Miłość, przemoc i muzyka – Terre Thaemlitz w Zachęcie, 27 czerwc O miłości, przemocy, muzyce i projekcie Terrego Thaemlitza “Lovebomb” – w niedziele w Zachęcie. Spotkanie odbędzie się w ramach cyklu “Krew na liściach. Muzyka jako teoria społeczna”, w sali multimedialnej warszawskiej Zachęty (pl. W roku 2005 Terre Thaemlitz zaprezentował kolaż wizualno-dźwiękowy pt. Na ostatnim przed wakacjami spotkaniu z cyklu “Krew na liściach”, o swym projekcie będzie opowiadał jego autor, Terre Thaemlitz. “Krew na liściach” to cytat z jednego z najsłynniejszych protest songów śpiewanych przez Billie Holiday, “Strange Fruit”. Celem cyklu jest rozmowa o muzyce z różnych perspektyw: teorii muzyki, ale także krytyki sztuki, socjologii czy filmoznawstwa. Wśród gości na każdym spotkaniu będzie jedna osoba, która zajmuje się muzyką na co dzień i jedna, która specjalizuje się w innej dziedzinie. info: materiały promocyjne organizatora
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LWE Interviews Terre Thaemlitz For Terre Thaemlitz, audio is never “innocent.” From Thaemlitz’s earliest ambient recordings, through a series of incredible electro-acoustic projects for the Mille Plateaux label, to a current triple-life as producer of astringently political “radio shows,” deep house auteur as DJ Sprinkles and K-SHE, and writer/polemicist, Thaemlitz’s project has always been to unsettle any putative audience’s assumptions of what constitutes knowledge and politics. Thaemlitz is also possibly dance music’s finest socio-political commentator. Not to mention her continual “queering of the pitch.” With DJ Sprinkles’ Midtown 120 Blues somehow managing to be one of the best dance music albums of both 2008 and 2009 (thanks partly to a staggered release schedule, but also to the ineffectual nature of most any of its supposed “competitors”), it’s time to take the temperature of the “ideology of the dance floor” with our scene’s most articulate outsider. How did DJ Sprinkles come about? Right.
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