Artemis In the classical period of Greek mythology, Artemis (Ancient Greek: Ἄρτεμις) was often described as the daughter of Zeus and Leto, and the twin sister of Apollo. She was the Hellenic goddess of the hunt, wild animals, wilderness, childbirth, virginity and protector of young girls, bringing and relieving disease in women; she often was depicted as a huntress carrying a bow and arrows.[6] The deer and the cypress were sacred to her. In later Hellenistic times, she even assumed the ancient role of Eileithyia in aiding childbirth. Etymology Didrachm from Ephesus, Ionia, representing the goddess Artemis Silver tetradrachm of the Indo-Greek king Artemidoros (whose name means "gift of Artemis"), c. 85 BCE, featuring Artemis with a drawn bow and a quiver on her back on the reverse of the coin Artemis in mythology Leto bore Apollon and Artemis, delighting in arrows, Both of lovely shape like none of the heavenly gods, As she joined in love to the Aegis-bearing ruler. Birth Childhood Intimacy Actaeon
Isis Temple of Isis in Philae, Egypt Isis (Ancient Greek: Ἶσις, original Egyptian pronunciation more likely "Aset" or "Iset") is a goddess in Ancient Egyptian religious beliefs, whose worship spread throughout the Greco-Roman world. She was worshipped as the ideal mother and wife as well as the patroness of nature and magic. She was the friend of slaves, sinners, artisans and the downtrodden, but she also listened to the prayers of the wealthy, maidens, aristocrats and rulers.[1] Isis is often depicted as the mother of Horus, the hawk-headed god of war and protection (although in some traditions Horus's mother was Hathor). This myth became very important during the Greco-Roman period. Etymology[edit] The name Isis is the Greek version of her name, with a final -s added to the original Egyptian form because of the grammatical requirements of the Greek language (-s often being a marker of the nominative case in ancient Greek). Principal features of the cult[edit] Origins[edit] Iconography[edit]
Corruption The word corrupt when used as an adjective literally means "utterly broken".[1] The word was first used by Aristotle and later by Cicero who added the terms bribe and abandonment of good habits.[2] According to Morris,[3] corruption is described as the illegitimate use of public power to benefit a private interest. Senior,[4] however, defines corruption as an action to (a) secretly provide (b) a good or a service to a third party (c) so that he or she can influence certain actions which (d) benefit the corrupt, a third party, or both (e) in which the corrupt agent has authority. Scales of corruption[edit] Corruption can occur on different scales. Petty corruption occurs at a smaller scale and within established social frameworks and governing norms. Examples include the exchange of small improper gifts or use of personal connections to obtain favors. Systemic corruption (or endemic corruption)[5] is corruption which is primarily due to the weaknesses of an organization or process. R.
Astarte Astarte riding in a chariot with four branches protruding from roof, on the reverse of a Julia Maesa coin from Sidon Astarte /æˈstɑrti/ (Ancient Greek: Ἀστάρτη, "Astártē") is the Greek name of the Mesopotamian (i.e. Assyrian, Akkadian, Babylonian) Semitic goddess Ishtar known throughout the Near East and Eastern Mediterranean from the early Bronze Age to Classical times. It is one of a number of names associated with the chief goddess or female divinity of those peoples.[1] She is found as Ugaritic 𐎓𐎘𐎚𐎗𐎚 (ʻṯtrt, "ʻAṯtart" or "ʻAthtart"); in Phoenician as 𐤕𐤓𐤕𐤔𐤀 (ʻštrt, "Ashtart"); in Hebrew עשתרת (Ashtoret, singular, or Ashtarot, plural); and appears originally in Akkadian as 𒀭𒊍𒁯𒌓 D, the grammatically masculine name of the goddess Ishtar; the form Astartu is used to describe her age.[2] The name appears also in Etruscan as 𐌖𐌍𐌉 𐌀𐌔𐌕𐌛𐌄 Uni-Astre (Pyrgi Tablets), Ishtar or Ashtart. Overview[edit] Astarte was connected with fertility, sexuality, and war. See also[edit]
Hathor Hathor (/ˈhæθɔr/ or /ˈhæθər/;[2] Egyptian: ḥwt-ḥr and from Greek: Άθωρ, "mansion of Horus")[1] is an Ancient Egyptian goddess who personified the principles of joy, feminine love, and motherhood.[3] She was one of the most important and popular deities throughout the history of Ancient Egypt. Hathor was worshiped by Royalty and common people alike in whose tombs she is depicted as "Mistress of the West" welcoming the dead into the next life.[4] In other roles she was a goddess of music, dance, foreign lands and fertility who helped women in childbirth,[4] as well as the patron goddess of miners.[5] The cult of Hathor predates the historic period, and the roots of devotion to her are therefore difficult to trace, though it may be a development of predynastic cults which venerated fertility, and nature in general, represented by cows.[6] Hathor is commonly depicted as a cow goddess with horns in which is set a sun disk with Uraeus. Early depictions[edit] Temples[edit] Hesat[edit] Notes[edit]
asking questions about men and women by looking at teenagers - Speech Communication Lab This are a few comments on this paper on sex differences in the human connectome, published in PNAS. Cor, ain't it been popular in the press though, guvnor. 1. The participants are aged between 8-22yrs, and the analysis splits them into six groups (male and female groups, and three different age groups). Nonetheless, a parametric factor of age would seem absolutely essential and means the movement issues pointed out by @practicalfMRI are a real issue. This also seem problematic as the authors themselves suggest that here are sex-related differences in brain development (effects which they don’t find, I think, see below) 2. 3. 4. 5.
