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Archives of American Art, Smithsonian Institution

Archives of American Art, Smithsonian Institution

Electronic Texts, Primary Sources and Digital Libraries See Also: Archives & Manuscripts | Audio, Video, Multimedia | French Literature | History | Images | Literature | Magazines & Journals Looking for a particular title or author? Best starting place is the Online Books Page, John Mark Ockerbloom's index to full-texts on the Web with links to more than 30,000 books in various formats. ABU: la Bibliothèque Universelle - Over 288 searchable French e-texts, ranging from Balzac to Zola, listed alphabetically by author and title. Academy of Natural Sciences - Philadelphia. The Albert M. Primary Sources: Workshops in American History - Produced by WGBH Boston. 2001 and provided by Annenberg Media. “12 high school history teachers explore the use of primary-source documents in the research and interpretation of American history.” Antologia (frammentaria) della Letteratura Italiana - Riccardo Scateni.Antología del Ensayo Ibero e Iberoamericano - Created and Maintained by José Luis Gómez-Martínez. Walter Crane's painting book Terrorism and U.S.

Summary of the American Academy of Arts and Letters records, 1864-1942 American Academy of Arts and Letters, est. 1904 Society New York, N.Y. Collection size: 800 items (on 5 microfilm reels). Collection Summary: A collection of artists' papers containing correspondence, notes, biographical material, exhibition catalogs, and other published material. Includes: volume of notes, drawings, and calculations made by George Bellows for a study of Jay Hambidge's theory of Dynamic Symmetry; correspondence and published and unpublished biographical and critical material on George de Forest Brush, Childe Hassam, Francis D. Millet, Joseph Pennell, Elihu Vedder, and J. Biographical/Historical Note: Organized 1904, incorporated 1914; New York, N.Y. This is a collection of miscellaneous papers representing a gathering over the years of unsolicited documentary resources on American art given or addressed to the Academy. How to Use this Collection Microfilm reels NAA 1 through NAA 5 available at Archives of American Art offices and through interlibrary loan.

Your Life Torn Open, essay 1: Sharing is a trap This article was taken from the March 2011 issue of Wired magazine. Be the first to read Wired's articles in print before they're posted online, and get your hands on loads of additional content by subscribing online. The author of The Cult Of The Amateurargues that if we lose our privacy we sacrifice a fundamental part of our humanity. Every so often, when I'm in Amsterdam, I visit the Rijksmuseum to remind myself about the history of privacy. Today, as social media continues radically to transform how we communicate and interact, I can't help thinking with a heavy heart about The Woman in Blue. On this future network, we will all know what everyone is doing all the time. Every so often, when I'm in London, I visit University College to remind myself about the future of privacy. Unfortunately, Bentham's panopticon was a dark premonition. Yet nobody in the industrial era actually wanted to become artefacts in this collective exhibition.

Library | Amon Carter Museum, Fort Worth, Texas Complementing the museum’s art collection, the research library offers an extensive range of materials on American art, photography, and history from the early nineteenth century to the present. The library provides support to researchers at all levels interested in deepening their understanding of the country’s artistic heritage. A librarian is available at the reading room reference desk during public hours to assist you.Photocopies, computer printouts, and microform copies cost fifteen cents per page beyond first ten (first ten copies are free). Digital scanning to email or flash drive is free (please bring your own drive).Two computers are available for public use.Free Wi-Fi is available.Bags 11-by-15 inches or larger must be checked at security.

Tips for Artists; How to Work on Commission << Back to Articles for Artists Pretty much all artists are presented with offers to produce works of art on commission at points in their careers. Unfortunately, many have had what looked to be a golden opportunities turn into unmitigated nightmares. The following tips and pointers on expect when commissioned to do an artwork and how to approach commissions in general will not only help you avoid problems, but will help you identify situations when the best approach is to just say no. To begin with, working on commission, creating a work of art on spec from scratch for someone other than yourself, is totally different than selling a finished piece at a show, at a gallery, or out of your studio. Selling a completed work of art is an event; producing a work of art on commission for another party is a relationship. From your end, the key to successfully working on commission is your ability to be flexible and communicate with whomever hires you. * "Have you commissioned art before?

