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Finding OERs Search engines A number of search engines exist to search Open Educational Resources. These include: DiscoverEd - "Discover the Universe of Open Educational Resources"Jorum - "free learning and teaching resources, created and contributed by teaching staff from UK Further and Higher Education Institutions"OCWFinder - "search, recommend, collaborate, remix"OER Commons - "Find Free-to-Use Teaching and Learning Content from around the World. Organize K-12 Lessons, College Courses, and more." Dandelion Image CC BY-NC-SA monteregina Coding Together: Developing iOS 6 Apps for iPhone and iPad (Winter 2013) - Download Free Content from Stanford Introducing Adobe Anywhere for Video | Adobe Anywhere Share this Episode Please select a language: Autoplay End of Video Show End Screen Default Quality Adjust your embed size below, then copy and paste the embed code above. Community Translation Episode available in 5 languages Available Translations: Join the Community Translation Project Thanks for your interest in translating this episode! Please Confirm Your Interest Thanks for your interest in adding translations to this episode! An error occurred while processing your request. Another translator has already started to translate this episode. Thanks for Participating! This episode has been assigned to you and you can expect an e-mail shortly containing all the information you need to get started. About This Episode Adobe Anywhere for video allows video teams to collaborate and access shared media across standard networks virtually anywhere they have internet connectivity. By

Open Classes on Piazza Software Defined Networking Instructor: Nick Feamster, Georgia Tech Start date: May 26th, 2014 Duration: 8 weeks Free Learn more Join Class Linear Circuits Instructor: Bonnie H. Ferri, Georgia Tech Start date: January 6th, 2014 Duration: 9 weeks Free Learn more Join Class Computational Investing, Part I Instructor: Tucker Balch, Georgia Tech Start date: February 22, 2013 Duration: 9 weeks Free Learn more Join Class Game Theory II: Advanced Applications Matthew O. Jackson, Kevin Leyton-Brown, Yoav Shoham Start date: May 27th, 2013 Duration: 7 weeks Free Learn more Join Class Introductory Physics I with Laboratory Instructor: Michael F. Schatz, Georgia Tech Start date: August 19th, 2013 Duration: 16 weeks Free Learn more Join Class

Pro Video Coalition: CUT.N.COLOR by Steve Hullfish by Steve Hullfish Steve Hullfish has been producing and editing award-winning television since the mid-1980s. He has written four books, countless magazine articles and hosted an Avid training DVD. He has lectured at NAB, DVExpo and the Master Editor seminars. He has edited on Avid since 1992 and was named to Avid's first group of Master Editors. His client list includes: Universal Studios, NBC Television, PBS TV, Turner Networks, The Oprah Winfrey Show, "Investigative Reports" and "Cold Cases" with Bill Kurtis for A&E, Jim Henson Home Entertainment, HIT Enterta... Read More The Art and Science of “THE BIG BANG THEORY” Editor Peter Chakos and Assistant Todd Morris discuss their very funny workflow By Steve Hullfish | March 31, 2014 One of the most popular shows on TV is “The Big Bang Theory.” I spoke to the editor, Peter Chakos, and his assistant, Todd Morris about how they cut the show. Read More 0 Comments The Art of the Cut: “12 Years a Slave” Editor, Joe Walker Read More 4 Comments 0 Comments

The Secret - or not so secret - world of Templates by Steve Hullfish Writing about anything on a forum with users as widely varied in their experience as provideocoalition is a trick. Half the people will say “I never heard of that” and the other half will say – like the Geiko Insurance ads – “Duh! Everybody knows that.” I have talked to several experienced editors in recent months that have not yet discovered the joy of After Effects and Motion templates. Like me, they are people with a minimal working knowledge of After Effects and do not consider themselves graphics artists, but when they saw a few of my recent projects they were stunned to find that I had done the effects work “myself.” I have to use the quotes, because saying I did them myself, is a little like mountaineers that claim to have summited Mt. My graphics “Sherpas” on more than one project were the relatively faceless masses of After Effects and Motion effects artists who hawk their wares on various template websites. Let me backtrack a bit and explain.

Pro Video Coalition: AE Portal by Rich Young by Rich Young Rich Young is a long-time After Effects user from the San Francisco Bay Area. His After Effects and Premiere Pro round-ups provide viewers with an easy-to-digest summary of developments. He also supplies info and links for tutorials that allow users to do things in After Effects they never thought were possible.... Read More After Effects at 20: A Trip Down Memory Lane By Rich Young | January 17, 2013 Adobe is celebrating the 20th year of After Effects. Read More 1 Comments After Effects Lately Dec31.2012 Sales & contest ending soon + a boatload of tutorials By Rich Young | December 31, 2012 Here's another part of the last few weeks or so of assorted After Effects tutorials, tips, and scripts & plug-ins new and old. 2 Comments Vignettes in Premiere & After Effects A plethora of resources [updated] By Rich Young | December 27, 2012 Vignettes have become more popular, and perhaps heavy-handed, especially in After Effects since the release of the DV Rebel's Guide by Stu Maschwitz.

