Music machine piano + guitar + drum. Music typing keyboard Free flash music game Ear training | Online piano game | Online Drums | Music machine | Guitar machine | Note pair | Kids piano | Online piano | Live a comment about this music game | Download this online music game Let us introduce you this marvelous multifunctional piano + guitar + drum Music machine computer game. This is a funny, easy and effective music education software. It's completely free! This piano + guitar + drum music machine is a unique easy way to learn music suitable for grown-ups and children. Now let's see how to play music with this wonderful piano + guitar + drum music machine. You can change the play area by clicking and dragging markers under the music timeline. After you've finished playing, you can re-play, loop, or save your created melody. Ear training lessons and music online games. Name any tone by ear. Ìóçûêàëüíûå îíëàéí èãðû - ãèòàðà, ïèàíèíî, áàðàáàíû. òðåíèíãè ìóçûêàëüíîãî ñëóõà
Testing1212, the glossary of terms for sound and audio engineers. How to Listen to Music: A Vintage Guide to the 7 Essential Skills by Maria Popova “Respond esthetically to all sounds, from the hum of the refrigerator motor or the paddling of oars on a lake, to the tones of a cello or muted trumpet.” Music has a powerful grip on our emotional brain. It can breathe new life into seemingly lifeless minds. But if there is indeed no music instinct, music — not just its creation, but also its consumption — must be an acquired skill. From the wonderful vintage book Music: Ways of Listening, originally published in 1982, comes this outline of the seven essential skills of perceptive listening, which author and composer Elliott Schwartz argues have been “dulled by our built-in twentieth-century habit of tuning out” and thus need to be actively developed. Develop your sensitivity to music. Donating = Loving Bringing you (ad-free) Brain Pickings takes hundreds of hours each month. You can also become a one-time patron with a single donation in any amount: Brain Pickings has a free weekly newsletter. Share on Tumblr
Guitar Chords - Guitar Chord Charts Free Guitar Chords and Guitar Chord Charts Home > Tools > Guitar Chords and Guitar Chord Charts Welcome to the JamPlay chord library. Other Tools: Enter your email to get freebies, updates and some sweet offers from our company. All text, information, images, media, and design are copyright JamPlay, LLC 2007-2014 | 1905 Woods Dr Suite 101 Beavercreek OH 45432 | 1-877-999-4-JAM
100 Websites You Should Know and Use In the spring of 2007, Julius Wiedemann, editor in charge at Taschen GmbH, gave a legendary TED University talk: an ultra-fast-moving ride through the “100 websites you should know and use.” Six years later, it remains one of the most viewed TED blog posts ever. Time for an update? We think so. Below, the 2013 edition of the 100 websites to put on your radar and in your browser. To see the original list, click here. And now, the original list from 2007, created by Julius Wiedemann, editor in charge at Taschen GmbH.
THE MOZART EFFECT … AND BEYOND BABBITT EFFECT: Child gibbers nonsense all the time. Eventually, people stop listening to him. Child doesn't care because all his playmates think he's cool. BARTÓK EFFECT: Child becomes more and more dissonant. Has trouble maintaining harmony with his peers. BEETHOVEN EFFECT: Child spends far too much time at the keyboard and goes deaf. BRAHMS EFFECT: Child is able to speak beautifully as long as his sentences contain a multiple of three words (3, 6, 9, 12, etc.). BRUCKNER EFFECT: Child speaks very slowly and repeats himself frequently. GLASS EFFECT: Child tends to repeat himself over and over and over and over and over and over and over and over and over and over and over and over and over again. IVES EFFECT: Child develops a remarkable ability to carry on several separate conversations at once. LISZT EFFECT: Child speaks rapidly and extravagantly, but never really says anything important. MAHLER EFFECT: Child continually screams, at great length and volume, that he's dying. And finally ….
Alternate Guitar Tunings: Dropped D And Open G and D | Suite101.com The standard E A D G B E tuning of the six string guitar is one that evolved over time. There has been no alternative guitar tuning devised that provides such a broad and workable compromise between easy chording structures and viable single note scales. The key word is compromise. The very act of a tuning a guitar is a compromise. The sad fact is that a guitar can never be tuned so all chords in all keys will be perfectly in tune, no matter who made it or how much it cost. Standard tuning is not symmetrical. Dropped D Tuning Drop the bottom E string of your guitar down to a D. Open D Tuning Leave the E strings on your guitar in their dropped state and drop your B string down to A and your G string to F#. Open G Tuning Let's imagine we have our guitar with the Es dropped to D but other strings as in standard tuning. Nashville Tuning There are many more tunings to explore but this is enough to give you a taste of the wide world of alternate tunings.
DAILY INSPIRATION on Spiritual Growth Ear training online and mobile | Pitchimprover 10 Awesome Online Classes You Can Take For Free Cool, but you need iTunes for nearly everything, and that gets an 'F.' Are there really no other places to get these lessons? I was sure there are some on Academic Earth. Flagged 1. 7 of them are available via YouTube. 2. iTunes is free. 1. 2. Don't worry, we're looking out for you! While I have no personal beef with iTunes, I know that many people share your sentiments — so I actually made a concerted effort to include relevant youtube links when possible.
Getting jazz ears | Developing a vivid aural imagination The extent to which your aural imagination is developed, largely determines: the quality of lines you play, how you play those lines (articulation, swing feel, inflection), and the sound you play with. Nothing has such an impact on your playing than your aural imagination. If there were a secret to improvising, developing your aural imagination would be it. Ok, ok. I didn’t say oral imagination. When we go to improvise, we draw from a well of knowledge. The way we hear is the most neglected aspect of practicing improvisation. We all hear differently. Hear and sing intervalsHear and sing specific chord tones while a chord plays in the backgroundHear and sing the roots of a progressionHear a line from a recording and retain it. And the list goes on. Be excited. As you can see from the list above, good jazz ears are a lot more than simply being able to recognize intervals and chord qualities, although that is a small piece of the puzzle. Raising the volume in your head Back to retention.