Home | National Museum of the American Indian The Silk Road Project U.S. Department of State Freedom of Information Act (FOIA) This site is designed to assist you in making a request for records controlled by the U.S. Department of State. If you would like to request records from another agency, you may wish to view a list of Other Federal Agencies’ FOIA Web Sites . Information Access Guide – if you would like to request Department of State Records, please follow the instructions in our comprehensive guide. This guide also includes information on fees, expeditious handling, and appeals. En Esp a ñol Requesting Department of State Records – basic instructions for filing a FOIA request. Electronic FOIA Request – make a FOIA request online. FOIA/Privacy Act Reference Material – laws, regulations, policies, and administrative guidelines relating to information access programs. Electronic Reading Room – records available to the public including final opinions and administrative rulings, administrative staff manuals, and policy guidelines. What’s New Documents Posted September 2012 covering a wide range of topics.

Libraries and archives The Museum collection is available to researchers of all different levels through its galleries, libraries and study rooms, as well as online. Libraries catalogue online Catalogues for all of the Museum's libraries can be searched online – please note not all Museum libraries have their entire collection recorded in the online catalogue. Search the catalogue now Museum archive The Museum's Archive contains administrative records of the Museum dating back to its foundation in 1753, including minutes of meetings of the Museum’s Trustees, acquisitions reports and administration, policy and financial records. The Central Archive holds limited information on the Museum’s collection: these records are generally held by the Museum’s curatorial departments (with some exceptions). Archive material held by the British Museum Department of Manuscripts (usually with references beginning ‘Add’) and some other Museum records (before 1973) are now held by the British Library.

Art Lesson DVD & Download | Abstract Art & Painting with Acrylics | Gallery/Studio Petersham. American Journeys: Eyewitness Accounts of Early American Exploration and Settlement Mythology in Classical Greek and Roman Art The Theoi Project galleries now contain more than 1,200 images of ancient Greek and Roman art . The image directory can be searched using the engine below. GALLERY K1 GREEK VASE PAINTING (63 x IMAGES) The Olympian gods in Greek vase painting (Zeus, Poseidon, Hera, Demeter, Apollon & Artemis) GALLERY K2 GREEK VASE PAINTING (60 x IMAGES) The Olympian gods in Greek vase painting (Hephaistos, Ares, Athene, Aphrodite & Hermes) GALLERY K3 GREEK VASE PAINTING (48 x IMAGES) The Olympian gods in Greek vase painting (Dionysos, Hestia, Hades, Persephone, Kheiron, Triton, Horai, Hebe) GALLERY K4 GREEK VASE PAINTING (55 x IMAGES) Olympian & rustic gods in Greek vase painting (Muses, Charites, Pan, Hygeia, Ploutos, Eros, Erotes, Bendis, etc) GALLERY L1 GREEK VASE PAINTING (32 x IMAGES) Giants in Greek vase painting (Alkyoneus, Antaios, Geryones, Polyphemos, Talos, Argos Panoptes, etc) GALLERY M1 GREEK VASE PAINTING (68 x IMAGES) GALLERY N1 GREEK VASE PAINTING (30 x IMAGES)

Wilbour Library:Recent Acquisitions These pages have been made available on the Newton server since 1995 to present the acqusitions lists of the Wilbour Library of Egyptology to as wide an audience as possible. News July 2005 The Wilbour Library of Egyptology of the Brooklyn Museum has added Reviews of Egyptological Literature to the Research page of the Library Online Catalog. Continuing the reviews that were previously contributed to BES, this list covers the years 2000 to 2004 and will be updated annually. Important news November 2004 After extensive renovation, the Brooklyn Museum Libraries and Archives are reopened to advanced researchers. www.brooklynmuseum.org To inquire about making an appointment please send an email to: library@brooklynmuseum.org In addition to books and periodicals, all pamphlets and offprints on Ancient Egypt are fully cataloged and represented in the online catalog. Deirdre E. Available files

Artist Tips to be Famous and Make Lots of Money << Back to Articles for Artists Q: Could you please look at my art, and tell me what you think? Also, what do you think of my website? A: Artists send out tons of these random requests to art business professionals like myself, messages in bottles tossed onto the sea, believing that someone somewhere will ultimately respond-- perhaps the Good Fairy, perhaps the White Knight, perhaps me-- and rescue them, and whoosh them away to fame, fortune, and scrillions of dollars. Emailing people you don't know and asking them to do a bunch of stuff for you for free does not help. You have no idea who they are either. The belief that you can hawk your art, without qualification or recommendation, to galleries and agents all over the face of the earth until someone falls in love with it to the point where they take on all of your business affairs and leave you to toil happily away in the studio is a fantasy. As for the galleries and agents you're asking, they only show art they think they can sell.

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