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Animator vs. Animation IV (original)

Animator vs. Animation IV (original)
Related:  Les perles

« Je veux être célibataire à deux avec toi... » : cette vision du couple va vous émouvoir Chacun a sa propre vision du couple. Celle qui ressort souvent est l’idée d’une relation exclusive et fusionnelle, d’une implication à 100%, jusqu’à être dépendant l’un de l’autre. Mais quelles sont les diverses nuances aux relations de couple ? N’y aurait-il pas un autre mode de vie à deux tout aussi épanouissant ? La blogueuse québécoise Isabelle Tessier nous propose sa vision de la vie en couple “idéale” dans un article nommé “Célibataires à deux”, publié précédemment sur le Huffington Post Québecois. @N'oublie Jamais/The Notebook Parce que l’amour ne rime pas forcément avec dépendance et parce qu’il est possible de garder ses habitudes de célibataires tout en ayant une relation de couple seine, Isabelle Tessier a décidé de livrer sa plume aux internautes. « J'ai envie d'être célibataire à deux avec toi. Alors, que pensez-vous de sa vision du couple ?

How Did This Get Made? Furious 7 (An Oral History) Fast Cars + Furious Stunts = How Did This Get Made?!?! This is that story behind the stunts of the 5th highest grossing movie of all time: FURIOUS 7. Given the box-office success of Fast & Furious 6 ($788 million worldwide), it’s not too difficult to figure out how Furious 7 got made. But there is, however, one thing that does immediately jump out about the making of this film: the staggering number of stunt performers—over 150 in total—that it required to complete this movie. This is a story about two of those stunt performers—who just so happen to be married to each other—about the film’s two stunt coordinators—who also happen to be brothers—and about the brilliant mad scientist at the center of it all… How Did This Get Made is a companion to the podcast How Did This Get Made with Paul Scheer, Jason Mantzoukas and June Diane Raphael which focuses on movies so bad they are amazing. Tagline: Vengeance Hits Home Featuring: Prologue CUT TO: Three Years Earlier… Cool Posts From Around the Web:

» Storyboards Bangarang Animation This is a great little exercise that I got from Story Shots and I tried it on some of my favorite action scenes like the one from Avatar the Last Airbender Book 1 where Katara fights Water Master Paku. I learned quite a bit from this. And I believe I will be doing more exercises like these I made these for examples of animation and illustration styles I can do and want to implement for new projects. And a Test video for the latter style Continue Reading Another personal project I am happy to have a version I can show now. A story about a Sugar glider who is too fat to fly. Continue Reading Here is a personal project I had in mind that I ultimately would like to make into an animated short. Continue Reading Here’s another exercise that taught me a lot. Also I slowed down quite a bit doing these boards, (averaging roughly 15 – 20 panels a day) because I really had to study this sequence heavily. Anyway here are the boards from that exercise, Feedback is encouraged! Continue Reading

Photographer Tracks Down People He Shot in the Street 40 Years Ago to Recreate Their Pictures Back in the 1970s and 1980s, paramedic and part time photographer Chris Porsz spent all of his free time walking around the streets of Peterborough, England, taking photos of passersby. 40 years later, Chris tracked down the subjects of his photos all of those years ago, convincing them to strike the same pose for a “then” and “now” perspective. According to Chris, “I don’t think anyone else has tracked down so many strangers and recreated photos in this way before.” Chris has put all of these photos and stories into a book titled Reunions. And don’t forget, if you’re looking for a piece of original art to hang on your walls, check out artFido HERE!

AFI's 100 Years...100 Movie Quotes Criteria[edit] Jurors were asked to consider the following criteria in making their selections: Movie Quotation: A statement, phrase or brief exchange of dialogue spoken in an American film.[1] Lyrics from songs are not eligible.Cultural Impact: Movie quotations that viewers use in their own lives and situations; circulating through popular culture, they become part of the national lexicon.Legacy: Movie quotations that viewers use to evoke the memory of a treasured film, thus ensuring and enlivening its historical legacy. The list[edit] The table below reproduces the quotes as the AFI published them. #2: Marlon Brando says "I'm gonna make him an offer he can't refuse", not "...going to...".#4: Judy Garland says "Toto, I've a feeling we're not in Kansas anymore." [edit] Jump up ^ AFI defines an American film as an English language motion picture with significant creative and/or financial production elements from the United States. References[edit] External links[edit]

La mode féminine en 1900 à travers le monde : quelle diversité ! On aurait presque tendance à l’oublier mais, à une époque pas si lointaine que ça, les femmes ne s’habillaient pas toutes de la même manière aux quatre coins du globe. Ce qu’on appelle aujourd’hui les tenues traditionnelles ou folkloriques étaient en réalité les tendances du moment ! Les multinationales de l’habillement n’avaient pas encore envahi le marché pour vendre les mêmes choses à tout le monde et, du coup, la mode était encore d’une diversité exceptionnellement riche et bigarrée. Prenons par exemple les années 1900-1910. Sur Flickr, un certain PostMan s’est amusé à collectionner les cartes postales de ces années là. Femme des Philippines (Luzon) Jeune gitane jouant de la mandoline. Femme soldat au Japon. Anna May Wong, première star américaine d’origine chinoise (cinéma). Jeunes Algériennes. Une fille berbère. Lily Eslie (1886-1962), actrice et chanteuse britannique. Anna Pavlovna (1881-1931), danseuse russe. Rita Martin (1875-1958), photographe. La reine Marie de Roumanie (1875-1938).

Arnold, Bruce and Sylvester now and then right arrow key = next, left arrow key = previous, up arrow key = random Hajime Narukawa Wins Good Design Grand Award for World-Changing Map The Good Design Grand Award, arguably Japan’s most prestigious award for design, just went out to architect Hajime Narukawa’s completely groundbreaking design for a map of the world. His map, the AuthaGraph World Map, isn’t your average map of the globe: It’s a near-perfect representation of the continents and oceans as they exist on our spherical planet, all laid out on a two-dimensional surface. Maps are pretty darn complicated. We take it for granted that Antarctica is going to be smushed down at the bottom of the map and not shown in full; all the oceans are radically disfigured, but we’re used to seeing them that way. It’s not easy to map a sphere in two dimensions, but we’ve made compromises. Here’s the original Mercator projection of the world, which is probably similar to the one you’re used to seeing (although things were a bit wonky in 1569). If you purchase the AuthaGraph Globe, you can origami the map from a sheet of paper into a sphere or into a tetrahedron.

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