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Making a Grungy Business Card - Luxa - Photoshop Tutorials, Videos, Brushes, Tips & Tricks

Making a Grungy Business Card - Luxa - Photoshop Tutorials, Videos, Brushes, Tips & Tricks
There are many different ways to attack a business card design. Clean & corporate is always nice. But why not get a little wild? This tutorial will walk you through setting up a vertical grungy business card template, front to back and ready to print. It's important to set up our PSD file correctly right off the bat. Since the cards will be cut after printing, we need to set up guides as a reference to where our artwork needs to be. Now that we have the file set up, we're ready to start on the background. Place your textures on the canvas, and order them in the layers palette as shown. Our next order of business will be to add a decorative element to the background. Now position your logo at the top of the card, remembering to stay within the safe area. Next, grab your type tool and start populating this card with your info. Let's add some dividers. Finally, we'll add a translucent box behind the name and title. For the back of the card, I like to stay simple. Back Home

80+ Creative & Unique Business Cards If you are looking for an unique way to brand your business card, then you've got to check this post. I've collected over 80 creative and unique business cards from different types of business. Some of them are visually appealling, some have fancy die cut, some are edible, and some are just crazy. Credits Thanks to Leah Oripaypay for some of the card suggestions Make a Colorful Retro-themed Space Scene in Photoshop In this Photoshop tutorial, we will create a retro-themed scene that utilizes different lighting effects and arrangements. We will discuss how to create various lighting effects, different techniques to gain depth, ways of putting together a composition, a cool "RGB split" effect and much, much more. Preview Tutorial Resources Image: Space Galaxy – Desktop Wallpaper (Desktopmedia)Image: Female Stock 131 (Katanaz-Stock)Image: vinyl_record (Refe Tuma)Brushes: Hi-Res Watercolor Photoshop Brushes (Bittbox)Brushes: Halftone pack (Media Militia)Images: Wisps Pack (Media Militia)Image: orbs (Sekani Solomon) Step 1: Create a Radial Gradient Layer We will begin by making a new Photoshop document (3000x2281px, 300 DPI). Duplicate the default Background layer and then delete the original. Give the layer a Gradient Overlay layer style (Layer > Layer Style > Gradient Overlay) with the following settings (the colors are: #dadada and #171616): Step 2: Add the Galaxy Background Step 3: Create a Black Ellipse

Tuts+ Design & Illustration Tutorials Blackjack - Graphic Basement Making of The Blues Singer Leaves Town This picture was done in a hot summer day, in the memory of an old anime series I used to watch as a kid, about Tom Sawyer and Huckleberry Finn. Historically, it’s off from that period, but it’s the feeling of summer, childhood fascination and nature that I wanted to re-create. It’s also a tribute to music. The picture was done to resemble an animation still, cel-shaded characters over a “traditionally” painted background. For inspiration, I also had an open book with Oga Kazuo’s work. I started out by sketching the background. I sketched in a separate transparent layer. I was satisfied at this point, even though it’s still rough and not very pretty. I started to put down colours. I also did the sky gradient.

Détourer avec l'outil lasso : Manuel pratique de la retouche avec Photoshop Le lasso est surement la méthode de détourage la plus basique. C'est un outil libre, c'est-à-dire que tout ce que vous tracerez avec le lasso sera retranscrit à l'identique au niveau de la sélection. Il est très précis pour les détails puisqu'il est très maniable. En revanche, à la moindre erreur de votre part (écart au niveau du contour, relâchement de la sélection par inadvertance...) il faudra tout recommencer ! - Sélectionnez l'icône "outil lasso". - Cliquez sur votre photo et, sans relâcher la souris, dessinez le contour de l'objet à détourer. - Revenez au point de départ et relâcher la pression pour fermer la sélection. Vous aurez alors une sélection en pointillés clignotants autour du sujet. A noter : le lasso polygonal, quant à lui, permet de tracer un cadre de sélection de forme géométrique.

