number of characters in an average line of their text and adversely affect the readability of the text. Happily, this is an easy mistake to avoid, as the optimal length has long been identified. The great Swiss typographer, Emil Ruder did a lot of work on this topic in the 1950′s. In his seminal essay, “Typographie: A Manual of Design”, he concluded that the ‘sweet spot’ for line length was around 50 or 60 characters. Shorter line lengths slows comprehension as the eye spends more time tracking back to the next line. Badly Paired Fonts
Type Glossary - Typography Deconstructed Ampersand A stylized character of the Latin et used to represent the word and. Definition: The typographic symbol used to designate the word and (& ) is the Latin symbol for et which means and. The name, ampersand , is believed to be derived from the phrase “and per se and.” On a standard English layout... Aperture The partially enclosed, somewhat rounded negative space in some characters. Apex A point at the top of a character where two strokes meet. Arc of Stem A curved stroke that is continuous with a straight stem. Arm A horizontal or upward, sloping stroke that does not connect to a stroke or stem on one or both ends. Ascender An upward vertical stroke found on the part of lowercase letters that extends above the typeface’s x-height. Ascender Line The invisible line marking the height of ascenders in a font. Ascent Line The invisible line marking the farthest distance between the baseline and the top of the glyph. Axis Ball Terminal A circular form at the end of the arm in letters. Bar Baseline
Typography In philately "typography", especially in the case of 19th century stamps, refers to letterpress printing. Typography is performed by typesetters, compositors, typographers, graphic designers, art directors, manga artists, comic book artists, graffiti artists, clerical workers, and everyone else who arranges type for a product. Until the Digital Age, typography was a specialized occupation. §History[edit] Printing press, 16th century in Germany The essential criterion of type identity was met by medieval print artifacts such as the Latin Pruefening Abbey inscription of 1119 that was created by the same technique as the Phaistos disc. Modern movable type, along with the mechanical printing press, is most often attributed to the goldsmith Johannes Gutenberg. Computer technology revolutionized typography in the 20th century. §Evolution[edit] The Roman typeface’s development can be traced back to Greek lapidary letters. §Experimental typography[edit] §Scope[edit] §Text typography[edit]