6 Rules for a Great Story from Barnaby Conrad and Snoopy by Maria Popova “And remember: Always aim for the heart!” You might recall Snoopy’s Guide to the Writing Life (public library), which gave us Ray Bradbury’s wise words on rejection. To recap: Barnaby Conrad and Monte Schulz, son of Peanuts creator Charles M. Schulz, asked 30 famous authors and entertainers to each respond to a favorite Snoopy comic strip with a 500-word essay on the triumphs and tribulations of the writing life. The all-star roster includes William F. Try to pick the most intriguing place in your piece to begin.Try to create attention-grabbing images of a setting if that’s where you want to begin.Raise the reader’s curiosity about what is happening or is going to happen in an action scene.Describe a character so compellingly that we want to learn more about what happens to him or her.Present a situation so vital to our protagonist that we must read on.And most important, no matter what method you choose, start with something happening! Share on Tumblr
Stephen King's Top 20 Rules for Writers Image by the USO, via Flickr Commons In one of my favorite Stephen King interviews, for The Atlantic, he talks at length about the vital importance of a good opening line. “There are all sorts of theories,” he says, “it’s a tricky thing.” “But there’s one thing” he’s sure about: “An opening line should invite the reader to begin the story. It should say: Listen. We’ve talked so much about the reader, but you can’t forget that the opening line is important to the writer, too. This is excellent advice. Revision in the second draft, “one of them, anyway,” may “necessitate some big changes” says King in his 2000 memoir slash writing guide On Writing. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. See a fuller exposition of King’s writing wisdom at Barnes & Noble’s blog. Related Content: Stephen King Creates a List of 96 Books for Aspiring Writers to Read Stephen King Writes A Letter to His 16-Year-Old Self: “Stay Away from Recreational Drugs”
Kurt Vonnegut's 8 Tips on How to Write a Great Story By Maria Popova The year of reading more and writing better is well underway with writing advice the likes of David Ogilvy’s 10 no-bullshit tips, Henry Miller’s 11 commandments, Jack Kerouac’s 30 beliefs and techniques, John Steinbeck’s 6 pointers, and various invaluable insight from other great writers. Now comes Kurt Vonnegut (November 11, 1922–April 11, 2007) — anarchist, Second Life dweller, imaginary interviewer of the dead, sad soul — with eight tips on how to write a good short story, narrated by the author himself. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.Give the reader at least one character he or she can root for.Every character should want something, even if it is only a glass of water.Every sentence must do one of two things — reveal character or advance the action.Start as close to the end as possible.Be a Sadist.
The Adverb Is Not Your Friend: Stephen King on Simplicity of Style by Maria Popova “I believe the road to hell is paved with adverbs, and I will shout it from the rooftops.” “Employ a simple and straightforward style,” Mark Twain instructed in the 18th of his 18 famous literary admonitions. And what greater enemy of simplicity and straightforwardness than the adverb? Though he may have used a handful of well-placed adverbs in his recent eloquent case for gun control, King embarks upon a forceful crusade against this malignant part of speech: The adverb is not your friend.Adverbs … are words that modify verbs, adjectives, or other adverbs. King uses the admonition against adverbs as a springboard for a wider lens on good and bad writing, exploring the interplay of fear, timidity, and affectation: I’m convinced that fear is at the root of most bad writing. This latter part, touching on the contrast between intrinsic and extrinsic motivation, illustrates the critical difference between working for prestige and working for purpose. Donating = Loving
The Ultimate Guide to Writing Better Than You Normally Do. Writing is a muscle. Smaller than a hamstring and slightly bigger than a bicep, and it needs to be exercised to get stronger. Think of your words as reps, your paragraphs as sets, your pages as daily workouts. Procrastination is an alluring siren taunting you to google the country where Balki from Perfect Strangers was from, and to arrange sticky notes on your dog in the shape of hilarious dog shorts. The blank white page. Mark Twain once said, “Show, don’t tell.” Finding a really good muse these days isn’t easy, so plan on going through quite a few before landing on a winner. There are two things more difficult than writing. It’s so easy to hide in your little bubble, typing your little words with your little fingers on your little laptop from the comfort of your tiny chair in your miniature little house. It’s no secret that great writers are great readers, and that if you can’t read, your writing will often suffer. Available in print withThe Best of McSweeney’s Internet Tendency
Drawing Mental Illness: Artist Bobby Baker’s Visual Diary by Maria Popova Harvesting the daily flow of consciousness, or what group therapy has to do with marine life. Despite our proudest cultural and medical advances, mental illness remains largely taboo, partly because the experience of it can be so challenging to articulate. But when performance artist Bobby Baker was diagnosed with borderline personality disorder in 1996, followed by a breast cancer diagnosis, she set out to capture her experience and her journey to recovery in 711 drawings that would serve as her private catharsis over the course of more than a decade. In Diary Drawings: Mental Illness and Me, Baker makes, at long last, this private experience public through 158 drawings and watercolors — poignant, honest, funny, moving, shocking — spanning 11 years of mental, physical, and emotional healing, a journey Marina Warner aptly calls in the preface a “chronicle of a life repaired.” I think mental illness is the worst of anything. Day 303 Day 320 Day 397 Day 470 Day 526 Day 579
Εθνικό Μνημόσυνο Την Κυριακή 7 Μαρτίου 2010 τελέστηκε στον Ιερό Ναό του Αγίου Γεωργίου στον Άγιο Δομέτιο το ετήσιο Εθνικό Μνημόσυνο της αγωνίστριας του Απελευθερωτικού Αγώνα της Ε.Ο.Κ.Α. 1955-1959 Νίτσας Χατζηγεωργίου. Την επιμνημόσυνη ομιλία εκφώνησε ο Βουλευτής του Δημοκρατικού Συναγερμού και πρώην Κυβερνητικός Εκπρόσωπος κ. Χρήστος Στυλιανίδης. Ακολούθησε τρισάγιο και κατάθεση στεφάνων στην προτομή της αγωνίστριας που βρίσκεται στο προαύλιο του οικήματος του Σωματείου μας. Νίτσα ΧατζηγεωργίουΑγωνίστρια του Απελευθερωτικού Αγώνα της Ε.Ο.Κ.Α. 1955-1959 Η ζωή και ο θάνατος της τραγικής αγωνίστριαςΣτις 11 Μαρτίου 1968, βρέθηκε νεκρή στο κρεβάτι της μια κοπέλα. Η κοπέλλα πέθανε έρημη, εγκαταλειμμένη, τρισδυστυχισμένη, κατασυκοφαντημένη, απογοητευμένη, καταπροδομένη. Την κοπέλα την λέγαν Νίτσα Χατζηγεωργίου. Συναγωνιστές και συναγωνίστριες της Νίτσας Χατζηγεωργίου συγκινούνται ακόμα, χρόνια μετά το θάνατο της. Υπήρξε από τις πρώτες επίλεκτες γυναικείες παρουσίες στον αγώνα η Νίτσα. Η τομεάρχης της Ε.Ο.Κ.Α.
