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Indonesian folk music

Indonesian folk music

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Indonesia - Music Indonesia is the fourth most populous country in the world, with a 2010 population of more than 237 million people. Indonesians inhabit approximately 6,000 of the 17,500 islands in the archipelago. Indonesia is a modern nation-state of great cultural and ethnolinguistic diversity. Bahasa Indonesia is the official national language, but more than seven hundred languages are spoken. Due to its large and diverse population spread out over such a vast expanse of land and sea, it is difficult to make general statements about Indonesian music as a monolithic entity. Most studies in this entry pertain to the music of specific ethnic groups (only a small fraction of the more than three hundred ethnic groups are represented in the scholarship).

Indonesian Music and Dance By Kallie Szczepanski Across Indonesia, but particularly on the islands of Java and Bali, gamelan is the most popular form of traditional music. A gamelan ensemble consists of a variety of metal percussion instruments, usually made of bronze or brass, including xylophones, drums and gongs. It may also feature bamboo flutes, wooden stringed instruments, and vocalists, but the focus is on the percussion. The name "gamelan" comes from gamel, a Javanese word for a type of hammer used by a blacksmith. Gamelan instruments are often made of metal, and many are played with hammer-shaped mallets, as well.

Music Of Indonesia: Traditional Musical Instruments of Batak Toba, North Sumatra Hi, welcome back traditional Indonesian music lovers, If yesterday we've discussed Rapai which is mostly a traditional musical instrument of Aceh, today we will discuss the traditional music of North Sumatra province, tapatnya Batak Karo. Indonesian nation known for its diversity and ethnic tribe, until now there are about 1300 an ethnic group in Indonesia, each ethnic tribe is certainly has no traditions and cultural particularities of each. The diversity of art and culture that exist in the world, and in Indonesia in particular gives much influence to human civilization, as well as the art of music, traditional musical instruments carry a very significant influence on the development of music. Music is organized sound so that it contains a rhythm, song, and harmony, especially the sound produced from the tools that can produce sounds. (Wikipedia) Special about the solo instrument, the approach taken is also a more specific nature.

Instruments The accordion used by Joshua Horowitz was built in 1889 By Karl Budowitz. It represents the earliest type of fully chromatic button accordion, and formed the basis of the Russian Bayan developed in the early 20th Century. The warm, reedy sound, which at times yields the uncanny illusion of a small wind orchestra, is made possible through the materials used for its construction - bone, wood, goat skin and brass. Klezmer Klezmer (Yiddish: כליזמר or קלעזמער (klezmer), pl.: כליזמרים (klezmorim), כליזמר from Hebrew: כלי זמר‎ — instruments of music) is a musical tradition of the Ashkenazi Jews of Eastern Europe. Played by professional musicians called klezmorim, the genre originally consisted largely of dance tunes and instrumental display pieces for weddings and other celebrations. In the United States the genre evolved considerably as Yiddish-speaking Jewish immigrants from Eastern Europe, who arrived between 1880 and 1924,[1] met and assimilated American jazz. During the initial years after the klezmer revival of the 1970s, this was what most people knew as klezmer, although in the current century musicians have begun paying more attention to the "original" pre-jazz traditions as revivalists including Josh Horowitz, Yale Strom, and Bob Cohen have spent years doing field research in Eastern/Central Europe. Etymology[edit] Style[edit]

Traditional Japanese Music There are several types of traditional, Japanese music (hogaku). Some of the most important ones are listed below: Gagaku: Ancient court music from China and Korea. It is the oldest type of Japanese, traditional music. Australian music Peter van Velthoven, Didgeridoo player from the band Yothu Yindi. Photograph courtesy of Peter van Velthoven. The music of a culture reflects the intonation of language, rhythms of speech, noises in the environment and different aspects of life – all of which is culturally based. Every culture has music that is distinctive and an important aspect of its identity.

KLEZMER MUSIC Klezmer music originated in the 'shtetl' (villages) and the ghettos of Eastern Europe, where itinerant Jewish troubadours, known as 'klezmorim', performed at joyful events ('simkhes'), particularly weddings, since the early middle age till the nazi and Stalinian prosecutions. It was inspired by secular melodies, popular dances, 'khazones' (khazanut, Jewish liturgy) as well as by the 'nigunim', the simple and often wordless melodies, intended by the 'Hasidim' (orthodox Jews) for approaching God in a kind of ecstatic communion. In (mutual) contact with Slavonic, Greek, Ottoman (Turkish), Gypsy and -later- American jazz musicians, using typical scales, tempo and rhythm changes, slight dissonance and a touch of improvisation, the 'klezmorim' acquired the ability to evoke all kinds of emotions, through a very diversified music. back home