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Watchtower of Turkey

Watchtower of Turkey
Related:  Pot-pourrifilmmaking

Tyrsa Editing: When To Cut | Indie Tips From the outside looking in, editing can seem like a trivial job that anybody with a computer can do. A family member once said to me ‘Isn’t editing just taking away the bad bits?’. I can see why they have that assumption. You have storyboards, shot lists, script directions, notes from the director. It is fair to see how some people can see editing as a juvenile job when you are given so much to work with. However, we as filmmakers know it is a little bit more than just ‘taking away the bad bits’. Let’s have a look at what Apocalypse Now editor Walter Murch has to say with his “Rule of Six” and see how you can improve your editing. “An idea cut (for me) is one that satisfies all the following six criteria at once: 1) it is true to the emotion of the moment; 2) it advances the story; 3) it occurs at a moment that is rhythmically interesting and “right”; 5) it respects “planarity” — the grammar of three dimensions transposed by photography to two (the questions of stage-line, etc So that’s

MEGAFORCE Burning Question: What is Datamoshing? By Michele Yamazaki on Nov 12, 2014 at 08:25 PM In the mid to late 2000’s, datamoshing, or glitch art, was commonly seen in music videos, in VJ sets or even on public access channels. Here’s an overview of the effect, some examples of what it looks like, a few tutorials and some tools to help you get started datamoshing. Introduction: What is Datamoshing? Datamoshing, or databending, is a complex technique where the movement in one layer of video is applied to another layer of footage, using lossy compression and removed frames to create a glitchy, psychedelic result. It may be difficult to picture but there are plenty of examples below. There are a few artists who are known for Datamoshing, but it was Eddy Bergman, a Facebook friend, who posted his tutorial and test video to the AE Portal on Facebook recently, and reminded me of this effect which I knew by sight, but didn't know there was a name for it. Great Examples of Datamosh Takeshi Murata - Monster Movie (2005) Kneel before Zod!

Beautiful/Decay mobygratis Philippe Ramette Philippe Ramette est à la fois un artiste contemporain et photographe. Ce dernier se passionne pour les changements d’horizons et les manipulations photographiques sans l’aide de logiciel de retouche. Des clichés qui dépasse les lois de la pesanteur à découvrir dans la suite. Gestion du son et synchronisation d'animations sur After Effects Dans ce nouveau tutoriel gratuit, nous verrons tout ce qui concerne la gestion du son sur After Effects. Nous apprendrons à manipuler nos fichiers audios afin d'être efficace lors de la synchronisation d'animations sur des évenements sonores. Nous verrons les différentes méthodes de synchronisation sur un cas concret, en se basant sur une musique composée par Obny. Apprendre à lire et écouter des sons sur After Effects, et à les manipuler pour ajouter des marqueurs en temps réel.Synchronisation semi-manuelle à l'aide d'images clés couplées à des expressionsSynchronisation automatique à l'aide des données audio extraites et d'expressions pour les exploiterUtilisation (facultative) du plugin Sound Keys pour recréer les étapes précédentes de manière plus rapide, et avec plus de souplesse.Ajout d'un effet de kaleidoscope pour obtenir une scène plus complexe à partir d'une animation simple.

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