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Every Frame a Painting

Every Frame a Painting
This is the first of two new videos today. Watch this one first. Off the top of your head, could you sing the theme from Star Wars? This video was made byBrian Satterwhite: Ramos: Zhou: How do you film a conversation? This video was co-written with Taylor Ramos. How do you emphasize to the audience that something is important? Eight Ways to Get the Audience to Look at Someone/Something:1) Let Them Speak2) Make Them Brighter or Bring Them Closer3) Let Them Move (Especially Hands or Eyes)4) Put Them in the Center of Frame5) Turn Them Towards the Lens6) Separate Them from the Group7) Isolate Them by Moving the Camera8) Have Other People Look at Them Before Edgar Wright and Wes Anderson, before Chuck Jones and Jackie Chan, there was Buster Keaton, one of the founding fathers of visual comedy. For educational purposes only. Related:  אתרים על אנימציה7e ART

Tim Burton’s Corpse Bride | Dr. Grob's Animation Review Director: Tim Burton & Mike JohnsonRelease Date: September 23, 2005Rating: ★★★★Review: The shy Victor and Victoria are forced by their unsympathetic parents to marry each other. Luckily, they actually like each other, but then Victor accidentally marries the deceased Emily who takes him to a world underground, while Victoria is forced to marry the evil lord Barkis… ‘Corpse Bride’ is a typical Tim Burton film, especially in its art direction, in its 19th century, gothic setting, in its dark humor, and in its jolly portrait of death. Also, the art of ‘Corpse Bride’ is a great improvement on ‘Nightmare before Christmas’. All this make ‘Corpse Bride’, together with that other stop-motion film ‘Wallace and Gromit: the Curse of the Were-Rabbit‘, the best animated feature of 2005/2006, surpassing all computer animated films of those years. Watch the tailer for ‘Tim Burton’s Corpse Bride’ yourself and tell me what you think: Like this: Like Loading... Related In "Aardman Studio films" Robots In "★★½"

Using Toys and Forced Perspective to Get Professional, Low-Budget Visual Effects While working on a feature film called The Grind, filmmaker Vashi Nedomansky had to come up with a way to shoot a flashback scene, complete with Humvee, in the desert of Iraq. The only problem? He had neither Iraq, nor a Humvee to work with. Fortunately, he did have the sand dunes outside of Los Angeles and a 1:18 scale model of a Humvee purchased at Walmart for $23. As Nedomansky explains on his blog, “In filmmaking, sometimes the simplest solution will be the cheapest, most realistic and easiest. That’s the situation he found himself in with this Humvee scene. As you can see in the clip at the top, it turned out pretty well. Normally, a professional miniatures shot like this would take some serious time to set up, but as Nedomansky explains, you don’t always have that luxury. To find out more about the setup for this scene, and hear about the experience from the man himself, be sure to head over to his website by clicking here. (via Imaging Resource)

Mes films préférés de tous les temps, une liste de films par funculturepop Synopsis : Michael Corleone a succédé à son père Vito à la tête de la famille. Il dirige alors les affaires des Corleone d'une main implacable, en éliminant ses ennemis les uns après les autres. Mais en tentant en vain de ressembler à son père, il ne fera preuve que d'une autorité dévastatrice qui peu à peu l'éloignera des personnes qu'il aime.La deuxième partie du Parrain offre deux histoires parallèles. L'une implique le chef de la Mafia en 1958/1959 après les événements du premier film, l'autre est une suite de flash-back qui suivent le parcours de son père, Vito Corleone, de sa jeunesse en Sicile à la création de la Famille Corleone à New York.Le film commence en 1901, dans la ville de Corleone en Sicile, aux funérailles du père du jeune Vito, Antonio Andolini, qui a été assassiné pour une insulte au seigneur local de la mafia, Don Ciccio.

Documentary | animationstudies 2.0 As a film-maker who has become further and further drawn into the world of animated documentary, what has enthralled and inspired me is the overt subjectivity of exploring the world through animation; free from the ‘baggage’ of objectivity implied in… Read more → My local fish and chip shop has a sign in its window that says, in a large font: “CAT FISH – 75p” Just below, in a smaller font, it says “Fish for your cat” This sign always makes… Read more → There came a point in The Beloved Ones, the film I made in 2007 for the UK Film Council, when it became clear that the indexical sound recorded in the field, in Uganda, was not going to be able to… Read more → Last night I attended a panel discussion on “Infotainment” in which New York Times Hollywood correspondent Michael Cieply discussed documentary filmmaking as compared to traditional journalism. Read more →

Technology Innovative Technology for Innovative Campaigns The Oddcast suite of technologies represents the world's most powerful and scalable platform for the deployment, management, and tracking of multi-media, user-driven campaigns. Built on a light, Flash-based ASP model, our platform provides stutter-free experiences for even low bandwidth users, requires no special plug-ins, provides precise real-time reporting, and supports an unlimited number of concurrent users by way of our application server farm. Moreover, all of Oddcast's technologies are designed to work modularly, so even the most customized user experiences can be built with "out-of-the-box" ease. Illustrated Characters The character technology that started it all. 3D PhotoFace Renders photos into ultra-lifelike 3D that can be easily manipulated. 3D VideoStar Insert your face into any film scene - even speaking roles and complex action scenes - in fully rendered 3D. Character Morph Full Body 3D Avatars The next generation of avatars.

Les meilleurs films de tous les temps history of animation programs used Colin Levy When I was in highschool I spent like a year and a half working on a 5-minute short film. The movie was silly, starred my dad. I made it in my backyard. The unfortunate thing was, they gave me no more than a couple hours’ notice. I was thoroughly unprepared. Thelma Schoonmaker greeted me at the door. Martin Scorsese was intimidating, to say the least. The juxtaposition of scales was overpowering. A few weeks later, I got a reply — he had his assistant send me several books and DVDs (including “A Personal Journey with Martin Scorsese Through American Movies“)… and also the list of 39 Foreign Films to watch! In the following months and years I wanted to be able to write Scorsese back and be able to say, “Yes sir, I’ve gone out and watched every film on your list. I have done a piss-poor job of educating myself, and I wanted to do something about it. Six years ago, I had the chance to meet Martin Scorsese. Three intermissions, three screens, a live orchestra… I’m super excited! –Colin

Fuck Yeah Animation kirbyallen: vingette 03 / king fungus This was posted 5 hours ago. It has 35 notes. . ambitious-drawings: …dear Sarah This was posted 10 hours ago. volkanaydemir: Fight Club animation gif This was posted 15 hours ago. (Source: volkanaydemir) This was posted 15 hours ago. rhymes-with-lemons: we ALL scream for… This was posted 22 hours ago. laisaybond: My GIF for Loopdeloop’s RITUAL theme! This was posted 1 day ago. freddyarenas: California Sunday Magazine - Kim Gordon

more advanced animation techiques The Best Years of Our Lives (1946)

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