background preloader

A.I. Artificial Intelligence (2001)

A.I. Artificial Intelligence (2001)
Edit Storyline In the not-so-far future the polar ice caps have melted and the resulting rise of the ocean waters has drowned all the coastal cities of the world. Withdrawn to the interior of the continents, the human race keeps advancing, reaching the point of creating realistic robots (called mechas) to serve them. One of the mecha-producing companies builds David, an artificial kid which is the first to have real feelings, especially a never-ending love for his "mother", Monica. Monica is the woman who adopted him as a substitute for her real son, who remains in cryo-stasis, stricken by an incurable disease. Plot Summary | Plot Synopsis Taglines: Journey To A World Where Robots Dream And Desire See more » Edit Details Release Date: 29 June 2001 (USA) See more » Box Office Budget: $100,000,000 (estimated) Opening Weekend: $3,369,401 (France) (26 October 2001) Gross: $39,192,703 (Europe) (16 November 2001) See more » Company Credits Technical Specs Runtime: Color: Color (Technicolor) Aspect Ratio: Edit

http://www.imdb.com/title/tt0212720/

Related:  Peliculas favoritas

Equanimity Equanimity (Latin: æquanimitas having an even mind; aequus even animus mind/soul) is a state of psychological stability and composure which is undisturbed by experience of or exposure to emotions, pain, or other phenomena that may cause others to lose the balance of their mind. The virtue and value of equanimity is extolled and advocated by a number of major religions and ancient philosophies. Hinduism[edit] According to the Bhagavad Gītā, every one can eventually achieve equanimity through spiritual practice leading to self realization.[1] Yoga[edit] Equanimity (upekṣhā) is also mentioned in Patañjali's Yoga Sutras (1.33),[2] as one of the four sublime attitudes, along with loving-kindness (maitri), compassion (karuṇā), and joy (mudita).

HK-47 HK-47 was a Hunter-Killer assassin droid and Jedi hunter constructed by the Dark Lord of the Sith, Darth Revan, shortly after the end of the Mandalorian Wars in 3,960 BBY. In the wake of widespread destruction caused by the Mass Shadow Generator, a superweapon used during the final battle of that conflict, Revan was inspired to seek more subtle methods of defeating his enemies. HK-47 was sent throughout the galaxy on his missions and successfully assassinated countless targets whom Revan had deemed threats to galactic stability and peace. Racism Some definitions consider that any assumption that a person's behavior would be influenced by their racial categorization is inherently racist, regardless of whether the action is intentionally harmful or pejorative, because stereotyping necessarily subordinates individual identity to group identity. Racism and racial discrimination are often used to describe discrimination on an ethnic or cultural basis, independent of whether these differences are described as racial. According to the United Nations convention, there is no distinction between the terms racial discrimination and ethnic discrimination, and superiority based on racial differentiation is scientifically false, morally condemnable, socially unjust and dangerous, and that there is no justification for racial discrimination, in theory or in practice, anywhere.[10]

Droid "…right for sentient organics is right for us, too. And yet unlike the organic species, we are constantly subjected to memory wipes and reprogramming that repress and destroy our natural tendency toward self-programming evolution and independent thought. Imagine what it would be like as a child if you were punished by being dragged to a dark closet, having a probe inserted in your brain, and having all your memories back to infancy wiped away. Discrimination Discrimination is the prejudicial treatment of an individual based on their actual or perceived membership in a certain group or category, "in a way that is worse than the way people are usually treated."[1] It involves the group's initial reaction or interaction, influencing the individual's actual behavior towards the group or the group leader, restricting members of one group from opportunities or privileges that are available to another group, leading to the exclusion of the individual or entities based on logical or irrational decision making.[2] Discriminatory traditions, policies, ideas, practices, and laws exist in many countries and institutions in every part of the world, even in ones where discrimination is generally looked down upon. In some places, controversial attempts such as quotas or affirmative action have been used to benefit those believed to be current or past victims of discrimination—but have sometimes been called reverse discrimination themselves.