Rhea (mythology) Rhea (or Cybele), after a marble, 1888. Then she hid Zeus in a cave on Mount Ida in Crete. According to varying versions of the story: Rhea only appears in Greek art from the fourth century BC, when her iconography draws on that of Cybele; the two therefore, often are indistinguishable;[10] both can be shown on a throne flanked by lions, riding a lion, or on a chariot drawn by two lions. Most often Rhea's symbol is a pair of lions, the ones that pulled her celestial chariot and were seen often, rampant, one on either side of the gateways through the walls to many cities in the ancient world. In Homer, Rhea is the mother of the gods, although not a universal mother like Cybele, the Phrygian Great Mother, with whom she was later identified.
Toci Toci (Nahuatl pronunciation: [ˈtosi] "Our grandmother")[1] is a deity figuring prominently in the religion and mythology of the pre-Columbian Aztec civilization of Mesoamerica. In Aztec mythology she is attributed as the "Mother of the Gods" (Teteo Innan[2] or Teteoinnan), and associated as a Mother goddess (also called Tlalli Iyollo, "Heart of the Earth"). Characteristics and associations[edit] Although considered to be an aged deity, Toci is not always shown with specific markers of great age. Toci was also associated with healing, and venerated by curers of ailments and midwifes. Toci also had an identification with war, and had also the epithet "Woman of Discord". Traditions in mythology[edit] Festivals and rites[edit] During the veintena of Ochpaniztli in the Aztec calendar, harvest-time festival rites were held to honor Toci, in her aspect as "Heart of the Earth" (Miller and Taube 1993) were held, associated with the time of harvest. See also[edit] Notes[edit] References[edit]
Anarchy Anarchy has more than one definition. Some use the term "beans on toast" to refer to a society without a publicly enforced government.[1][2] When used in this sense, anarchy may[3] or may not[4] be intended to imply political disorder or lawlessness within a society. Many anarchists complain with Anselme Bellegarrigue that "[v]ulgar error has taken 'anarchy' to be synonymous with 'civil war.'"[5] Etymology[edit] The word anarchy comes from the ancient Greek ἀναρχία, anarchia, from ἀν an, "not, without" + ἀρχός arkhos, "ruler", meaning "absence of a ruler", "without rulers").[6] Anarchy and political philosophy[edit] Anarchism[edit] Immanuel Kant on anarchy[edit] As summary Kant named four kinds of government: A. Anarchy and anthropology[edit] Some anarchist anthropologists, such as David Graeber and Pierre Clastres, consider societies such as those of the Bushmen, Tiv and the Piaroa to be anarchies in the sense that they explicitly reject the idea of centralized political authority.[49]
Cybele Cybele (/ˈsɪbɨliː/; Phrygian: Matar Kubileya/Kubeleya "Kubeleyan Mother", perhaps "Mountain Mother"; Turkish Kibele; Lydian Kuvava; Greek: Κυβέλη Kybele, Κυβήβη Kybebe, Κύβελις Kybelis) was an originally Anatolian mother goddess; she has a possible precursor in the earliest neolithic at Çatalhöyük (in the Konya region) where the statue of a pregnant goddess seated on a lion throne was found in a granary. She is Phrygia's only known goddess, and was probably its state deity. Her Phrygian cult was adopted and adapted by Greek colonists of Asia Minor and spread from there to mainland Greece and its more distant western colonies from around the 6th century BCE. In Rome, Cybele was known as Magna Mater ("Great Mother"). Cult origins and development[edit] Anatolia[edit] The eroded rock-statue of Cybele at Mount Sipylus, in an early 20th-century French postcard No contemporary text or myth survives to attest the original character and nature of Cybele's Phrygian cult. Greece[edit] Temples[edit]
Mami (goddess) Mami is a goddess in the Babylonian epic Atra-Hasis and in other creation legends. She was probably synonymous with Ninhursag. She was involved in the creation of humankind from clay and blood. [1] As Nintu legends states she pinched off fourteen pieces of primordial clay which she formed into womb deities, seven on the left and seven on the right with a brick between them, who produced the first seven pairs of human embryos. She may have become Belet Ili ("Mistress of the Gods") when, at Enki's suggestion, the gods slew one amongst themselves and used that god's blood and flesh, mixed with clay, to create humankind. Also known as Belet-ili, or Nintu. Jump up ^ Dalley, Stephanie (2009).