Paris Review Daily - Blog, Writers, Poets, Artists - Paris Review Donald Barthelme would’ve been, and should be, eighty-three today. It would be an exaggeration to say that I feel the absence of someone whom I never met—someone who died when I was three—but I do wonder, with something more than mere curiosity, what Barthelme would have made of the past twenty-odd years. These are decades I feel we’ve processed less acutely because he wasn’t there to fictionalize them: their surreal political flareups, their new technologies, their various zeitgeists and intellectual fads and dumb advertisements. Part of what I love about Barthelme’s stories is the way they traffic in cultural commentary without losing their intimacy, their humanity. But I’m losing the thread. My point is not to reveal a secret wish that Barthelme was my uncle. I wanted to say something about lists. A zombie advances toward a group of thin blooming daughters and describes, with many motions of his hands and arms, the breakfasts they may expect in a zombie home.
modern dharma Review 31 Home | Review 31 Shunryu Suzuki Zen,Buddhism ReadySteadyBook - for literature... One Dharma Nashville The Rumpus.net BARDO David Foster Wallace on Writing, Self-Improvement, and How We Become Who We Are by Maria Popova “Good writing isn’t a science. It’s an art, and the horizon is infinite. You can always get better.” In late 1999, David Foster Wallace — poignant contemplator of death and redemption, tragic prophet of the meaning of life, champion of intelligent entertainment, admonisher against blind ambition, advocate of true leadership — called the office of the prolific writer-about-writing Bryan A. Over the course of the exchange, the two struck up a friendship and began an ongoing correspondence, culminating in Garner’s extensive interview with Wallace, conducted on February 3, 2006, in Los Angeles — the kind of conversation that reveals as much about its subject matter, in this case writing and language, as it does about the inner workings of its subject’s psyche. Wallace begins at the beginning, responding to Garner’s request to define good writing: This act of paying attention, Wallace argues, is a matter of slowing oneself down. The writing writing that I do is longhand. . . .
zsolt suto – fautoblog The Psychology of Writing and the Cognitive Science of the Perfect Daily Routine Reflecting on the ritualization of creativity, Bukowski famously scoffed that “air and light and time and space have nothing to do with.” Samuel Johnson similarly contended that “a man may write at any time, if he will set himself doggedly to it.” And yet some of history’s most successful and prolific writers were women and men of religious daily routines and odd creative rituals. (Even Buk himself ended up sticking to a peculiar daily routine.) Such strategies, it turns out, may be psychologically sound and cognitively fruitful. In the altogether illuminating 1994 volume The Psychology of Writing (public library), cognitive psychologist Ronald T. [There is] evidence that environments, schedules, and rituals restructure the writing process and amplify performance… The principles of memory retrieval suggest that certain practices should amplify performance. Kellogg reviews a vast body of research to extract a few notable findings.
Cascadia Nation Bird by Bird: Anne Lamott’s Timeless Advice on Writing and Why Perfectionism Kills Creativity by Maria Popova “Perfectionism is the voice of the oppressor, the enemy of the people. It will keep you cramped and insane your whole life.” Anne Lamott’s Bird by Bird: Some Instructions on Writing and Life (public library) is among my 10 favorite books on writing — a treasure trove of insight both practical and profound, timelessly revisitable and yielding deeper resonance each time. Lamott adds to the collected wisdom of great writers with equal parts candor and conviction, teaching us as much about writing as she does about creativity at large and, even beyond that, about being human and living a full life — because, after all, as Lamott notes in the beginning, writing is nothing more nor less than a sensemaking mechanism for life: One of the gifts of being a writer is that it gives you an excuse to do things, to go places and explore. I started writing when I was seven or eight. I still encourage anyone who feels at all compelled to write to do so. But, one might wonder, why?
Fly Like a Crow | This site is no longer being updated, but I have left the posts here due to some requests.