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Mécanhumanimal, Enki Bilal au Musée des arts et métiers

Mécanhumanimal, Enki Bilal au Musée des arts et métiers
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Biohack:Design | News & Works of RAPHAEL KIM [WEBFILM FICTION] Wildseed studios "creating the media brands of the future" February 3, 2015 Why did two TV execs leave the BBC and Aardman to form online video outfit Wildseed Studios? Co-founder Cleverly explains By James Martin Wildseed Studios is a broadcast alternative for online video producers, founded by former BBC creative executive Jesse Cleverly and Aardman Animation’s former head of broadcasting Miles Bullough. MIPBlog: Why did you decide to establish Wildseed Studios? Jesse Cleverly: We looked at the world from the point of view of emerging creators and saw a contradiction. We decided there was an opportunity there to provide the next generation of creative talent with the three things we see that they need: high level creative mentorship, strategic advice and investment sufficient to take their work to the next level. The end game for us is to create the media brands of the future. > Why, similarly, did you decide to launch Comedy and sci-fi channels? > How’s it going so far? Honestly it’s been incredible.

Le bio-design et le mouvement métaboliste Lorsque l’on évoque le futurisme, le bio-design n’est jamais très loin. Il faut pourtant les distinguer rigoureusement, car bien des oeuvres de bio-design ne sont pas futuristes et réciproquement. L’une des sources de confusion vient du fait que le bio-design partage avec le design futuriste une certain goût pour les formes curvilignes. En réalité, comme pour le design futuriste, le bio-design ne se résume pas à des lignes onduleuses. A la différence du design «curviligniste», le bio-design consiste en une approche globale du design. Il ne se contente pas de la forme ou de l’enveloppe apparente, il traite également des optimisations fonctionnelles et relationnelles du design à travers l’ergonomie, l’utilisation optimale des matières premières, l’intégration à l’environnement. Comme on pourra le voir dans les décennies futures, le bio-design et le bio-mimétisme représentent aujourd’hui une branche majeure du design. Kiyonoiri Kikutake – Marine City – 1963

[ENQUETE COLLABORATIVE] Attention, Filmmakers: Here Are the Secrets to the 'Seria By Matthew Poe | Indiewire November 30, 2014 at 10:00AM The true crime podcast has become an addiction for millions of listeners -- and the reasons why might be useful for any storyteller. Elise Bergerson/This American Life "Serial" host Sarah Koenig in studio. For now, at least, there are still two Americas: the half that is totally consumed by the podcast "Serial," and the one that will be once someone convinces them to start the first episode. If you know someone who's listening, and they have not already talked your ear off about it, you should feel free to ask them -- it will not be difficult to pry an opinion out of them. But if you're in the latter half, and none of your friends is yet a convert, here's what you need to know: "Serial" is a new show from the producers of "This American Life" that has, in two short months, become the most downloaded podcast in the world. Not Knowing HBO 'The Wire' What's the lesson in the risk that Koenig is taking? Ira Glass and New Journalism

hackteria.org [INTENTION] Spacemen Magazine 1964 - Ray Bradbury s view on sf and film The connections between the cinema and science fiction should be many and constant. This Is a science fiction era we live in and the cinema is a science fictional device, that is, a machine which, only a few short years ago, would have been looked upon as impossible, miraculous, beyond the ken of the ordinary person or even the extraordinary person. But now – suddenly - this one “empathy” machine has been given into the hands of mankind, whereby, if used well, we can: Find ourselves in the body of a white man If we are black... …the body of a black man if we if we are white We can be Baptist while remaining Catholic We can be woman and remain man We can be the dwarf while we are 6’ tall Ugly if handsome and handsome if ugly. So with this one “machine” alone much in the world changed, in good, and in bad directions. the projection machine and the power Hitler used this invention to empathize attention to a false image of Germany. This is a great loss to us all. For – our robot children

pavillon 35 [VLOG FICTIF] The Lizzie Bennet Diaries Un article de Wikipédia, l'encyclopédie libre. Vous lisez un « bon article ». Pour les articles homonymes, voir LBD. The Lizzie Bennet Diaries The Lizzie Bennet Diaries (littéralement « Les Carnets intimes de Lizzie Bennet »), ou plus simplement LBD, est une web-série dramatique américaine adaptée de l’œuvre de Jane Austen Orgueil et Préjugés[1] où l’intrigue, qui se déroule au début du XXIe siècle, est présentée en temps réel à travers le blog vidéo[2] que Lizzie Bennet, jeune étudiante californienne, tient pendant un an, y ajoutant une nouvelle page deux fois par semaine, le lundi et le jeudi. Innovante et originale, la série est interactive. The Lizzie Bennet Diaries a rapidement trouvé un public passionné de fidèles et obtenu dans la presse des commentaires flatteurs. Présentation[modifier | modifier le code] Lizzie, Charlotte, Lydia et Jane sont les seules à apparaître à l'écran au début, puisque Lizzie enregistre ses « carnets intimes » dans sa chambre[2].

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