A Collection of Business Cards with Exciting Pattern Designs There is no doubt that all graphic designers are internet-savvy; many conduct their marketing efforts with social media and online portfolios. However, the need to personally establish business connections comes up once in while. Without a virtual art gallery to showcase your skills, what do you do? When the need for offline marketing arises, your business card can be your best friend. One way to attractively design a card is by using patterns. Macintosh digital video editing, desktop publishing tips from CreativeMac. QuickTime, digital video editing, mac desktop publishing software, mac web graphics and audio software. Masking: The Black Art Of Video Making By David Hague Masking to many, is the black art of video making. It all sounds, well, too hard to bother with, with terms such as 'alpha channel', 'compositing' and 'overlay' to deal with. But trust me gentle reader, knowing even the basics of masking and compositing will add a whole new dimension to your home videos, family documentaries, short films and so on. We'll start with something simple. For the sake of the exercise I am using Sony Vegas Pro here, but the basics apply to any editing package (NLE) that dares call itself such. ...Read More » A Smashing Way to Make Glass Props! Do You Know How Long An Average Scene Lasts? iPhone Tip # 10 - Do Not Disturb! iPhone Tip #9 - Customize Your Music Controls By Shirley Craig, Rev Up Transmedia How do you like to sort your music? iPhone Tip #6 - Extra Keyboards By Shirley Craig, Rev Up Transmedia Are you one of those people who likes to add emoticons to your email and text messages?

Design a Coffee Shop Menu Layout from Scratch with Photoshop and InDesign – Part 1 Hi everyone, this time I've got for you a practical tutorial about creating a ready to print booklet menu for an imaginary coffee shop named "Violet Coffee." In this tutorial you'll learn to mockup a ready to print background and a couple of additional objects, which will be imported later on in Adobe InDesign to finish the piece. Are you ready? The workflow in this tutorial series is excellent preparation for creating this kind of work for clients. You can also consider putting your graphic talents to work by adding your own uniquely designed food menu template to GraphicRiver. It's a popular and growing category to contribute to. Before Getting Started This tutorial aims to be a guide for those starting on print design, we will cover several important subjects, such as: document settings, dimensions, layout, bleed and margins, working with color, adding typography and even printing the piece. Let's get it started, the assets for this tutorial are: Setting Up the Document Step 1 Step 2

Great List of the Most Creative and Beautiful Business Cards Business cards for a long time ceased to be just business cards. Today business cards are not just pieces of cardboard or plastic – it’s something more, some business cards are a real masterpiece. Todays business card can look like anything and be similar to anything except business card in ordinary sense of this word. To a greater extent, it has become possible thanks to the wide development of promotional printing, that allow to transform into reality any unusual design ideas. FeelMe Crew Business Card Casabella Furniture: Sofa by Amanda Casabella NationBuilder Pop-up Business Card by Lori Boos ACME estudio Business Card Thielen Designs Business Card Business Cards for Sage Media Michael But Business Card by Michael But Business card for Daniel V J Sweeney Limited Edition Photography by Total Brand MIXTAPE GENERATION Business Card by kozzy Sattom Media Business Card by tom Laser Printing: Google Business Card Wet Business Card by BBDO Luice Design Business Card

Mantis Queen Concept Searching for inspiration I decided the Praying Mantis would be an ideal subject as their exotic forms would work well with the pattern work I wished to apply. I knew I wanted the character to be imposing, someone who would study the viewer as much as the viewer studied them. This very quickly gave me an idea of the type of composition I wanted; I knew the viewer needed to be looking up at the character, enhancing the air of superiority for the character. Sometimes I have a very clear color scheme in mind for a piece but this time I chose to start in greyscale, allowing me to focus on composition and form. A lack of color scheme from the outset isn’t really a problem because as the piece began to solidify a color scheme would present itself to me. Brushes I have numerous shape brushes ranging from paint strokes to patterns based around tribal designs.

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