English 50 Exercises for Story Writers English 50 – Intro to Creative Writing: Exercises for Story Writers Basic Theory: What is a short story? As soon as someone delivers a definition, some good writer will write a story that proves the theory wrong. Short stories have a narrator; that is, someone tells the story; have at least one character in them; have some action occur (or perhaps fails to occur); take place somewhere; that is, there is a setting for the action; and someone either learns something or fails to learn something (theme).With these five characteristics in mind, we can create an almost endless supply of exercises to help sharpen our techniques of story telling. Narrative Voice Twenty or so years ago, voice was the "rite of passage" into a successful writing career. Nevertheless, a narrative voice that sounds like it could be anyone's voice or is bland and boring, or riddled with pointless clichés will fail to capture and hold the reader's attention. If you've written a story in third person, try it in first.
The 5 Best Pieces of Writing Advice I Didn't Get in School As readers of a site that welcomes and encourages submissions, there's a decent chance some of you want to be writers. Several months ago, I wrote an advice column on how to go about freelancing for the Internet and magazines, but some readers have their sights set on short fiction or even novels. And right now, some are contemplating education choices like picking a major or attending graduate school to get that MFA. photos.com"MFA" stands for "Master of Fine Arts" and should not be confused with the old porno Master of Fine Ass still available on VHS. Let me be clear: Education is wonderful. It's a very personal choice, but consider this: Every important thing I've learned about writing I learned from a writer. #5. When I was a teenager, I saw a documentary about Academy Award-winning screenwriter Waldo Salt called Waldo Salt: A Screenwriter's Journey that never left me. The kind that Wayne's World used to make fun of: "Doodoodoodoo doodoodoodoo ..." #4. "Say, gang! #3. That's crucial.
Chuck Wendig, Freelance Penmonkey | Chuck Wendig: Freelance Penmonkey How to Write a Book In Your Spare Time Many people say they would like to write a book. That statement is usually in the form of “I have this great book idea”, “I’ve always wanted to write a novel” or “I will write it when I have more time.” I used to say things like that. I kept promising myself that I would write a book someday. There are seven days in a week, but someday isn’t one of them. Do It Now I’ve had several friends who have told me they want to write a novel. The best advice I ever got from another writer was this: put your butt in the chair. Stephen King said, “The scariest moment is just before you start.” Making yourself sit down and start typing is something I fight with daily, even after having written two full-length novels. Just put your butt in the chair and start working. Finding Time The most common excuse I hear is “I don’t have time.” I wrote my first two novels by finding fifteen minutes, three times each day. In the morning, I woke up fifteen minutes early. Eventually, you will get used to it. Go img
Writing Workshop | Damien Walter If you go to a good art school (and yes you STEM readers out there, such places do exist) they teach you to think of your art as a practice. And yourself as a practitioner. There’s a purpose to this tradition, although admittedly it takes most art students – myself included – until well after they graduate and are in to their practice to understand why. Before I say more about practice, I should say why I think this idea is useful at this time for writers. That word “professional” is one to think on. And start thinking of it as a practice. What do artists mean by the term “practice”. Practice 1 – When asked about the sticky question of “making it” the comedian Steve Martin says “be so good they can’t ignore you”. Practice 2 - Doctors, lawyers and architects also have a practice. Practice 3 – For most of my 20s I helped people with writing. There’s a term for something that we do that feeds our being in this way. Really these three meanings of practice are all parts of the same process.
The 51 Best Writing Articles I’ve Ever Read You want to be the world’s best online writer, a David Ogilvy of the blogs, a Shakespeare of the social media. Or maybe you just want to be good enough to get by on freelance writing. Where do you get your education? How do you improve? I’ve faced these same questions, and I still face these questions as I aim to keep improving as an online writer. I majored in journalism in college. Everything I’ve learned has been self-taught. And I’d love to share some of my favorite lessons. I’ve emptied my swipe file. The Nuts and Bolts of Web Writing 1. by Robin Sloane, Snark Market Stock is your evergreen, tentpole content that draws traffic from the moment of publish to the end of time. 2. by Gregory Ciotti Ogilvy is widely considered the father of modern advertising, and his 10 most valuable lessons contain advice that worked when he wrote it in the 1960s and that work for online writers today. The temptation to entertain instead of selling is contagious. 3. by Karri Stover, Business 2 Community 4. 5.