François Roche Hyvinkään taidemuseo - www.hyvinkaa.fi Bea Farenhorst, Tamarind, 2013, 20x15 cm, puupiirros/woodcut Yrjö Saarinen, Tanssiva Pariisi, 1930, liimaväri, 119x291 cm, Karin ja C. E. Sonckin kokoelma/Hyvinkään taidemuseo Tarjottimen kuva Yrjö Saarisen teoksesta Syyskuva Hyvinkäältä, 1950, öljy, Hyvinkään taidemuseo
Fondation Le Corbusier Recevez régulièrement par courriel les dernières nouvelles de la Fondation Le Corbusier Plan du site Maison La Roche Appartement-Atelier Villa Le Lac Maison Jeanneret Expositions Divers Rencontres Architecture Réalisations Projets Arts Plastiques Peintures Dessins & Papiers collés Emaux Tapisseries Sculptures Estampes
Charles and Ray | Eames Office Charles and Ray Eames are among the most important American designers of the 20th century. The Eameses are best known for their groundbreaking contributions to architecture, furniture design, industrial design and manufacturing, and the photographic arts. Charles Eames was born in 1907 in St. Ray Kaiser Eames was born in 1912 in Sacramento, California. Charles and Ray married in 1941 and moved to California where they continued their furniture design work with molding plywood. In 1949, Charles and Ray designed and built their own home in Pacific Palisades, California, as part of the Case Study House Program sponsored by Arts & Architecture magazine.
FORTUNATO DEPERO Né à Fondo, dans la province du Trentin alors austro-hongroise, formé dans le sillage du symbolisme pictural, Fortunato Depero n'établit le contact avec la scène futuriste romaine qu'en 1913. Influencé par Giacomo Balla dont les toiles mettent en œuvre une décomposition rationnelle du mouvement et de la vitesse, impressionné par la liberté formelle d'Umberto Boccioni, Depero adopte très vite les préceptes futuristes. Dès 1914, il participe à l'exposition libre futuriste internationale.
CHARLOTTE PERRIAND Le Centre Pompidou vous propose de nombreuses visites, parcours et ateliers pour découvrir le bâtiment, les collections, les expositions temporaires, la création des 20e et 21e siècles. L'ensemble des visites, générales ou thématiques, offrent la possibilité d'établir des liens avec les programmes scolaires, adaptés à chaque niveau. Parcours, ateliers et événements de la Galerie des enfants permettent aux plus jeunes dès 2 ans, de se familiariser à l'art moderne et contemporain par la manipulation ou l'expérimentation. Le programme d’activités Visites des collections permanentes et des expositions temporaires Les visites s'adressent à tous les niveaux scolaires. Parcours Les parcours thématiques réveillent les cinq sens du plus jeune public, pour une plongée au cœur des œuvres de la collection du musée national d'art moderne. Parcours Histoire des arts dans « Modernités plurielles » Ateliers Les ateliers pour le jeune public se déroulent en deux temps. Informations pratiques
Kuopion taidemuseo - Kuopio Art Museum Knoll Born to world famous parents, architect and Cranbrook Academy of Art director Eliel Saarinen and textile artist Loja Saarinen, Eero Saarinen was surrounded by design his whole life. It came as no surprise that Eero was helping his father design furniture and fixtures for the Cranbrook campus by the time he was in his teens. In 1929 Eero left for Paris where he studied sculpture before enrolling in the Yale architecture program the following year. In 1934, he returned to Michigan to teach at Cranbrook, work on furniture designs, and practice architecture with his father. It was at Cranbrook that Saarinen met Charles Eames. Charles Eames and Eero Saarinen with a lightweight tensile structure designed for the 1939 faculty exhibition at the Cranbrook Academy of Art Architecture Studio. Saarinen also met Florence Knoll (né Schust) at Cranbrook, who at that time was a promising young protégé of Eliel Saarinen. Back row from left: Eero Saarinen, Lily Swann Saarinen and Florence Schust Knoll.
Dieter Rams - Design Museum As head of design at Braun, the German consumer electronics manufacturer, Dieter Rams (1932-) emerged as one of the most influential industrial designers of the late 20th century by defining an elegant, legible, yet rigorous visual language for its products. Formative Years Dieter Rams was born in Wiesbaden, Germany, in 1932. As a teenager he loved to watch his grandfather who worked as a carpenter. During those formative years Rams absorbed his grandfather’s ways of thinking about work and craft, which Rams credited as being extremely influential for his own development as a designer. In 1947, at sixteen years of age, Rams began a course in Interior Design at the newly reopened Handwerker Kunstgewerbe Schule, in Wiesbaden. However, after only two semesters, he interrupted his studies for a three-year carpentry apprenticeship. In 1956 Rams finally took part in the development of a product from beginning to end. Good design is innovative. Good design makes a product useful.