The Art and Science of “THE BIG BANG THEORY” by Steve Hullfish One of the most popular shows on TV is “The Big Bang Theory.” I spoke to the editor, Peter Chakos, and his assistant, Todd Morris about how they cut the show. The interviews were originally done for my new book, “Avid Uncut” which will officially released at NAB 2014. The book uses just portions of the interview, but the response to the last two interviews I did for “12 Years a Slave” and “Gravity” made me think that releasing the full transcripts here will be educational. The interviews were done separately, but I’ve combined them here so that they follow the workflow throughout the process. HULLFISH: Todd, tell me about the process of prepping for the edit. MORRIS: On digitize day I receive the four cameras, which are recorded separately on HDCam SR, and digitize from tape as DNxHD36 (in an Avid Media Composer) and I also receive an eight channel DVD-RAM of the audio. MORRIS: We shoot Tuesday night. CHAKOS: They only record the iso cameras. CHAKOS: Timing is all rhythmic and musical.

Gradient Maps and Blend Modes in After Effects Combining gradient mapping and blend modes can be used to create fun, unique looks in After Effects. In this post, we share a quick way to give your footage unique color grades in Adobe After Effects. One of my favorite ways to add fun looks to photos in Photoshop is to combine gradient maps with blend modes: This particular gradient map combination is a favorite of mine that works well on a lot of images (especially outdoor): As you’ll see below, I added a gradient map to the image and changed the blend mode to “Screen”: Gradient Maps in After Effects Technically, gradient map layers don’t exist in After Effects. Results in this: Now that we can mimic the effect of a gradient map, put these effects on an adjustment layers and you get the ability to apply blend modes, just like in Photoshop! We’ll start out by using the gradient above again and applying it to an adjustment layer. (Click images for larger view) Here’s another gradient: Here’s another gradient combination: Lighten And another:

Градиенты без прекомпоза В продолжение к теме использования toComp, другая практическая задача - использование выражения при создании градиента без прекомпоза, лайт свипов и тд. Проблема при создании градиентов, лайт свипов и пр. элементов с параметрическими данными в том, что при перемещении данное объекта, градиент не перемещается со слоем. Чтобы этого избежать обычно используют прекомпозы, но это не всегда удобно, поэтому можно использовать выражение toComp(value) в параметры начальных точек для отсраивания эффекта. Выражение используемое в видео: toComp(value); Видео: У Вас недостаточно прав для добавления комментариев.Регистрируемся,а потом можно будет писать. Making It Look Great 5 Work along with After Effects expert Maltaannon as he guides you step-by-step through a range of motion graphics and visual effects looks and techniques. Gyro Create a cool-looking gyroscopic element completely within After Effects. Inspired by the work of Mark Coleran, this tutorial includes extensive use of Shape Layers, parenting and simple expressions to create a technical look using almost no keyframes. Form Face Create a slick push pin toy effect as seen in the Radiohead’s House of Cards video. This tutorial shows you how to combine regular footage with Trapcode’s popular Form plug-in to create an eye-popping 3D effect. Retro Terminal Create a reusable retro-style computer terminal animation. Screenify Create a realistic and detailed Jumbotron-style video screen. Speed Grading Master fast and precise color correction techniques using standard After Effects tools including Colorama and CC Composite. Spycam Create an infinitely zooming spycam look.

Adobe After Effects: 5 советов вы должны знать Вот краткий список из пяти вещей, которые каждый After Effects пользователь должен знать, но часто этого не делает. Совет 1 - научиться использовать градиенты Градиенты - гладкая смесь двух или более цветов в слое - выглядеть красиво, но они также важным источником мощного контроля в After Effects. В частности, многие из эффектов плагины в After Effects либо требуют внешнего источника или градиентом слой на работу, или их мощность может быть резко увеличена при использовании градиентов. Например, вы можете сделать некоторые прекрасные виньетка фокусировки эффектов с эффектом размытия Подворье, но многие пользователи не понимают, что соединение Размытие потребности внешнего карту градиента, чтобы работать. Тем не менее, если вы добавите простой радиальный градиент предварительно составлен на твердый слой: Совет 2 - Исследуйте режимы наложения Вы делаете это путем дублирования слоя, который вы хотите применить для мгновенного Секс, то, применяя Gaussian Blur (эффект Когда я работаю с А.

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