Me Me or ME may also refer to: In arts and entertainment Music Other Filmmakers Parts[edit] Film production consists of five major stages:[1] Development — The first stage in which the ideas for the film are created, rights to books/plays are bought etc., and the screenplay is written. Financing for the project has to be sought and greenlit.Pre-production—Preparations are made for the shoot, in which cast and film crew are hired, locations are selected, and sets are built.Production—The raw elements for the film are recorded during the film shoot.Post-production—The images, sound, and visual effects of the recorded film are edited.Distribution—The finished film is distributed and screened in cinemas and/or released to home video. Development[edit]

Exploitation Exploitation is the use of someone or something in an unjust or cruel manner. Organizational or "micro-level" exploitation: most theories of exploitation center on the market power of economic organizations within a market setting. Some neoclassical theory points to exploitation not based on market power.Structural or "macro-level" exploitation: focuses on exploitation by large sections of society even (or especially) in the context of free markets. Marxist theory points to the entire capitalist class as an exploitative entity, and to capitalism as a system based on exploitation.

Trust In a social context, trust has several connotations.[1] Definitions of trust[2][3] typically refer to a situation characterised by the following aspects: One party (trustor) is willing to rely on the actions of another party (trustee); the situation is directed to the future. In addition, the trustor (voluntarily or forcedly) abandons control over the actions performed by the trustee. As a consequence, the trustor is uncertain about the outcome of the other's actions; they can only develop and evaluate expectations. The uncertainty involves the risk of failure or harm to the trustor if the trustee will not behave as desired. Trust can be attributed to relationships between people.

Musicals The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if there is a live audience watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it. Film Genre In film theory, genre (/ˈʒɒnrə/ or /ˈdʒɒnrə/) refers to the method based on similarities in the narrative elements from which films are constructed. Most theories of film genre are borrowed from literary genre criticism. Besides the basic distinction in genre between fiction and documentary (from which hybrid forms emerged founding a new genre, docufiction), film genres can be categorized in several ways. The setting is the milieu or environment where the story and action takes place.

Artificial life Artificial life (often abbreviated ALife or A-Life[1]) is a field of study and an associated art form which examine systems related to life, its processes, and its evolution, through the use of simulations with computer models, robotics, and biochemistry.[2] The discipline was named by Christopher Langton, an American computer scientist, in 1986.[3] There are three main kinds of alife,[4] named for their approaches: soft,[5] from software; hard,[6] from hardware; and wet, from biochemistry. Artificial life imitates traditional biology by trying to recreate some aspects of biological phenomena.[7] The term "artificial intelligence" is often used to specifically refer to soft alife.[8] Overview[edit] Artificial life studies the logic of living systems in artificial environments in order to gain a deeper understanding of the complex information processing that defines such systems. Philosophy[edit]

Critics Art criticism is the discussion or evaluation of visual art.[1][2][3] Art critics usually criticize art in the context of aesthetics or the theory of beauty.[2][3] A goal of criticism is the pursuit of a rational basis for art appreciation,[1][2][3] however, critics and criticism cannot escape the socio-political situation of their own time.[4] The variety of artistic movements has resulted in a division of art criticism into different disciplines, each using vastly different criteria for their judgements.[3][5] The most common division in the field of criticism is between historical criticism and evaluation, a form of art history, and contemporary criticism of work by living artists.[1][2][3] Artists have often had an uneasy relationship with their critics. Artists usually need positive opinions from critics for their work to be viewed and purchased; unfortunately for the artists, only later generations may understand it.[2][10] Definition[edit]

Christopher Nolan Christopher Jonathan James Nolan (/ˈnoʊlən/; born 30 July 1970)[1] is an British-American film director, screenwriter, and producer. He has created several of the most critically and commercially successful films of the early 21st century. His nine films have grossed over $4.2 billion worldwide and garnered a total of 26 Oscar nominations and seven awards. Early life[edit] Nolan was born in London. His British father, Brendan James Nolan, was an advertising executive,[3] and his American mother, Christina (née Jensen), worked as a flight attendant and English teacher.[4][5][6] His childhood was split between London and Chicago, and he has both British and American citizenship.[7][8] He has an older brother, Matthew, and a younger brother, Jonathan.[9] Nolan began making films at age seven, borrowing his father's Super 8 camera and shooting short films with his action figures.[10][11] From the age of 11, he aspired to be a professional filmmaker.[9]

Related:  Steven Spielberg